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Good Shepherd, Orants, and Story of Jonah//
Catacomb of Saints Peter and Marcellinus, Rome//
Early Christian period//
Greco Roman style//
Fresco on ceiling of catacombs |
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Chi Rho Iota// Page from the Book of Kells// Oxgall ionks and pigments on vellum// Late 8th early 9th century (Early medieval)// Probably made at Iona, Scotland |
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Chartres Cathedral// Chartres, France// Early to High Gothic// c. 1134 |
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Christ as the Good Shepherd// Mosaic entrance of Mousoleum, Ravenna// Early Christian period// Greco Roman Style |
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San Vitale// Central plan - octoganal - 8 sided rotunda// Ravenna// Byzantine style |
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Dome of the Rock// Central plan// Jerusalem// Islamic Style// Place where Abraham planned to sacrifice his son, and where Muhammed accended to heaven. |
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Notre Dame Cathedral// Paris// Early Gothic// Six part vaults adopted from Norman Romanesque architecture |
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Gero Crucifix// Cologne Cathedral, Germany// Painted and gilded wood// Commissioned by Archbishop Gero// Early Middle Ages// Follows Byzantine models |
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Haiga Sophia// Central plan// Constantinople// Patron - Constantine// Early Byzantine Style |
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Choir ambulatory St. Denis// France// Early Gothic Style// Commissioned by Abbot Suger |
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Emjperor Justinian and His Attendants// Church of San Vitale, Ravenna// Mosaic on North wall of the apse// Early Byzantine Style |
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Last Judgement at Autun on the main portal of the Cathedral of Saint-Lazare// Burgundy, France// Romanesque// |
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Nave, Durham Cathedral// England// Nave retains Norman character, but the circular window is a later Gothic addition |
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Page with Saint Matthew the Evangelist, Coronation Gospels// Gospel of Matthew (Man symbol)// Carolingian |
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Palace Chapel of Charlemagne// Early Carolingian// Central plan - octoganal - 16 sided rotunda// Inspired by San Vitale |
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Santa Costanza// Rome, Italy// Central plan influenced by Roman Architecture// Early Christian// Patron - Mausoleum for Constantia (Constantine's daughter) |
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Prayer Hall, Mosque Cordoba// Cordoba, Spain// Double Tiered Arches// Hypostyle halls |
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Ranier of Huy Baptismal Font// Liege, France// Bronze// Romanesque |
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Sarcophagus of Junius Bassus// Rome, Italy// Early Christian// Influence of Roman art |
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Purse Cover from Sutton Hoo// Ship burial in Suffolk, England// Commissioned by a wealthy man// Early Medieval period// Byzantine style |
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Empress Theodora and her Attendants// San Vitale, Ravenna// Mosaic from apse// Hierarchical Byzantine style |
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Transfiguration of Christ with Saint Apollinaris// Mosaic in apse of Sant'-Apollinaire in Classe// Early Byzantine Period |
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Royal Portal, Chartress Cathedral// France// Gothic Style |
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Tree of Jesse, Chartres Cathedral// Stained and painted glass// Gothic Style |
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Nave, Reims Cathedral// Reims, France// Gothic Style |
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Annunciation and Visitation, Reims// Annunciation (left pair) Mary and Angel// Visitation (right pair) Mary and Elizabeth |
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Upper Chapel, Sainte-Chapelle// Paris, France// Gothic |
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Psalter of St. Louis, Abraham and the Three Strangers// Paris// Ink, tempra and gold leaf on vellum// Gothic style |
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Dormition of the Virgin// Strasbourg Cathedral, France// Tympanum, South Transept// Gothic |
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Cimabue, Virgin and Child Enthroned// Florence// Most likely painted for the high altar of the Church of Santa Trinita// Traditional Byzantine iconagraphy of the "Virgin pointing the way" |
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Giotto Lamentation// Padua// Fresco in the Arena Chapel// Fourteenth Century |
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Duccio, Maesta Altarpiece// Central panel from Maesta Altarpiece, Siena Cathedral// Fourteenth Century// Duccio's personal style - Italo-Byzantine style |
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Bayeux Tapestry// Bayeux Cathedral, France// Patron - Bishop Odo// Embroidery - linen with wool |
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Nicholas of Verdun, Shrine of the Three Kings// Cologne Cathedral, Germany// Patron - Philip Von Heinsberg, Archbishop of Cologne// Shape of reliquary resembles a basilica |
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Portal, Stave Church// Urnes, Norway// Original Eleventh century doorway// The Viking Era// Urnes Style |
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