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Imperial Federation Map of the World. From The Graphic, 24 July, 1886. |
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R.W. Winfield of Birmingham, Gas Jet Lamp in the shape pf a convolvulus, 1848. Included in Henry Cole's "False Principles" exhibitio. |
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Robert Stephenson, The Rocket, steam powered locomotive, 1829. |
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The Crysta palace, Exhibition Building for The Great Exhibition of 1851. Designed by Joseph Paxton, Hyde Park, London. |
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Joseph Paxton, first sketch of crystal palace, 11 june 1850. |
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The Medieval Court, Louis Haghe (artist), A.W.N. Pugin (designer), Early Reform, 1850s. |
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John Nash, stuffed elephant and howdah from India, The Indian court, Crystal Palace, 1851. |
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A.W.N. Pugin, Table, 1847. Carved oak. |
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A.W.N Pugin, Motto Bread Plate, 1850. Earthenwareand colored inlaid decoration. Minton and co. |
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William Morris, Acanthus, 1874. Printed distemper from wood blocks on paper. |
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D.G. Rosetti for William Morris and Co., Sussex side chair.1865. Black painted bent wood and wicker. |
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Christopher Dresser, Sheffield Teapot, 1878. Electroplate metal and ebonized wood, for James Dixon and Sons. |
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Furnishing chintz, 1850. Roller printed glazed cotton. Included in Henry Cole's "False Principles" Exhibition. |
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Victor Horta, Hotel Tassel, 1893. First floor landing with view towards staircases. Brussels. |
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Alfons Mucha, Job Cigarette Papers, 1896. Color lithograph |
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Jacques-Emile Ruhlmann, dressing table 1925. Oak with amaranth and mahogany veneer; ebony and ivory inlays. |
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Hector Guimard, Banquette, 1897. For the castle Beranger. |
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Hector Guimard, view of Paris metro, 1900. |
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Emile Galle, bat vase, 1903-1904. |
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Rene Lalique, Dragonfly woman cordage ornament, 1897-1898. Gold, enamel, chrysoprase, moonstones, and diamonds. |
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Jacques-Emile Ruhlmann, Grand Salon in the Hotel d'un Collectionneur, at the Paris exhibition. |
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Cartier, Egyptian Sarcophagus Vanity case, 1925. Gold, platinum, carved bone, sapphires, emeralds, diamonds, onyxes, and enamel. |
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Eileen Gray, Screen, 1928. Lacquer on Wood. |
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Rene Buthaud, vase, 1926. Stoneware |
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Pierre Legrain, Stool.Lacquered wood, horn and gold. French, 1923. |
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Paul Colin, Josephine Baker, plate from Paul Colin Le Tumulte Noir, Paris, 1927.
Beyonce at the MTV Music Awards 2007. |
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Card table, Charles-Honore Lannuier, 1817, New York, of mahogany veneer, gilded gesso, verd antique, gilded brass, die-stamped brass borders.
American Neoclassicism |
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Pier Table, Joseph Meeks and Sons, 1835, New York, of mahogany veneer, marble, mirror glass.
American Neoclassicism |
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Lithograph, Broadside for Joseph Meeks and Sons, 1833, New York City.
Gothic Revival |
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Hall Chair, Alexander Jackson Davis, designer Richard Byrne, 1845, of oak and cane.
Gothic Revival |
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Etagere-Sideboard, Alexander Roux, 1853-54, of black walnut, pine, poplar. |
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Centripetal Spring Chair, design attributed to Thomas E. Warren,1849-1858, of cast iron, steel, birch, yellow poplar, basswood, brass, paint. |
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Sofa, attributed to John Henry Belterand Company, 1855, of rosewoodwith contemporary upholstery. |
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Makume Tea Caddy with Foo Dog Finial, designed by Edward C. Moore for Tiffany&Co, 1878-80. |
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Dragonfly lamp, probably designed by Clara Driscoll, pre 1906, Tiffany Studios |
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Wisteria Lamp, designed by Clara Driscoll, Tiffany Studios, 1901 |
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The Glasgow School of Art, Charles Rennie Mackintosh, 1896-1909, Facade and Library |
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Florentine Terrace, 1906, Mackintosh and Margaret Macdonald |
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The Hill House, 1903-4, Mackintosh |
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The Willow Tea Room, 1903, Mackintosh |
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Cathedral of the Future, Lyonel Feininger,woodcut 1919.
The Bauhaus Weimar. |
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Cradle, Peter Keler, 1922.
The Bauhaus Weimar. |
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Gunta Stolzl, Wall Hanging, 1926.
The Bauhaus Weimar (1919-1925/6). |
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Gunta Stolzl and Marcel Breuer, "African Chair", oak and cherry wood, hemp, wool, cotton and silk, 1921.
Weimar. |
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Marianne Brandt, Teapot, 1924.
Weimar |
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William Wagenfeld, Table Lamp, 1924, glass, brass silver plated.
Weimar |
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Joseph Hartwig, chess set, 1924.
Weimar |
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Margarete Schuttle-Lihotsky, The Frankfurt Kitchen, 1927.
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Marcel Breuer, B3 Club Chair, "Wassily Chair", 1925.
The Bauhaus Dessau 1925-6. |
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Bauhaus Dessau 1925-6
glass
all parts of building were connected |
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Herbert Bayer, Universal Typeface, 1925. |
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WalterGropius Interior, Weissenhof Siedlung, 1927. |
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