Term
|
Definition
Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome |
|
|
Term
|
Definition
"Oath of the Horatii"
by: Jaques-Louis David
1784
Oil on Canvas
(neoclassicism art) |
|
|
Term
|
Definition
style of literature, art, and music common at the end of the 18th and beginning of the 19th centuries that emphasized the importance of personal feelings and of nature |
|
|
Term
|
Definition
"The Third of May 1808"
by: Francisco de Goya
Oil on Canvas
(romanicism art) |
|
|
Term
|
Definition
"The Burning of the House of Lords and Commons"
by: Joseph Mallord William
Oil in Fabric
1834
(romanticism art) |
|
|
Term
|
Definition
- general attempt to depict subjects objectively without embellishment or interpretation
- many paintings depicts people at work, underscoring the changes brought by the industrial and commercial revolution
|
|
|
Term
|
Definition
"The Stone Breakers, 1849"
by: Gustave Courbet
Oil on canvas
**destroyed 1945**
(realism art) |
|
|
Term
|
Definition
"The Banjo Lesson, 1893"
by: Henry Ossawa Tanner
Oil on Canvas |
|
|
Term
|
Definition
- relatively small, thin, yet visible brush strokes
- open composition
- emphasis on accurate depiction of light in its changing qualities (ofter accentuating the effect of the passage of time)
- common, ordinary, subject matter
- the inclusion of movements as a crucial element of human perception
|
|
|
Term
|
Definition
"Luncheon on the Grass"
by: Edouard Manet
1863
oil on canvas
(impressionism art) |
|
|
Term
|
Definition
"Arrival of the Normandy Train"
by: Claude Monet
1877
oil on canvas
(impressionism) |
|
|
Term
|
Definition
"The Ballet Class"
by: Edger Degas
1879-1880
oil on canvas
(impressionism art) |
|
|
Term
|
Definition
"Le Moulin de la Gallette"
by: Pierre-Auguste Renoir
1876
oil on canvas |
|
|
Term
POST-IMPRESSIONSIM (1885) |
|
Definition
- extended impressionism while rejecting its limitation
- continued using vivid colors, thick application of paint, distinctive brush strokes
- real-life subject matter
- emphasizee geometril forms, to distort form for expressive effect, and to use unnatural or arbitrary color
|
|
|
Term
|
Definition
"A Sunday on la Grade Jatte"
by: Georges Seurat
1884-1886
oil on canvas
(post-impressionism art)
**pointilism** |
|
|
Term
|
Definition
"The Vision After the Sermon"
by: Paul Gauguin
1888
oil on canvas
(post-impressionism art) |
|
|
Term
|
Definition
"Mont Sainte-Victoire"
by: Paul Cezanne
(post-impressionism art) |
|
|
Term
|
Definition
"The Starry Night"
by: Van Gogh
(post-impressionism art) |
|
|
Term
The Period After Experimentation in Art
(EARLY 20th CENTURY) |
|
Definition
- was influenced by the Impressionist and Post-Impressionist
- Artists response was not only to the changes taking place but to speed at which changes was taking place
|
|
|
Term
|
Definition
a style in which the artist explore ways of portraying emotions to their fullest intensity by eaggerating and emphasizing the color |
|
|
Term
|
Definition
"Harmony in Red" "Joy of Life"
1908-1909 1905-1906
oil on canvas
by: Henri Matisse
(expressionism art) |
|
|
Term
|
Definition
artist represents subjects from multiple views converting them into geometric shapes: cube, sphere, cylinder, and cone |
|
|
Term
|
Definition
(1) "Les Demoiselles d'Avignon"1907
(2) "Violin and Fruit" 1913
by: Pablo Picasso
oil on canvas
(cubism art) |
|
|
Term
|
Definition
(1) "House at L'Estaque"1908
(2) "The Portugues" 1911
by: Georges Braque
oil on canvas
(cubism art) |
|
|
Term
FUTURISM AND THE CELEBRATION OF MOTION
(1909-1920)
[image] |
|
Definition
"Abstract Speed - The Car Passes"
by: Giacomo Balla
1913
oil on canvas |
|
|
Term
|
Definition
"Unique Forms of Continuity in Space"
by: Umberto Boccioni
1913
Bronze
(futurism) |
|
|
Term
|
Definition
"Nude Decending a Staircase No. 2"
by: Marcel Duchamp
1912
oil on canvas
(futurism and the celebration of motion) |
|
|
Term
|
Definition
"L.H.O.O.Q"
by: Marcel Duchamp
1919
**Pencil on a reproduction of Leonardo's Mona Lisa**
DADAISM |
|
|
Term
|
Definition
art base on the unconcious |
