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a doctrine of the soviet union, begun in the 1930s, in which all the arts were required to use a realistic approach (as opposed to an abstract or symbolic one) that portrayed socialism in a positive light. In music this meant use of simple, accessible language, centered on MELODY, and patriotic subject matter. |
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N: Russian C: Peter and the Wolfminimalism |
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Film that Prokofiev composed music for |
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C: Prokofiev G: Symphonic fairy tale for narrator and orchestra |
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Sergei Eisenstein's film that Prokofiev wrote music for |
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Directed Alexander Nevsky, Prokofiev wrote the music for this. |
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Lady Macbeth of the Mtsensk District |
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Newspaper company, Pravda, printed this article and criticized Shostakovich's opera, Lady Macbeth of the Mtsensk District. |
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C: Shostakovich G: Symphony |
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N: Canadian C: Two Sketches for Strings |
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C: MacMillan G: String Quartet |
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N: Canadian C: Suite canadienne (Canadian Suite) |
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Series of fouteen pieces composed by Villa-Lobos |
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C: Villa-Lobos G: Series of pieces |
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N: Mexican C: Sinfonía romantica |
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C: Revueltas G: Symphonic poem |
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renowned pedagogue and promoter of Fauré and Stravinsky, who taught classes in Paris and Fontainebleau.
N: French |
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International Composers’ Guild |
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Founded by Varés, a group of American composers who wanted to secure performances of their music. |
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founded by Claire Reis and Cowell, a group of American composers who wanted to secure performances of their music. |
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British Orchestral conductor who headed the Philadelphia Orchestra and appeared int the film Fantasia. |
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Russian conductor known for his tenure with the Boston Symphony Orchestra |
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C: Varése G: Percussion ensemble |
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C: Varése G: Piece for tape |
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N: American C: The Tides of Manaunaun |
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chords of diatonic or chromatic seconds produced by pressing the keys with the fist or forearm |
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Cowell's book that summarizes his new compositional playing techniques |
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C: Cowell G: Series of works |
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N: American C: String Quartet |
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C: Gershwin G: Symphonic tone poem |
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N: American C: Appalachian Spring |
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C: Copland G: Suite for small orchestra |
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C: Copland G: Orchestral suite |
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(Twelve Poems of Emily Dickinson) |
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C: Copland G: orchestral piece |
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N: American C: AFro-American Symphony |
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C: Grant Still G: Symphony |
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N: American C: Four Saints in Three Acts |
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Four Saints in Three Acts |
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French existentialist literature writer, who wrote in reaction to the horrors of war, the Holocaust, and nuclear weapons |
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French writer who wrote in reaction to the horrors of war, the Holocaust, and nuclear weapons |
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country-and-western music |
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a type popular music with folk music roots which grew in popularity after WWII |
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a distinctive style of country music |
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A country star of the postwar era |
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A country star of the postwar era |
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After bluesmen moved from the rural south to urban north, they started to play electric guitars and developed this style |
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Also known as McKinley Morganfield, he was an important center for the development of electric blues |
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A genre that developed in urban areas after WWII, this included a vocalist and any combination of vocal quartet, piano, organ, electric guitar, bass, drums. |
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N: American C: "Hound Dog" |
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popular music genre that blended black and white traditions of popular music. It used the beat of R&B with country guitar elements. |
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Bill Haley and the Comets |
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This group started the launch of rock and roll in 1955 after they recorded the song Rock Around the Clock for the film, Blackboard Jungle |
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Popular Rock and Roll group, a quartet from Liverpool |
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one of the Band Leaders of the popular rock and roll group, The Beatles |
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One of the band leaders of the popular rock and roll group, The Beatles |
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Sgt. Pepper’s Lonely Hearts Club |
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Album by the Beatles that used a wide variety of styles, from British music to Indian sitar music. |
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Guitar virtuoso and member of the band Creme |
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English hard rock band that developed an individual sound to rock and roll |
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Avant-garde rock music artist |
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Songs that voiced the protests of the generation such as Civil Rights |
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Prominent singer and songwriter of folk and protest songs |
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Prominent singer and songwriter of folk and protest songs |
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Folk musician that voiced his opinion through protest music during the 1960s struggle for civil rights |
