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Boucher, Triumph of Venus, 1740s |
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David, Oath of Horatii, 1780s |
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http://upload.wikimedia.org/wikipedia/commons/thumb/7/70/Jacques-Louis_David_-_Oath_of_the_Horatii_-_Google_Art_Project.jpg/300px-Jacques-Louis_David_-_Oath_of_the_Horatii_-_Google_Art_Project.jpg |
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Martini, print, Salon of 1785, 1780s |
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Anonymous print, Awakening of the Third Estate, 1780s (Revolution of 1789) |
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David, Oath of the Tennis Court, sketch, 1790s |
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David, Death of Marat, 1790s |
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Girodet, Portrait of Jean Baptiste Belley, Ex-Representative of the Colonies, 1790s |
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Lethiere, Oath of the Ancestors, 1820s |
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Gustave Courbet, Burial at Ornans, 1840s (Revolution of 1848) |
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Courbet, The Stonebreakers, 1840s |
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Manet, Luncheon the Grass, 1860s |
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Bougereau, Birth of Venus, 1870s |
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Manet, Olympia, Salon of 1860s |
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Monet, Luncheon on the Grass, 1860s |
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Monet, Forest of Fontainebleau, 1860s |
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Monet, Women in a Garden, 1860s |
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Monet, La Grenouillere (The Frog Pond), late 1860s |
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Monet, Regatta at Argenteuil, 1870s |
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Caillebotte, Bridge of Europe, 1870s |
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Caillebotte, Bridge of Europe, 1870s |
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Caillebotte, Bridge of Europe, 1870s |
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Caillebotte, Bridge of Europe, 1870s |
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Caillebotte, Bridge of Europe, 1870s |
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Caillebotte, Bridge of Europe, 1870s |
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Caillebotte, Bridge of Europe, 1870s |
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Daguerre, Boulevard du Temple, (late) 1830s; Daguerrotype (man having shoes shined) |
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Nadar, Photographic portrait, 1850s-60s (Daumier) |
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Nadar, Photographic portrait, 1850s-60s (Daumier) |
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Nadar, Photographic portrait, 1850s-60s (Daumier) |
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Anonymous photographs, Barricades, Bodies of Insurgents at a Cemetery, 1870s |
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Photo of communards in their coffins, they got identified by being in photos like the collective photo taken of them in the boulevard. They betray themselves by wanting portraits taken, then can be accused of criminality. |
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Rejlander, photograph, Two Ways of Life, 1850s |
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Mayer and Pierson Photography Studio, photographs of the Countess de Castiglione, 1850s-1860s |
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Cezanne, Mont. Sainte Victoire,1880s |
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Gauguin, Vision after the Sermon, 1880s |
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Gauguin, The Spirit of the Dead Watches, 1890s |
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Picasso, Demoiselles d'Avignon, 1900s (remember prepatory studies Gabon Mask, Africa undated) |
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Braque, Houses at L'Estaque, 1900s |
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Picasso, Ma Jolie: woman with Zither or Guitar, 1910s |
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SUPREMATISM: Malevich, Black Square, 1910s |
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SUPREMATISM: Photograph of El Lissitzky's Propaganda board in Vietbsk, 1910s |
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CONSTRUCTIVISM AND PRODUCTIVISM: Tatlin, Monument to the Third International, sculpture/model, wood, glass, 1920 |
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CONSTRUCTIVISM AND PRODUCTIVISM: Tatlin and studio, Constructivist Chair, 1920s, and Nursing Vessel and Teapot, 1930s |
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CONSTRUCTIVISM AND PRODUCTIVISM: Iofan, Project for the Palace of the Soviets, 1930s |
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Rivera, Detroit Industry, North Wall, Detroit Institute of the Arts, 1930s (relation to cubism) |
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Kahlo, Henry Ford Hospital, 1930s (relation to surrealism) |
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Kahlo, Exquisite Corpse, 1930s (relation to surrealism) |
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Kahlo, My Nurse and I, 1930s (relation to surrealism and primitivism) |
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Pollock, Mask, 1940s (Indian Art of the United States, New York Museum of Modern Art, 1941) |
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Pollock, Autumn Rhythm, 1950s (relation to surrealism and primitivism) |
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Krasner, Blue Square, 1930s (relation to cubism) |
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Krasner, Little Images: Abstract Number 2, 1940s |
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Lichtenstein, Little Big Painting, 1960s |
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Warhol, 200 Soup Cans, 1960s |
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Warhol, Marilyn Monroe Diptych, 1960s (silk screen) |
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Maya Lin, Vietnam War Memorial, Washington D.C., 1980s Frederick Hart, Vietnam War Memorial, Washington D.C., 1980s |
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Richard Serra, Tilted Arc, N.Y County Courthouse, 1980s |
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Robert Morris, Installation View, Green Gallery (corner beam, floor beam, corner piece, cloud) 1960s |
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Hesse, Accession II, 1960s |
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United States, NUCLEAR MARKER: Michael Brill, Spike Fields, 1990s, for the Waste Isolation Pilot Plant, New Mexico |
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Beyte Saar, Liberation of Aunt Jemima, 1970s |
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Kara Walker, Details from Look Away! Look Away! Look Away!, 1990s (remember 19th century silhouette cutouts; physiognomic profiles, and Rohrshach Tests) |
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