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Gerhard Richter, Ferrari, 1964 |
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Raymond Hains, OAS SS: Shoot the Bombers, lacerated posters, 1961 |
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Raymond Hains and Jacques Villeglé, Ach Alma Manetro, lacerated posters, 1949 |
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Raymond Hains, Beaubourg Fence, lacerated posters on PVC, 1976 |
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Gerhard Richter, Seascape (Slightly Cloudy), 196 |
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Gerhard Richter, Atlas, photocollage, 1962-1966 |
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Gerhard Richter, Atlas, photocollage, 1962-1966 |
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Gerhard Richter, Aunt Marianne, 196 |
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Raymond Hains, This Man Is Dangerous, lacerated posters, 1957 |
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Renzo Piano and Richard Rogers, Paris, Centre Pompidou (Beaubourg), 1971-1977 |
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Jacques Villeglé, Carrefour Algérie – Evian, lacerated posters, 1961 |
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Gerhard Richter, Stag, 1963 |
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Yves Klein, Leap into the Void, 1960 |
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Definition
Yves Klein, IKB 82, pigment in synthetic resin on canvas, 1959 |
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Yves Klein, Expression of the Universe of the Color Lead Orange, pigment in synthetic resin on board, 1955 |
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Yves Klein, Yves: Paintings, 1954 |
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Definition
Yves Klein, Ritual Transfer of Zones of Immaterial Pictorial Sensibility, mixed media, 1959 ff. |
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Definition
Yves Klein, Blue Period Anthropometry, pigment in synthetic resin on paper, 1960 |
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Yves Klein, Ex Voto for St. Rita of Cascia, mixed media, 1961 |
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Yves Klein, Monogold, gold leaf on plywood, ca. 1961 |
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Meret Oppenheim, My Governess, 1936 Slipper spoon from André Breton, Mad Love, 1937 found object (objet trouvé) |
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Definition
Arman, Madison Avenue, mixed media, 1962 |
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Arman, The Full-Up, Paris, Galerie Iris Clert, 1960 Reconstruction, 1990s |
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Yves Klein, The Void, Paris, Galerie Iris Clert, 1958 |
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Allan Kaprow setting up 18 Happenings in 6 Parts, New York, Reuben Gallery, 1959 |
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Definition
Allan Kaprow, Yard, New York, Martha Jackson Gallery, 1961 |
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Allan Kaprow, Calling, mixed media, 1965 |
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Claes Oldenburg, poster and business card for The Store, letterpress, 1961 Claes Oldenburg, The Store, December through January 1961 |
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Claes Oldenburg, Seven Up, enamel on plaster and wire, 1961 Claes Oldenburg, Braselette, enamel on plaster and wire, 1961 |
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Claes Oldenburg, Pastry Case I, enamel on plaster and wire, 1961/62 |
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Claes Oldenburg, Pie à la Mode, enamel on plaster and wire, 1962 |
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Claes Oldenburg, Floor Cone, paint on canvas filled with rubber foam, 1962 |
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Claes Oldenburg, Lipstick (Ascending) on Caterpillar Tracks, mixed media, 1974 (second version |
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Ed Ruscha, Twenty-Six Gasoline Stations, artist’s book, 196 |
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Ed Ruscha, Standard Station, Amarillo, Texas, 1963 |
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Ed Ruscha, Large Trademark with Eight Spotlights, 1962 |
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Ed Ruscha, Business Card, printed matter, 1972 |
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Ad Reinhardt, Composition in Black, silkscreen print, 1972 |
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Frank Stella, Die Fahne Hoch!, 1959 |
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Frank Stella, Union Pacific, aluminum enamel on canvas, 1960 |
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Frank Stella, Hollis Frampton, aluminum enamel on canvas, 1960 |
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Donald Judd, Relief, oil on composition board and baking pan, 1961 |
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Donald Judd, Untitled, oil on wood with plexiglass, 1963 |
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Donald Judd, Untitled, stainless steel, pink fluorescent plexiglass, and wire, 1965 |
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Richard Serra, Verb List, 1967/68 |
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Richard Serra, Hand Catching Lead, 1968 |
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Richard Serra, Cutting Device: Base Plate Measure, mixed media, 1 |
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Richard Serra, One-Ton Prop (House of Cards), lead antimony, |
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Richard Serra, 2 – 2 – 1 (To Dickie and Tina), lead antimony, 1969 |
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