|
|
Term
|
Definition
"The Persistence of Memory"
by: Salvador Dali
1931
oil on canvas
(surrealism) |
|
|
Term
|
Definition
"Portrait"
by: Rene Margritte
1935
oil on canvas
(surrealism) |
|
|
Term
|
Definition
large scale, non representational |
|
|
Term
|
Definition
"Autumn Rhythm (#30)"
by: Jackson Pollock
1950
oil on canvas
(abstract expressionism)
**drip painting technique** |
|
|
Term
|
Definition
"Woman and Bicycle"
by: William de Kooning
1952-1953
oil on canvas
(abstract expressionism) |
|
|
Term
|
Definition
"Marilyn Diptych"
"Campbell's Soup"
by Andy Warhol
1962
Pop Art
(abstract expressionism) |
|
|
Term
|
Definition
"Drowning Girl"
by: Roy Lichtenstein
1963
oil and synthetic polymer paint on canvas
(abstract expressionism) |
|
|
Term
|
Definition
the visual expression of an idea or exprience formed with skill through the use of medium |
|
|
Term
|
Definition
tell us things, embellish out lives, evate our spirites, show us who we are, waking us up to injustice, or just flooring us with beauty |
|
|
Term
|
Definition
anyone that produce any form of art; subject to aesthetic criteria |
|
|
Term
|
Definition
arts that are performed such as acting, singing, dancing, and even poetry readings |
|
|
Term
|
Definition
arts that include drawing, painting, sculpture, film, architecture, and design |
|
|
Term
|
Definition
a particular material, along with its accompanying technique used to emphasize the story artist portrait in their work
ex: clay, stone, wood, video, computers, photography, and motion pictures |
|
|
Term
|
Definition
application of design and aesthetics to objects of functions and everyday use |
|
|
Term
|
Definition
become aware through the senses, particularly through sight and hearing |
|
|
Term
|
Definition
to be concious, to know something, and to understand through that awareness; it is gain through sense of sight and development of visual thinking; learned |
|
|
Term
|
Definition
an awareness of beauty or to that quality in a work of art or other manmade of natural from which envokes a sense of elevated awareness in the viewer |
|
|
Term
|
Definition
something pleasing to the eye that is well-proportioned, harmonious, and often approximating an ideal of some sort |
|
|
Term
|
Definition
those with little or no formal art education who make objects commonly recognized as art; at times are people who are largely unaware of art history of the art trends of their times |
|
|
Term
|
Definition
artist working within a tradition |
|
|
Term
|
Definition
depicts the appearance of things |
|
|
Term
|
Definition
extract the essences of an object or idea |
|
|
Term
|
Definition
another way to refer to abstract art; these artworks do not represent or depict a being, a place, or a thing in the natural world |
|
|
Term
|
Definition
|
|
Term
|
Definition
the meaning we get from what we see |
|
|
Term
|
Definition
the symbolic meaning of signs, subjects, and images |
|
|
Term
|
Definition
Trained
Untrained
Folk Artist |
|
|
Term
|
Definition
visible characteristics contributing to the appearance of a form, line, shape/mass, light/value, color, texture, space, time, and motion |
|
|
Term
|
Definition
|
|
Term
|
Definition
used to refer to the expanse within the outling of a 2D area or within the outer bounderies of a 3D object |
|
|
Term
|
Definition
a component of light that affects us directly by modifying our thoughts, moods, actions, and even our health |
|
|
Term
|
Definition
refers to a particular wavelength of spectral color to which we give a name
ex: yellow & green |
|
|
Term
|
Definition
relative lightness or darkness from white through grays to black |
|
|
Term
|
Definition
refers to the tactile qualities of surfaces or to the visual representation of those qualities |
|
|
Term
|
Definition
based on colors adjacent to one another on the color wheel, each containing the same pure hue
ex: yellow-gree, green, and blue-green |
|
|
Term
|
Definition
(SATURATION) refers to the purity of a hue or color |
|
|
Term
|
Definition
a 3D area, physical bulk of a solid body of material |
