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Carl Sandberg e.e. cummings Ezra Pound Gertrude Stein T.S. Eliot H.D (Hilda Doolittle) Wallace Stevens William Carlos Williams Marianne Moore › Robert Frost |
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HOG Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation's Freight Handler; Stormy, husky, brawling, City of the Big Shoulders: They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys. And they tell me you are crooked and I answer: Yes, it is true I have seen the gunman kill and go free to kill again. .... |
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THE fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on. |
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THE fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on. |
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It begins:
E. P. ODE POUR L'ELECTION DE SON SEPULCHRE For three years, out of key with his time, He strove to resuscitate the dead art Of poetry; to maintain "the sublime" In the old sense. Wrong from the start -- No, hardly, but, seeing he had been born In a half savage country, out of date; Bent resolutely on wringing lilies from the acorn; Capaneus; trout for factitious bait: |
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“Hugh Selwyn Mauberley” Ezra Pound |
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O God, O Venus, O Mercury, patron of thieves, Give me in due time, I beseech you, a little tobacco-shop, With the little bright boxes piled up neatly upon the shelves And the loose fragment cavendish and the shag, And the bright Virginia loose under the bright glass cases, And a pair of scales not too greasy, And the votailles dropping in for a word or two in passing, For a flip word, and to tidy their hair a bit. |
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"The Lake Isle" Ezra Pound |
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While my hair was still cut straight across my forehead I played about the front gate, pulling flowers. You came by on bamboo stilts, playing horse, You walked about my seat, playing with blue plums. And we went on living in the village of Chokan: Two small people, without dislike or suspicion.
At fourteen I married My Lord you. I never laughed, being bashful. Lowering my head, I looked at the wall. Called to, a thousand times, I never looked back.
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“The River-Merchant’s Wife: A Letter” Ezra Pound |
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The apparition of these faces in the crowd; Petals on a wet, black bough. |
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"In the station in the Metro" Ezra Pound |
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The Cantos "Hugh Selwyn Mauberley" "The Lake Isle" "The River-Merchant's Wife" "In a Station of the Metro" |
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Part I, Stanza XIII
She may count three little saisies very well By multiplying to either six nine or fourteen Or she can be well mentioned as twelve Which they may like which they can like soon Or more than ever which they wish as a button Just as much as they arrange which they wish Or they can attire where they need as which say Can they call a hat or a hat a day Made merry because it is so. |
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"Stanzas in Meditation" Gertrude Stein |
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April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter. |
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"The Wasteland" T.S. Eliot |
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LET us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question … Oh, do not ask, “What is it?” Let us go and make our visit. |
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“The Love Song of J. Alfred Prufrock” T.S. Eliot |
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Objective Correlative (1919): A term introduced in an essay “Hamlet and His Problems” and defined as the set of objects, a situation, a chain of events which will set of a specific emotion in the reader. |
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"The Waste Land" "Song of J. Alfred Prufrock" Four Quartets "Journey of the Maji" |
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"Oread" “Never more will the wind” "Helen" "Stars wheel in purple" |
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H.D. (Hilda Doolittle 1886-1961) |
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Whirl up, sea— Whirl your pointed pines. Splash your great pines On our rocks. Hurl your green over us— Cover us with your pools of fir. |
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“Oread” H.D. hilda Doolittle |
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Never more will the wind cherish you again, never more will the rain.
Never more shall we find you bright in the snow and wind.
The snow is melted, the snow is gone, and you are flown:
Like a bird out of our hand, like a light out of our heart, you are gone. |
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“Never more will the wind” H.D. |
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All Greece hates the still eyes in the white face, the luster as of olives where she stands, And the white hands.
All Greece reviles the wan face when she smiles, hating it deeper still when it grows wan and white, remembering past enchantments and past ills.
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Stars wheel in purple, yours is not so rare as Hesperus, nor yet so great a star as bright Aldeboran or Sirius, nor yet the stained and brilliant one of War;
stars turn in purple, glorious to the sight; yours is not gracious as the Pleiads are nor as Orion's sapphires, luminous; |
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“Stars wheel in purple” H.D. |
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"13 Way of Looking at a Blackbird" “Anecdote of the Jar” “The Emperor of Ice-Cream” "The Snow Man" |
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Wallace Stevens (1879-1955) |
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I Among twenty snowy mountains, The only moving thing Was the eye of the blackbird.
