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-The British resurrected the music we ignored -England's "James Dean" counterpart was the "Teddy Boys" |
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-A tame brand of pop folk music and traditional jazz (taken from the new orleans style) -Popular in England during mid 50's -King of Skiffle was Lonnie Donegan |
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-Able to change musical history through musical style, social behavior and fashion. -Three periods: Pop, Introspective, and Studio -Lennon and McCartney composed many songs that provided other performers with hits -Many 1sts happened in Beatles' studio |
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The Early Period (Beatles) |
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-Pop style and love songs -"I want to hold your hand" -Driving beat- up tempo -Covered sons in Hamberg -Four albums -Lennon and McCarthy weren't equal in writing their songs -American releases are different than the British ones |
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The Middle Period (Beatles) |
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-More acoustic/folk elements (Dylan influences) -Introspective style emerges -Individually more evident -social statement in songs -Next two albums "Help!" "Rubber Soul" |
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The Late Period (Beatles) |
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-Studio Techniques -Music more individualized and artistically composed -drug influenced -"Write Album" ironically least collaborative of all albums -Last 7 releases: "Revolver", "Sgt. Pepper", "Magic Mystery Tour", "yellow submarine", "The Beatles (Write Album)", "Let it Be", "Abbey Road". |
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-Referred to as the 5th beatle -Producer |
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-Respected by many drummers for his excellent timekeeping |
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-Most staunchly English group of all -Known as precursors of heavy metal and punk rock -Later known as "power chord" playing |
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-Strive to be more earthy -Portrayed a vulgar look (No Uniforms) -Andrew Oldham- manager -Considered dangerous alternative to beatles -Jagger and Richards are the core of the group -Rougher and sexier than the Beatles |
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-Drawl is similar to blues singer "Howlin' Wolf" -attracted to the gruff, eloquent directness of black music -White person singing black songs and flaunting it. |
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-almost entirely attributed to one man: Berry Gordy -R&B music that passed for black and white in sound -Perfected a gospel-pop fusion -Formula:Repeated uses of catchy hook phrases, repetition of melodic hooks resulted in familiarity to mass public, produced the "sound of young america", studio musicians were known as "the funk brothers". |
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-produced a unique blend of: a. Stock rock chord progressions b. Gospel feel (female back up and call and response) c. Doo-wop male vocals d. Solid instrumental back up |
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John Mayall and the Bluesbreakers |
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-Known as elder statesman of British Blues |
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-Starting point for clapton/beck/page -Early pioneers of psychedelic music -known for ad hoc jams (called raves) -raves: a mix of R&B with extended guitar/harmonica passages bluse with a fierce drive to the music |
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The Animals (Eric Burdon) |
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-Second only to the Rolling Stones in influence among R&B based bands |
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-Led by Van Morrison -Rank THEM among best of British invasion bands -Considered most critically acclaimed pop music songwriters of the 60's -Composer of rock classic "Gloria" |
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-The studio musicians who shaped motown sound -Played on more #1 hits than the Beatles, Rolling Stones, and Elvis combined. -Documented in the movie : "Standing in the Shadows of Motown." |
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Smokey Robinson and the Miracles |
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-Known for robinsons Beautiful Falsetto voice -Ballads became the Miracles forte |
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Motowns only real girl group |
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-One of Motowns most enigmatic (mysterious) and consistently popular acts -Stage one (1963-1971) -Stage two (1971-1984)-- pensive and introspective style |
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-Music built around lead singer Levi Stubbs |
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-The finest vocal group in 60's soul music -The closest to church and gospel roots |
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Diana Ross and the Supremes |
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-One of the most important female groups in rock history -The supreme music is the purest expression of the motown sound |
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-Fronted by 10 year old Michael (danced like miniature James Brown) -Transcended all race and age barriers |
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-Motown's premier white rock and soul band -Motown's experimental assault on the rock market -Labeled "Blue-eyed soul" |
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-Most successful artist in Motown's History -1st Big hit was fingertips-Part II (age 12) -1st live recording to hit #1 in Rock history -120 page contract with motown made business history -Played most of the instruments on his albums |
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-Most important American contributor to rock music -1st poet of the mass media -Shows that folk IS rock -fusion of country, folk, blues, rock & roll and Poetry both ancient and new -Lyrics have been Discussed in english classes--lyrics are deep as opposed to Beatles' love songs |
