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750-700 BCE Athens "Geometric Period" full frontal or full profile any sort of 3d rendition avoided despite the basic rendering of the human form, deep sense of loss and agony still conveyed ** unlike egyptian, focuses on survivors mourning, not the dead's afterlife |
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550 BCE @ Paestum, Italy "Archaic Period" stylobate= stepped foundation peristyle= rows of columns squat, swelling, robust, solid Doric Order columns ****What's the BI??? -maybe, an example of the continually more complex Greek sanctuary turned temple as well and a basic example of the typical greek temple features |
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"High Classical Period" visual expression of athenian values and civic pride -triumph of democratic Athens over Persia -preeminence of athens thanks to Athena -triumph of enlightened Greeks over barbarism Includes: -Temple of Athena Nike -Nike adjusting her sandal -Propylaia -Parthenon -cult statue of athena -east pediment sculpture -metopes from facade -centaur and lapith fighting -Pan athenaic frieze |
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425 BCE by Kallikrates @ Acropolis Athenian Victory relatively small when compared to Parthenon and other structures in acropolis sleek, slender ionic decoration |
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Nike Adjusting her Sandal |
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410-405 BCE @ Acropolis, right outside of Temple of Athena Nike intricate drapery looks light, delicate.... discreetly erotic |
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430 BCE Acropolis by Athena Nike Temple unfinished gate house commisioned by Perikles architect = Mnesikles dining hall turned first museum ("home of the muses") |
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bulding: 438 BCE sculpture: 432 BCE @ Acropolis ALL MARBLE (even roof) architect= Pheidias -perfect proportions -subtly changed dimensions/aspects to create more vivid, lively view experience (swelling, inward tilting columns , entablature curves slightly upward) conveys same political and ideological themes the Perikles aimed for all of Acropolis |
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Reconstruction of Cult Statue of Athena |
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inside Parthenon colossal gold and ivary statue shield in one hand, Nike in the other |
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sculpture from East Pediment of Parthenon |
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447-432 BCE @ Parthenon craftily fit human forms into triangular Pediment w various poses L-- Helios (sun) in horse drawn carriage rising from sea mid L and R-- 3 goddesses and 1 reclining male figure Middle-- probs seated Zeus and newly "born"/emerged Athena R-- Selene(moon) descending w chariotte into sea **expertly rendered human (female) form beneath drapery |
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Reconstruction of Metopes from facade of Parthenon |
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447-432 BCE Centaur vs Lapith represents triumph of REASON over unbridled ANIMAL PASSION |
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447-442 BCE metope on Parthenon dramatic chiasmic composition pause in a fluid struggle = triumph of Reason of animal Passion |
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447-432 BCE from side of Parthenon demonstrates the Athenian festival where a newly woven wool "peplos" clothes cult statue of Athena represents ideal city-state, Athenians= healthy, vigorous, united. |
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Spear Bearer (Doryphoros) |
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450-440 BCE Polykleitos - "The Canon" emergence of Greek human idealism/"perfect" features "ideal human proportions" dynamically balanced pose |
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