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18th c rediscovery of history and revival of past historic styles. Associates themselves with something long ago (ex: ancient Rome, China). reference to something outside of itself, takes us back in time and space. ex: Strawberry Hill |
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plan derived from 17/18 century, Georgian period. Two banks of rooms on either side separated by central hallway. Rectangular plan with two banks of rooms, two deep, with central circulation |
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Queen Anne Style Furniture |
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Cabriole curves, Scalloped edge Variety of Baroque and Rococo influence from Italian Baroque: empty space in just as important as solid structure. Solid mortis and tenon construction, but curves on the outside that cover it up Walnut - native wood to England named after Q.Anne, one of last styles to be named after monarch ex: High Boys, women's dressing table, chairs |
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Chippendale: plates from book |
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Gentleman’s and Cabinet-Maker’s Director - 1750 an interior design profession beginning to come together & emerge. custom pieces could be designed (1)Rococo/French, (2)Gothic, & (3)Chinese styles started importing exotic woods - mahogany (avoided painting and gilding chairs) |
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mirrors located between windows (instead opposite them like in Versailles) so that you would have an entire wall of glass |
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you can move freely through rooms, picturesque quality, all activities going on simultaneously and people can move freely. Like picturesque park, like nature. Leveling social interaction to act on an equal basis. Used on small villas. |
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marble dust and chips swirled in plaster mix and carves like plaster instead of marble |
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loop pile, see the edges of fibers sticking up Napoleon revived them in French Empire |
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are flat pile, almost like a tapestry laid on the floor, very flat Napoleon revived them in French Empire |
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"horse" glass 4 legs sturdy, close to the ground, mirror tilts better technology = larger glass pieces |
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Durand. Rational, regular approach to architecture and planning. square diagrams |
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Picturesque-classical spatial sequencing |
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Robert Adam. constantly changes with contrast, variety, surprise, shifting scenes as you walk through (building type ex: Strawberry Hill…even though this is Gothic) Classical building type with picturesque landscape example: Latrobe’s Pope Villa |
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England, 1650s, English Georgian (English Baroque) Roger Pratt rusticated basement, raised central floor, bedrooms above, dormer windows double pile plan |
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Westover, Byrd Family House |
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Virginia, 1720-30s, American Colonial Charles City Co. Protruding bell course separated first from second floor and creates a shelf on the interior for the floor joists to rest on High hipped roof, chimney stacks, Double pile plan, attempt at passive cooling. Winged-back chair |
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Virginia, 1750s, American Colonial simplified version of Georgian style Comfort/ergonimics > chair back height >chair rail > window sill > exterior architecture. little keystone, small arch, window frame Chippendale chairs |
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George & Martha Washington house, VA, 1780s. American Colonial Fireplaces on outer walls Asymmetrical house originally painted bright blue Chippendale chairs |
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Picturesque Landscape Design |
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Started in English gardens. English began to design their landscapes around pictures. Possibly England’s greatest contribution to the arts. Little buildings scattered throughout the landscape from different styles and places - Romanticism style - takes you to a world “far away & long ago” - but some think it implies that the past is better than the future and keeps you from living in the now..problem? Enlightenment + rise of science + worship of nature + 18th century = nature should be enhanced but not too artificial |
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Chinese style - Engalnd, 1750s - Luke Lightfoot Concept: the “western fantasy” of what the orient is about. Chinese room: room for tea drinking (custom imported from China), furniture set was imported from China…expensive. You could do each room in your house in a different style. styles in the mid 1700s are shallow/superficial/decorative. |
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England - 1740s-50s - Horace Walpole Gothic revival villa Broke classical tradition of symmetrical floor plan Gothic floor plans and spatial sequencing was asymmetrical constant movement, secrecy through interior spaces. |
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1760, rediscovery on ancient rome Engraving of roman baths Nature is taking over and roof is falling in. Sense of psychological fear associated with the Sublime. Sense of layering of time that have been compressed. Sublime characteristic that threatens life. |
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Neoclassical takes inspiration from Ancient Rome! did more interiors than exteriors considered ceiling most important plane coordinating colors disliked harsh angles exploded plans/elevations pier mirrors/tables low relief plaster work Wedgewood porcelain liked illusionistic stuff (domes thru color) |
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After revolutionary war, establishment of USA federal republic = centralized government diluted Neoclassical, Adam taste late 1780s America finding a style of its own |
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Latrobe - WH furniture under TJ but actually based more on Roman style couch, lektos. Reverse taper Doric columns as the legs first to introduce American symbolism (stars, eagles, shields, red white and blue, corn, tobacco, magnolias) |
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1820s-40s Message: relate to the middle class, not political at all, connects with what the middle class liked at the time. Middle class was interested in their interiors and decorations |
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German term meaning personality/psychological. Mario Krutz -character of middle class Bedermeier interiors. You can tell the personality of the inhabitant by the design/decorations of the interiors. “rooms with personality” |
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Figural Room shapes with poche to mediate |
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rooms of all different chapes with poche filling in between. Figural room shapes (Circles, octagons, square, rectangle) |