|
|
Term
|
Definition
created to look like something other than paint on a flat surface |
|
|
Term
|
Definition
emphasize two hues directly opposite each other on the color wheel; when mix together in the smae amount hues turn neutral gray
ex: red and green |
|
|
Term
|
Definition
a principle of art; the repetition of an element(s) in a work |
|
|
Term
|
Definition
the near or exact matching to left and right sides of a 3D or 2D composition |
|
|
Term
|
Definition
those we can feel by touching, such as polished marble, wood, sand, or swirls of thick paint |
|
|
Term
|
Definition
achievement of equilibrium, in which acting influences are held in check by opposing forces |
|
|
Term
|
Definition
the left and right sides are not the same |
|
|
Term
|
Definition
the subject or dominant shapes in a picture plane |
|
|
Term
NEGATIVE SHAPES (BACKGROUND) |
|
Definition
background areas on a picture plane |
|
|
Term
|
Definition
a technique of neo-impressionist painting using tiny dots of various pure colors, which become blended in the viewer's eys; developed by Georges Seurat (DIVISIONISM) |
|
|
Term
|
Definition
used in a 2D work, in which the relationship between a form or figure and its background is revered so that what was figure becomes background and what was background becomes figure |
|
|
Term
|
Definition
the organization of visual elements to create meaningful and interesting form in 2D arts |
|
|
Term
LIST OF VISUAL ELEMENTS OF ART |
|
Definition
Shape
Line
Color
Texture
Form/Value |
|
|
Term
LIST THE 4 FUNCTIONS OF LINES IN AN ARTWORK |
|
Definition
outline and create form
create direction
pattern and texture
movement and emphasis |
|
|
Term
LIST 2 FUNCTIONS OF COLOR IN AN ARTWORK |
|
Definition
creates moods and emotions
culture symbols |
|
|
Term
LIST THE PRINCIPLES OF DESIGN |
|
Definition
Emphsis/Focus
Balance
Contrast
Movement
Variety
Unity |
|
|
Term
|
Definition
making discriminating judgments, both favorable and unfavorable |
|
|
Term
|
Definition
formal organization of artwork; evaluation of how parts of the composition function to create a visual experience that may interest us or not |
|
|
Term
|
Definition
the evaluation of the environmental influences on an artwork
(economic system, cultural values, politic of the time) |
|
|
Term
|
Definition
evaluation of powerful personal meanings, deep psycological insight, or profound human concerns in a work of art |
|
|
Term
List examples of DRY MEDIA |
|
Definition
pencil
charcoal
conté crayone
pastel |
|
|
Term
|
Definition
black or colored inks; washes of ink thinned with water |
|
|
Term
|
Definition
a sequential art form based on drawing |
|
|
Term
HOW ARE WATERCOLOR PAINTINGS MADE? |
|
Definition
by applying pigments suspended in a solution of water and gum arabic (a sein from the acacia tree) to white paper |
|
|
Term
|
Definition
egg yolk is used as binder; water-based paints |
|
|
Term
What are some qualities of ACRYLIC paint? |
|
Definition
provides fast-drying, flexible film; water resistance |
|
|
Term
|
Definition
an ancient wallpainting technique in which very finely ground pigments suspended in water are applied to a damp lime-plaster surface |
|
|
Term
|
Definition
the printmaker cuts away all parts of the printing surface not ment to carry the ink, leaving the design to be printed "in relief" at the level of the original surface
ex: woodcut, wood engraving, linoleum cut |
|
|
Term
|
Definition
areas belows the surface hold the ink; "to cut into" |
|
|
Term
|
Definition
lines are cut into the polished surface of the plate with a burin (engraving tool) |
|
|
Term
|
Definition
a surface or planographic printing process based on the mutual antipathy of oil and water |
|
|
Term
|
Definition
a refinement of the ancient and relatively simple technique of stencil printing |
|
|
Term
|
Definition
light writing; light drawing |
|
|
Term
|
Definition
the forerunner of the modern camera; "dark room" |
|
|
Term
|
Definition
produced by Niépce; the first satisfactory photographs |
|