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Descendant of R&B, where expression, melismas, and ecstatic vocalizations of gospel singing were brought over to songs on love, sex, and other secular subjects |
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African American songwriter who popularized the new trend of soul |
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A Detroit based record company founded and owned by African-American entrepreneur Berry Gordy - they dominated the soul charts of the 60s. |
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African American woman soul singer, dubbed the "Queen of Soul" |
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Started his career with Motown and was dubbed the "King of Pop" |
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A mix of Cuban dance styles with jazz, rock, and Puerto Rican musical elements |
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Championed the genre of Salsa in the New York music scene |
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American composer who collaborated with lyricist Lorenz Hart & Oscar Hammerstein II (Rogers & Hammerstein) |
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Lyricist who collaborated w/ Richard Rodgers |
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Librettist who collaborated w/ Richard Rodgers |
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Rodgers & Hammerstein produced this show in 1943 |
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Rodgers & Hammerstein produced this show in 1945 |
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Rodgers & Hammerstein produced this show in 1949 |
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American song writer who was famous for the song Kiss me, Kate based off Shakespeare's The Taming of the Shrew |
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Song by Cole Porter based off The Shakespeare play, The Taming of the Shrew |
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N: American C: West Side Story |
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Person who wrote the lyrics to West Side Story |
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Composed the music for the film adaption of A Streetcar Named Desire |
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Film music composer famous for Citizen Kane, Vertigo, North by Northwest & Psycho |
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Famous film director who directed Vertigo, North by Northwest, and Psycho, etc. |
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Directed by Alfred Hitchcock |
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N: Italian C: The Good, the Bad and the Ugly |
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Wrote the score to the film Laura (1944), he introduced a theme song in the movie that become a hit. |
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1944 film by Otto Preminger. Raksin wrote the score |
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A new style of jazz built around virtuosic soloists fronting small combos |
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Saxophonist nicknamed "Bird" who collaborated with Dizzy Gillespie |
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Trumpeter who collaborated w/ Charlie Parker & Others |
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bebop chart that included Charlie Parker & Gillespie |
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a new melody over the chord progression for Gershwin's I got Rhythm |
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prominent bebop saxophonist |
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Prominent bebop & other jazz trumpeter |
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style of jazz that featured softer timbres, more relaxed pace, and rhythmic subtleties. |
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Alto Saxophonist he and his ensemble introduced a more radically new jazz language known as free jazz. |
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Definition
experimental style that moved away from jazz standards and familiar tunes, turning instead to a language built of melodic and harmonic gestures, innovative sounds, atonality, and free forms |
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Definition
album by Ornette Coleman that featured the new style of jazz called free jazz |
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Term
“Who Cares If You Listen?” |
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Definition
Milton Babbitt's essay that viewed music in the 20th C. as an autonomous art to be pursued for its own sake |
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Definition
N: American C: Tunbridge Fair |
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C: Piston G: Concert band piece |
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He and his student Milton Babbbitt influenced a neoclassical approach to music as Princeton University |
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N: French C: Quartet for the End of Time |
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Quartet for the End of Time |
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C: Messiaen G: Chamber piece |
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Opening movement of Quartet for the End of Time. shows examples of juxtaposing static ideas together |
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The Technique of My Musical Language |
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Definition
Olivier Messiaen's book that features several of his characteristic devices such as juxtaposing static ideas, modes of limited transposition, etc. |
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modes of limited transposition |
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collection of notes, like the whole tone & octatonic scales that do not change when transposed by certain intervals |
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Definition
Messiaen's technique of emphasizing duration over meter, such as the dotted eighth note amid even even eighths or the lone sixteenth note, which add a small durational value to produced units of irregular length |
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Messiaen technique that featured rhythms that are the same backwards and forwards |
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N: English C: Peter Grimes |
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Benjamin Britten's life partner, a tenor who performed most of Britten's famous tenor roles. |
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English soldier and poet whom Britten borrowed his Latin mass text for his Requiem. |
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N: American C: Adagio for Strings |
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C: Barber G: String orchestra |
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Knoxville: Summer of 1915 |
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C: Barber G: Voice & Orchestra |
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N: Latin American C: Danza argentinas |
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C: Ginastera G: Solo piano |
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N: American C: Transformation |
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Symphony No. 2 “Age of Anxiety” |
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Definition
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N: English C: Triple Concerto for violin, viola, & cello |