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Acoustic Period (Bob Dylan) |
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- "Times they are a changin' " was first album and anthem for frustrated youth in 1963-- most overt protest album -feeling of "dust bowl" era -Grapes of Wrath -With God on our side (64')--anti-war with clear religious element |
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Electric Period (Bob Dylan) |
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-Illustrates wit -Music was catalyst for drug culture and vietnam war -Band went on to form "The Band" with Robbie Robertson -Set scene for folk-rock |
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"Subterranean Homesick Blues" |
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-Dylans first Top 40 hit -One of Dylan's first electric Pieces |
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-Critics considered it Dylan's magnum opus -(largest composition) |
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-Critics considered it Dylan's magnum opus -(largest composition) |
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-group that synthesized Dylan and The Beatles -Dylan's composition "Mr. Tambourine Man" in 65' -Declared to be the first folk-rock hit in rock history -Beatles' Ticket to Ride inspired the sound and feel |
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-Herald as the first drug tune and led 60's music to psychadellic period-- "acid rock" |
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-One of the most representative sounds of the 1960's -Written by Steven Stills during aftermath of the infamous sunset strip riots (1966-1967) -commonly labeled as a protest song -Written by Steven Stills during the aftermath of the infamous sunset strip riots of 1966-1967 |
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Music inspired by jazz styles |
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-blending of classical music with rock -references to mythology -use of odd meters and frequent moody tempo changes -large percentage of these bands are British |
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Moody Blues -Days of Future passed |
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-1st of what would be succession of concept albums -programmatic music -paved way for other art rock bands |
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-Use of sing-speak vocals and gripping narratives -helped define street savvy rock and roll |
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-Draws more on folk art rock style |
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The Piper at the Gates of Dawn (67) |
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-Pink Floyd's debut album (only one made under syd barrett's leadership) |
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-anti-british group -represented young, bored brits -rebelled against staunch upperclass |
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-Sex pistols debut single -Touched off a social/musical firestorm -created fear about political instability and youth running wild in the streets |
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-Sex Pistols
-Lyrics contain gleeful snotty name-calling
-Declares royalty ineffectual and irrelevant |
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-Lyrics contain gleeful snotty name-calling -Declares royalty ineffectual and irrelevant -Poses Britain is a country in decline ignoring bleak times ahead |
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-Became entrenched in university curriculum by early 60's -Gave students language to question complacent assumptions of American Society |
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-anticipates new wave music -hbrid of classic rock and past beat poetry |
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-considered to be start of haight/ashbury scene -contribution more of a social one -planted seeds of rock counter culture |
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-Essentially laid the foundation for the start of punk -Led John Sirenor (leader of infamous white panther party) |
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-Skillful at delivery ballads with passion -earned a reputation as leading performer of soul ballads -performance at monteray pop festival gained him a ** audience -Died in a plane crash |
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-provides lyrics that reflected life in NY -Godmother of punk |
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-known as key touch stone to punk/new wave-- combo of music and art -important association with andy warhol -Provided music for exploding plastic inevitable -theater of the absurd |
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-song received wide radio coverage despite its touching on "unusal topics" -Subject matter was "missed" by censors -About a series of individuals and their journeys to NY |
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-Satirist with a wicked sense of humor and absurdity -His band- mothers of invention (66) |
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-Experimental "space rock" band -inclusion of "concrete music" -Creation of themes result in concepts on a massive scale -Syd Barrett: founding member, musical and stylistic direction of the band |
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Dark Side of the Moon (73) |
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-partly inspired by Barrett's deteriorating mental state -Pink floyd Album |
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-Never quite fit into mainstream rock and roll of late 60's and 70's |
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-"Hey Ho! lets Go" -The Ramones |
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I wanna be Sedated (ramones) |
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-#48 on rolling stones top 500 -50's and 60's hard drive edge sound |
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-Inspired by 1932 film, "freaks" -Gabba Gabba Hey= line from film -Romones |