II I was of three minds, Like a tree In which there are three blackbirds.
III The blackbird whirled in the autumn winds. It was a small part of the pantomime.
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"Thirteen Ways of Looking at a Blackbird" Wallace Stevens |
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I placed a jar in Tennessee, And round it was, upon a hill. It made the slovenly wilderness Surround that hill.
The wilderness rose up to it, And sprawled around, no longer wild. The jar was round upon the ground And tall and of a port in air.
It took dominion everywhere. The jar was gray and bare. It did not give of bird or bush, Like nothing else in Tennessee. |
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“Anecdote of the Jar” Wallace Stevens |
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Call the roller of big cigars, The muscular one, and bid him whip In kitchen cups concupiscent curds. Let the wenches dawdle in such dress As they are used to wear, and let the boys Bring flowers in last month's newspapers. Let be be finale of seem. The only emperor is the emperor of ice-cream.
Take from the dresser of deal, Lacking the three glass knobs, that sheet On which she embroidered fantails once And spread it so as to cover her face. If her horny feet protrude, they come To show how cold she is, and dumb. Let the lamp affix its beam. The only emperor is the emperor of ice-cream. |
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“The Emperor of Ice-Cream” Wallace Stevens |
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One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow;
And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter
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“The Snow Man” Wallace Stevens |
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"Spring and All" “Aspodel, that greeny flower” “Landscape With The Fall of Icarus” "Tract" "The Red Wheelbarrow" |
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By the road to the contagious hospital under the surge of the blue mottled clouds driven from the northeast-a cold wind. Beyond, the waste of broad, muddy fields brown with dried weeds, standing and fallen patches of standing water the scattering of tall trees All along the road the reddish purplish, forked, upstanding, twiggy stuff of bushes and small trees with dead, brown leaves under them leafless vines- Lifeless in appearance, sluggish dazed spring approaches- They enter the new world naked, ... |
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“Spring and All” William Carlos Williams |
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Also see Auden's poem on this painting.
According to Brueghel when Icarus fell it was spring
a farmer was ploughing his field the whole pageantry
of the year was awake tingling near |
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in hell.
“Landscape With The Fall of Icarus” William Carlos Williams |
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I will teach you my townspeople how to perform a funeral-- for you have it over a troop of artists-- unless one should scour the world-- you have the ground sense necessary.
See! the hearse leads.
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“Tract” William Carlos Williams |
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I, too, dislike it: there are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers in it after all, a place for the genuine. Hands that can grasp, eyes that can dilate, hair that can rise if it must, these things are important not because a |
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"Poetry" Marianne Moore (1887-1972) |
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"Mending Wall" "Design" "Meeting and Passing "Mowing" "Spring Pools" |
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Something there is that doesn't love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone,
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“Mending Wall’ * Robert Frost |
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I found a dimpled spider, fat and white, On a white heal-all, holding up a moth Like a white piece of rigid satin cloth -- Assorted characters of death and blight Mixed ready to begin the morning right, Like the ingredients of a witches' broth -- A snow-drop spider, a flower like a froth, And dead wings carried like a paper kite. |
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As I went down the hill along the wall There was a gate I had leaned at for the view And had just turned from when I first saw you As you came up the hill. We met. But all We did that day was mingle great and small Footprints in summer dust as if we drew The figure of our being less that two But more than one as yet. Your parasol Pointed the decimal off with one deep thrust. And all the time we talked you seemed to see Something down there to smile at in the dust. (Oh, it was without prejudice to me!) Afterward I went past what you had passed Before we met and you what I had passed. |
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“Meeting and passing” Robert Frost |
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There was never a sound beside the wood but one, And that was my long scythe whispering to the ground. What was it it whispered? I knew not well myself; Perhaps it was something about the heat of the sun, Something, perhaps, about the lack of sound-- And that was why it whispered and did not speak. It was no dream of the gift of idle hours, Or easy gold at the hand of fay or elf: |
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These pools that, though in forests, still reflect The total sky almost without defect, And like the flowers beside them, chill and shiver, Will like the flowers beside them soon be gone, And yet not out by any brook or river, But up by roots to bring dark foliage on. The trees that have it in their pent-up buds To darken nature and be summer woods -- Let them think twice before they use their powers To blot out and drink up and sweep away These flowery waters and these watery flowers From snow that melted only yesterday. |
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“Spring Pools” Robert Frost |
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