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Napoleon’s main mission was to revive Ancient Roman Empire and conquer all of Europe. Hard edged, military, imperial. glorifying military. tent rooms, fabric, military symbols |
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Georgian/England/American Colonial/Georgian Period |
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through the reigns of K. George I-IV 1730s-1776 |
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Chinoiserie/Lacquerwork/Jappanning |
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Chinese inspired style, technique of Chinese lacquer work brought over to EU |
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Q Anne, from Chinese resembles a dragon holding a pearl of eternity |
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Chippendale Style: Rococo |
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French Rococo motifs. little more ornate, cabriole curves more prominent, ivy/vines/nature/curvy |
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Romanticism/historic revivalism |
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The combination of scattered different architectural styles from different time periods. Contrast - dark tree coverage to light space - rough vs. smooth - open vs. close Constantly changing scene and sequence of surprises |
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Chinese trellis/latticework |
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taken from Chinese pagodas...check Chinoiserie |
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Cabriole curves/line of beauty |
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found on QA style chairs convex on top, concave on bottom curves out from top of chair |
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winged-back or lolling chairs |
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QA...kind of extended sides for comfort, relaxing, warmth informal chair found in bedrooms |
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gate-leg and tilt-top tables |
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gate-leg is hinged so it can swing out to create a full table but can collapse when pushed against a wall. Queen Anne styles. Tilt: tripod feet, classical urn stand, top flips up so when it’s pushed up against the wall of a room it doesn’t take up as much space. Queen Anne style |
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Robert Adam entry: neutral color palette as you progress: more color, soft hues, became bolder |
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Robert Adam. Kept plaster relief low so it didn’t stand out and break up wall elevations…striving toward consistency and unity |
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Robert Adam the overall working together of all the pieces, the entire "artwork" |
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"laid back/exploded" plans/elevations |
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Robert Adam take plan and lay elevations on side helped to create an overall cohesive design for the room, but corners were a problem |
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Grecian style used by Latrobe, used to connect oldest democracy (Greece) and newest democracy (USA) |
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painted "fancy" furniture |
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Robert Adam. paint the furniture to match the interiors and make look better |
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Propaganda interiors; Imperial Roman Rivivalism |
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Napoleon, French Imperial: all money went to military & not much time = not much $$ for interiors. He had lots of photographs taken for propaganda to convince/sell it. Used lots of fabric |
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campaign tent rooms, camp beds, sabre stools, spears and pilasters on walls, tables like drums for marching into battle, eagles, imperial Roman texts |
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A loom invented that mechanized weaving and increased products/lowered price dramatically |
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mahoganny vaneer & ormoulu furniture two raised ends, and nothing on the long sides French Empire (neo-classical) style portrait of Madame Recamier, 1800 made for the drawing room |
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Rational Classicism vs. Picturesque Classicism |
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laminated wood furniture construction ("plywood") |
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Chippendale Style: furniture & interiors |
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England, 1759-60s Robert Adam |
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England, 1760s-70s Robert Adam |
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Hepplewhite: plates & furniture |
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The Cabinet Maker's and Upholdterer's Guide 1786 shields Tapering legs with strayed feet Neoclassical swags and motifs |
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Sheraton: plates & furniture |
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The Cabinet-Maker's Drawing Book 1791 copied off Hepplewhite, similar to Chippendale boxier tapered legs (similar to Hepp) design for mechanical library table |
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Boston, 1790 Charles Bulfinch |
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DC, 1792-1817 James Hoban & Latrobe |
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Thornton & Latrobe, 1792-1850s |
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Fontainbleau: Throne Room |
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Napoleon, France Percier & Fontaine |
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Receuil de Decorations Interieurs (Collection of Interior Designers) |
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Percier & Fontain, 1800-1815 |
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Malmaison, Napoleon & Josephine's residence |
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near Paris, 1800-1814 Percier & Fontaine |
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Germany, 1820s-30s Schinkel (for Q. Luise of Prussia) |
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Floor to Ceiling windows called broken into three parts, each can slide on top of the other to open |
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England, Robert Adam, 1759-60s very ancient roman revival atrium, scagliola columns lighter materials (wood and plaster) = bigger spaces, dome corner issues from exploded plan design low relief plaster work |
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England, Robert Adam, 1760-70s old Elizabethan house from 1500s entrance is kind of like a basilica enfilade: line up of rooms on the edge built portico at entrance, and two main wings with not much connection. added a long gallery at back to connect enfilade on left wing (female), picturesque on right (male). low relief plaster work, ceiling mimics floor, plaster dome. turned monumental classicism into millwork (reference rome with illusion of dome ceiling) |
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