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Definition
-A direct-positive process, creating a highly detailed image on a sheet of copper, plated with a thin coat of silver without the use of a negative.
-Renders incredible detail.
-The appearance changes with the angle of viewing and can look positive from some angles, and can barely be seen at all from other angles.
-Daguerreotypes were normally mounted behind glass in small hinged cases with velvet lining. Very fragile.
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Definition
-meaning "beautiful print"
-was a positive/negative process
-a sheet of paper coated with silver chloride was exposed to light in a camera obscura; those areas hit by light became dark in tone, yielding a negative image.
-The calotype created a negative image on the silver iodide from which positives could be printed (onto silver chloride paper) |
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Definition
-Known as the "wet plate" process
-The collodion process was the first widely used photographic process that produced a negative image on a transparent photographic medium.
-the photographer could make an unlimited number of prints from a single negative
-The support for the images was glass
-Required only seconds for exposure.
-Polish plate, coat plate, sesitize plate, develop plate |
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Definition
-salt prints by placing lace, leaves and other objects on light-sensitive paper and exposing it to the sun
- tonal range that favored volume and shape over detail
-Although Talbot used photogenic drawing paper in the camera--creating negatives by 1835--exposures in the camera often took hours, so most photogenic drawings were made by the superposition of objects.
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Definition
-The process used bitumen, as a coating on glass or metal, which hardened in relation to exposure to light. When the plate was washed with oil of lavender, only the hardened image area remained.
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Term
Combination Albumen Print |
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Definition
the albumen print is a printing paper coated with albumen salt and citric acid and sensitized with silver nitrate.
Its a method of producing a photgraphic print on a base paper from a negative.
Use albument found in egg whites to bind the photographic chemicals to the paper and became the dominant form of photographic positives.
Albumen prints have a slightly glossy surface. They are sepia colour, some having a fine range of tones in gold or brown.
Albumen prints retained detail well, and did not show the texture of the paper
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