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| (more specifically) Music written in the European tradition during a period lasting approximately from 1750 to 1830, when forms such as the symphony, concerto, and sonata were standardized |
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| Advocacy of political independence for a particular country |
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| An opera by Wolfgang Amadeus Mozart, in which the servant Figaro outwits his noble master, who is trying to seduce Figaro's fiancée. |
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| a genre of fiction characterized by mystery and supernatural horror, often set in a dark castle or other medieval setting |
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| Austrian composer known for his compositions for voice and piano |
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| Saint Martin-in-the-Fields |
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| a church in central London, England, designed by James Gibbs and completed in 1726. |
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| the various degrees of loudness called for in performance |
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| czar of Russia (1551-1605) |
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| A style of art, especially architecture and decorative art, that originated in France in the early 18th century and is marked by elaborate ornamentation, as with a profusion of scrolls, foliage, and animal forms. |
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| One who is boldy creative or defiantly original in behavior or actions. |
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| German composer famous during the Romantic era |
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| British author of historical novels and ballads |
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| French artist, noted for richly coloured paintings typifying the frivolity of 18th- century French court life |
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| Spring Revolutions of 1848 |
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| Political upheavals throughout Europe |
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| a movement in literature and art during the late 18th and early 19th centuries that celebrated nature rather than civilization |
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| the civil code of France, promulgated between 1804 and 1810, comprising the main body of French civil law English name Napoleonic Code |
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| An extended piece in three or more movements for symphony orchestra. |
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A magician and alchemist in German legend who sells his soul to the devil in exchange for power and knowledge. |
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