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Figurine of a woman from the Cyclades
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The Temple of Hera I (background)
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urban center surrounding a natural citadel |
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•a large open space serving as a meeting place, marketplace, and civic center.
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•sculpted blocks that top columns |
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| Walls in Mycenae that Greeks believed were built by Cyclopses |
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| representation of all gods |
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| "coming together" of men to share food, wine, and poetry |
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Columns that swell one-third of the way up and contract at the top |
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| small local areas comparable to modern precincts |
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female figures that serve as columns |
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•("counterpoise") in which the figure twists around its axis with support resting on one leg |
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•"wise men," no longer asked "What do we know?" but "How do we know, and how can we trust what we think we know?"
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process of inquiry characterized by question-and-answer dialogue used by Socrates. |
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is the leading character who is in conflict with the antagonist |
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•elevated stage on which the actors performed and backdrops could be hung |
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cleansing, purification, or purgation of the soul.
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•two premises from which a conclusion can be drawn in the form of, "A is B; and A is C; therefore, B is also C."
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middle ground between any two extremes of behavior |
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