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Third Construction in Metal |
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Definition
C: Cage G: Percussion piece |
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Definition
Cage developed this structure in where the number of measures in each unit the square root of the total in the movement |
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Definition
various objects are inserted between the strings of a piano, resulting in delicate, complex percussive sounds. |
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Definition
C: Cage G: Work for prepared piano |
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A composer similar to Cage, they both met in 1950 and became a group of like-minded musicians in NY |
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Definition
John Cage showed an interest in the art of this person |
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Definition
Creating opportunities for experiencing sounds as themselves, not through the intentions of the composer |
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John Cage's first published book of writings. In it he articulates his views about music |
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C: Cage G: Indeterminate music |
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C: Cage G: indeterminate music |
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New York abstract expressionist painter who was closely associated w/ Morton Feldman. |
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New York abstract expressionist painter who was associated w/ Feldman |
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N: American C: December 1952 |
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C: Brown G: Indeterminate music |
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N: Polish C: String Quartet |
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performing an action in a public place constitutes a work of art. |
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Definition
Applying the concept of serialism to other aspects of music besides tone rows such as pitch, duration, timbres, etc. |
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N: French C: Le marteau sans maître |
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N: American C: Three Compositions for piano |
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Three Compositions for Piano |
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C: Stockhausen G: chamber piece |
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C: Stockhausen G: electronic music |
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Definition
formal units of contrasting character follow each other without necessarily suggesting a process, direction, or narrative, creating a sense of timelessness. |
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Definition
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Definition
C: Boulez G: Contralto & 6 instruments |
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Definition
Surrealist poet. Boulez set Le marteau sans maitre to some of them. |
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Berio's former wife whom he wrote Sequenza III for |
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Definition
N: American C: Cello Sonata |
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Definition
transition is made from one tempo and meter to another through an intermediary stage that shares aspects of both, resulting in a precise proportional change in the value of a durational unit. |
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(Double Concerto for piano, harpsichord, and 2 chamber orchestras) |
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C: Carter G: Double concerto |
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Definition
N: American C: Oedipus-A Music-Dance Drama |
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Definition
N: American C: Ancient Voices of Children |
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Ancient Voices of Children |
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Definition
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Definition
C: Crumb G: electric string quartet |
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N: Canadian-American C: Tabuh-tabuhan |
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Definition
C: McPhee G: orchestral piece |
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Definition
N: Japanese C: Requiem for Strings |
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Definition
C: Takemitsu G: double concerto |
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Definition
Directed the film Ran (1985) which Takemitsu composed the score for |
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Definition
N: French C: Symphonie pour un homme seul (Symphony for one man) |
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Definition
N: French C: Symphonie pour un homme seual |
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Definition
C: Schaeffer & Henry G: Symphony |
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Definition
working concretely with the sound of musicas opposed to actual music notation |
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Definition
first successful electronic instrument invented around 1920 by Lev Termen. It changed pitch according to distance between the antenna & performer's hand |
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Definition
electric instrument controlled by a wire, ribbon, or keyboard. invented by Maurice Martenot (1928) |
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Definition
C: Stockhausen G: electronic |
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Definition
architect that designed the Philip Pavilion for the performance of Varése's Poem electronique |
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Definition
More compact synthesizers than those before 1966, they reduced the time needed to make electronic music and were much less expensive |
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Silver Apples of the Moon |
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Definition
C: Morton Subotnick G: Electronic piece |
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Definition
C: Babbitt G: soprano soloist w/ pre-recorded tape |
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C: Xenakis G: Orchestral work |
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Definition
method of composition in 20th century classical music developed by Iannis Xenakis and described in his book Formalized Music |
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Definition
N: Polish C: Threnody: to the Victims of Hiroshima |
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Threnody: to the Victims of Hiroshima |
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Definition
C: Penderecki G: for strings |
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Definition
N: Hungarian C: Etude no 9. Vertige |
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C: Ligeti G: Full orchestra |
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Definition
Film director who was famous for 2001: A Space Odyssey |
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Definition
cannons with many lines moving at different rates to create the effect of a mass of sound slowly moving through space |
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N: American C: contra mortem et tempus |
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C: Rochberg G: solo harpsichord |