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-returning to rock and roll basics -3 chords and simple melody -underground sensation in the US -Full scale phenomenon in UK |
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-Important venue for punk bands |
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-One of the original punk rockers to emerge from NY punk scene of mid 70's -Major influence by subsequent punk bands -Formed band, "Neon Boys", later renamed television |
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-Brought country influence into R&B -never celebrated a #1 hit on pop charts but many hits on R&B charts |
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San Francisco's Height/Ashbury Scene |
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-large community of folk musicians -acid tests led by writer, ken Kesey became known as the "happening" -500-1500 bands in the area |
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-One of the most creative bands to emerge from NY Punk scene of the 70's -Counter to happy/hippie culture -Short hair and street clothes |
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-laid groundwork for many of the guitar based post punk pop groups of the late 70's and 80's -Television album |
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-most popular of punk bands -Crystallized musical ordeals of genre -Cut rock and roll down to bare essentials: -4 chords - simple catchy melody - irresistible insane funny lyrics - very fast tempos -Known as "Bubble Gum Punk" |
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-Lead singer of Jefferson Airplane -Great female rock voice -Repressed love-hate image of the 60's |
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Psychedelic music/ San Francisco Scene |
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-music had floating quality -eastern indian influence (sitar) |
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-music combined understanding/appreciation -20th century composers: starvinsky, varese, and stockhausen -Late 50's doo-wop rock and roll -Social Sattire and singing wit -avant-garde jazz -guitar-heavy rock and r&b -collages of many styles |
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-atlantics best-selling southern soul performers -"in the midnight hour"- one of the most successful songs of soul era |
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-1 of the best San Francisco bands of the 60's -More versatile than others -Combo of folk, blues, country and classic rock & roll -early airplane played some of their compositions |
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Instrumental soul-memphis |
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-formed T.Booker and the MG's |
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-Most popular San Francisco Band -Leaders of protest movement and supporters of free love |
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-far left, anti-racist, white american politician collective founded in 1968 -10 founders by John Sirenor |
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-Father of shock rock -Influenced by comic book stories and RKO honor movie show |
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Smokey Robinson and the Miracles |
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Definition
-known for robinson's beautiful falsetto voice -Ballads became a forte |
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Definition
-sex pistol's debut single -touched off a social/musical firestorm -created fear about a political instability and youth running wild in the streets |
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Definition
-Anti-British group -Represented young, bored Brits -Rebelled against staunch upperclass |
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The Piper at the Gates of Dawn (67) |
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Definition
-Pink Floyd's debut album( only one made under Syd Barrett's leadership) |
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Term
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Definition
-Draws more on folk art-rock style |
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Term
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Definition
-Use of sing-speak vocals and gripping narratives -Helped define street savvy rock and roll |
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Term
Moody Blues-- Days of Future Passed |
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Definition
-1st of what would be succession of concept albums -Programmatic music -paved way for other art rock bands |
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Term
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Definition
-Blending of classical music with rock -References to mythology -Use of odd meters and frequent moody tempo changes -Large percentage of these bands are British |
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Term
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Definition
-music influenced by jazz styles |
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Term
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Definition
-Sex Pistols -Lyrics contain gleeful snotty name calling -Declares royalty ineffectual and irrelevant -Poses Britain is a country in decline, ignoring bleak times ahead |
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Term
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Definition
-became entrenched in University curriculum by early 60's -Gave students language to question complacent assumptions of American Society |
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Term
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Definition
-Anticipates new wave music -Hybrid of classic rock and past beat poetry |
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Term
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Definition
-considered to be start of Height/Ashbury scene -Contribution was more of a social one -Planted seeds of rock counter culture |
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