Term
|
Definition
- multiple settings of text set to a singular musical strophe
|
|
|
Term
|
Definition
- Music is modified to reflect changes in the text
|
|
|
Term
|
Definition
- ABA with 121 text
- ABA with 123 text
|
|
|
Term
|
Definition
|
|
Term
|
Definition
verse 1 --> ch.
verse 2 --> ch.
verse 3 --> ch.
verse 4 --> ch.
*sometimes has a bridge thrown in for added contrast |
|
|
Term
|
Definition
verse 1 --> ch.
ch.
ch.
ch. |
|
|
Term
|
Definition
aaba
abac
abca
*b section is bridge |
|
|
Term
|
Definition
3 4-bar phrases
aa'b
a= I///
a'=IV/I/
b=V/I/
lots of embellishing chords |
|
|
Term
|
Definition
transition from speech to song
classic chord progression
hypermetric qualities |
|
|
Term
|
Definition
general description
harmonically focused
meter/tempo firmly set |
|
|
Term
|
Definition
the formulation of larger metric units consisting of 2+ measures |
|
|
Term
|
Definition
has a subject & episode
- begins with subject in tonic key
- statement of subject in another voice
- episode in lots of closely related keys
- modulates back to original key
|
|
|
Term
|
Definition
theme of an invention
1-4 bars long
may appear in either voice |
|
|
Term
|
Definition
modulating passage; filler
contains snippits of the subject
altered subject via fragmentation inversion retrogradation
not necessarily between every single subject |
|
|
Term
|
Definition
exposition
episode
middle entry
episode
mid entry
episode
recapitulation
coda |
|
|
Term
|
Definition
|
|
Term
|
Definition
motive theme of a fugue
(double fugue has 2 subjects) |
|
|
Term
|
Definition
statement of subject transposed to the dominant
occurs in the fugue's exposition |
|
|
Term
|
Definition
initial portion of the fugue
each voice enters seperately
all voices state either subject or answer
no order |
|
|
Term
|
Definition
statements of the fugue subject after exposition |
|
|
Term
|
Definition
the final statement in tonic key
outer voice |
|
|
Term
|
Definition
modulating passage between subjects |
|
|
Term
|
Definition
cadential material following final entry |
|
|
Term
|
Definition
AB
A; may be sectional or continuous (ending on a PAC or a HC)
B; uses either new material or the same material as the A section |
|
|
Term
|
Definition
A B-A
a; same as simple binary
b; three criteria
- no thematic contrast
- harmonic instability; prolongs dominant harmony
- weak harmonic/melodic closure
2nd a; frequently abb. |
|
|
Term
|
Definition
A B A
a: sectional
b: strong thematic content
harmonic/ tonal stability in a contrasting key
strong closure
a: fully restated or expanded |
|
|