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Definition
N: American C: Baroque Variations |
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C: Lukas Foss G: Variations |
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Wrote the monologue, The Unnamable about a man who has just died. Berio draws most of his spoken text of his Sinfonia from Beckett's monologue |
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Definition
A famous bandmaster after Sousa's era. continued the traditions of outdoor concerts & Goldman Band Summer series |
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Definition
Founder of the Eastman Wind Ensemble at the Eastman school in Rochester. |
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Definition
N: American C: Divertimento |
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Definition
N: American C: George Washington Bridge |
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Definition
C: Schuman G: Concert band piece |
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N: Czech C: Music for Prague |
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Definition
C: Husa G: Programmatic work for Symphonic Band |
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Definition
A new trend launched by Miles Davis. it joined elements of fusion with jazz such as the electric guitar & rock rhythms. |
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Definition
One of Miles Davis' best selling albums, his greatest commercial success. it includes elements of fusion jazz. |
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Definition
A plotless social commentary by Sondheim |
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Definition
melodramatic musical by Sondheim |
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Term
Sunday in the Park with George |
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Definition
musical by Sondheim about Georges Seurat |
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Definition
N: American C: Jesus Christ Superstar |
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N: French C: Les Miserables |
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Definition
process of creating new compositions by patching together digital chunks of pre-recorded music |
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Institute for Acoustic and Musical Research and Coordination (IRCAM) |
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Definition
An institute founded by Boulez in Paris. It is one of the premier centers for computer music in Europe |
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Definition
Characterizing music in the late 20th C as being closer to other performance arts |
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Definition
N: American C: Star Wars soundtrack |
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Definition
Film series by George Lucas |
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Definition
American film director who directed American Graffiti & Star Wars |
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Definition
Composer who arranged a Lord of the Rings symphony (2004) |
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Definition
Style of dance music that featured disk jockeys. |
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Definition
hard-driving style of music developed in the 1970s. |
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Term
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Definition
style of music with rhymed lyrics chanted over repeated dance beats developed in the 1970s |
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Term
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Definition
style of music in which materials are reduced to a minimum and procedures simiplied so that what is going on in the music is immediately apparent |
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Definition
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Definition
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Definition
short segments of magnetic tape spliced into loops that when fed through a tape recorder play the same recorded sounds again and again |
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Music that reflects the influence of minimalist procedures while moving beyond the original aesthetic to include traditional methods. |
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Definition
C: Reich G: string quartet & tape |
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Definition
N: American C: Short Ride in a Fast Machine |
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Definition
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Term
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Definition
technique that changes from one set of notes to another |
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Term
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Definition
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Term
Short Ride in a Fast Machine |
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Definition
C: Adams G: orchestral fanfare |
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Definition
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Definition
French composer known for developing new electronic music concepts |
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Definition
N: American C: symphony no 1 |
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Definition
N: Estonian C: Seven Magnificat Antiphons |
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Term
Seven Magnificat Antiphons |
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Definition
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Term
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N: English C; The protecting Viel |
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C: Tavener G: for cello and strings |
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Musical genre created by Schafer, it includes pieces that require more than passive attention from listeners and usually performed outside |
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N: American C: Silver Ladders |
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A period after modernism, it incorporated elements of earlier styles into modern designs |
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N: Russian C: Concerto Grosso No. 1 |
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a combination of new & older styles created through quotation or stylistic allusion |
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N: American C: The Ghost of Versailles |
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N: American C: Iphigenia in Brroklyn |
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N: American C: Final Alice |
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C: Tredici G: amplified soprano & orchestra |
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N: Argentinian C: Libertango |
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N: Argentinian C: Ainadamar: Fountain of Tears |
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Ainadamar: Fountain of Tears |
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C: Daugherty G: solo bassoon & chamber ensemble |
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N: Chinese C: Seven Tunes Heard in China |
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Seven Tunes Heard in China |
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C: Sheng G: solo cello suite |
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