|
Term
|
Definition
a collection of photographs on a single subject, arranged to tell a story or convey a mood in a way not possible with a single photograph |
|
|
Term
|
Definition
a process in which the editor selects the best shots from raw footage, then reassembles them into meaningful sequences and finally into a total, unified progression |
|
|
Term
|
Definition
the editing technique of combining a number of very brief shots, representing distinct but related subject matter, in order to create new relationships, build strong emotion, or indicate the passage of time |
|
|
Term
|
Definition
a series of drawings or paintings arranged in a sequence like a comic strip, used to visualize the major shots in film |
|
|
Term
|
Definition
"vision from afar"; electronic transmission of still or moving images and sounds by means of cable or wireless broadcast |
|
|
Term
|
Definition
a form of film that integrated classical music and cartoon characters |
|
|
Term
|
Definition
introduced the concept of the photographic essay |
|
|
Term
|
Definition
developed the Polaroid instant camera |
|
|
Term
|
Definition
made the first vague photographic image (daguerreotypes) |
|
|
Term
|
Definition
- opened a photography gallery in NYC in 1905
- founded "Camera Work" magz.
- produced photograph with no technical manipulation of the negative
|
|
|
Term
|
Definition
- leader in the movement to expand the limits of medium's technical capacities
- helped with the development of the FIRST VIDEO SYNTHESIZER
|
|
|
Term
|
Definition
- began making color film in 1932
- invented KODACHROME in 1936; improved the versatility and accuracy of color film
|
|
|
Term
|
Definition
introduced the FM band into its transistor radios, beginning a long chain of innovations in personal audio that lasted for decades |
|
|
Term
THE GREAT WALL OF LOS ANGELES |
|
Definition
- painted by Judy Baca
- world's largest painting
- represent the sweeping Panorama of the history of California
|
|
|
Term
|
Definition
the process of working with words and pictures to create solutions to problems of visual communications |
|
|
Term
|
Definition
an identigying mark, or trademark, based primarily on letter forms |
|
|
Term
|
Definition
an identifying mark based on pictorial (rather than typographic) sources |
|
|
Term
|
Definition
the art and technique of composing printed material from letter forms (typefaces or fonts) |
|
|
Term
|
Definition
particular design of letters |
|
|
Term
|
Definition
A complete assortment of type of one style and size |
|
|
Term
|
Definition
a concise visual announcement that provides information through the integrated design of typographic and pictorial imagery |
|
|
Term
|
Definition
the art that deals with the design problems of manufactured objects |
|
|
Term
|
Definition
the use of visual effects, live action, and animation to creat a 2D project that moves |
|
|
Term
|
Definition
actual writing of anything written or printed |
|
|
Term
FREESTANDING (IN-THE-ROUND) |
|
Definition
sculpture meant to be seen from all sides |
|
|
Term
|
Definition
a art of carving, modeling, welding, or otherwise producing figurative or abstract work of art in 3D |
|
|
Term
|
Definition
a sculpture that is not freestanding but projects from a background surface |
|
|
Term
|
Definition
the projection from the surrounding surface is slight |
|
|
Term
|
Definition
a manipulative and often additive process |
|
|
Term
|
Definition
involves substitution of one material for another; called the SUBSTITUTION OF REPLACEMENT PROCESS |
|
|
Term
|
Definition
- removal of unwanted material (SUBTRACTIVE PROCESS)
- difficult process
- leaves little of no room for mistakes or to correct errors
|
|
|
Term
|
Definition
|
|
Term
|
Definition
objects assembled in ways that radically change the way we see familiar things |
|
|
Term
|
Definition
|
|
Term
|
Definition
using all kinds of material (more than one) |
|
|
Term
|
Definition
- uses 3D medium to tell a story
- transforms a space by bringing in items of symbolic significants
|
|
|