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- not actual lines
- made from the way objects are placed
- often will imply a line itself ex.) tree
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- run up and down
- help stimulate feelings of dignity, height, grandeur, and strength
- ex.) buildings, trees, standing people
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- denote response, calm, tranquility, and peace
- ex.) a lake or desert
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- gives sensation of force, energy, and motion
- You can tilt the camera
- ex.) bent trees, the slope of a mountain
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reflect great beauty and charm |
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- combines charm and strength
- adds interest and beauty
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- ease the eye into the picture area then take it right to the main subject
- usually start in the lower left area of the picture
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- the way subjects connect to each other
- draw the viewers eye from subject to subject
- TRIANGLES and DIAMONDS work the best
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- can organize different landmarks
- divide the frame into 2 triangles
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make sure no two eyes will lie on the same horizontal plane |
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when lighting is on the bright end of the spectrum
used to portray delicate or feminine |
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when lighting is to the dark end of the spectrum
highlights dark elements |
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draws out attention to the main subject |
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ensures less important elements |
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- shapes or lines that repeat themselves
- often used as secondary elements
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connects film, shows time pass, ect. |
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can be achieved by balancing color or weight
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adds creativity and weight
doubles size |
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space left unused
- adds emphasis to main subject
- usually just one color (doesn't need to be solid)
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- separates the screen into 3 horizontal and 3 vertical parts
- the human eye doesn't like to rest in the center of the screen
- easy to manipulate by changing position and focus
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AKA mathematics of design
ratio of 1.618 to 1
creates harmony and balance |
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Complexity vs. Simplicity |
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everything should be planned
don't have distracting background elements
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when you cut off a portion of a subject |
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change the viewpoint to add drama and excitement |
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dramatizes subject
adds strength and dominance |
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