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Bexleyheath, Kent Phillip Webb 1859-60 |
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Lake Windemere, Cumbria CFA Voysey 1898 |
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Glasgow, Scotland Charles Rennie Mackintosh 1897-1909 |
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Brussels, Belgium Victor Horta 1892-93 |
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Brussels, Belgium Victor Horta 1899 |
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Paris Hector Guimard 1899-1904 |
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Church of Sagrada Familia |
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Barcelona Antonio Gaudi 1882 |
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Barcelona Antonio Gaudi 1905-1907 |
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Projects for the Bank of England |
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London John Soane 1788-1837 |
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Berlin, Germany Karl Friedrich Schinkel 1823-28 |
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London Charles Barry & AWN Pugin 1836-68 |
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Coalbrookdale, Great Britain Thomas Pritchard & Abraham Darby III 1779 |
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Bibliotheque Ste. Genevieve |
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Paris Henri Labrouste 1842-50 |
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Turin Giacomo Matte Trucco 1914-26 |
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Colonia Marina Rosa Maltoni Mussolini |
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Calambrone Angliolo Mazzoni 1925-35 |
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Monument to the Third Int'l |
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Pravda Newspaper Building |
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Viktor & Alexandr Vesnin 1924 |
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Soviet Pavilion, Expo des Arts Decoratifs |
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Paris Konstantin Melnikov 1925 |
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Moscow Konstantin Melnikov 1927-28 |
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Moscow Konstantin Melnikov 1927 |
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Vienna Josef Maria Olbrich 1898-99 |
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Brussels, Belgium Josef Franz Maria Hoffman 1905-11 |
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Utrecht, Netherlands Gerrit Thomas Rietveld 1924 |
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Berlin Peter Behrens 1908-09 |
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Alfeld, Germany Walter Gropius & Adolf Meyer 1911-12 |
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Cologne, Germany Bruno Taut 1914 |
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Dessau, Germany Walter Gropius 1926 |
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Barcelona Ludwig Mies van der Rohe 1929 (86) |
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Stuttgardt, Germany Le Corbusier, Ludwig Mies van der Rohe, + more 1927 |
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Crystal Palace London Joseph Paxton 1851 |
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1)uses prefab parts 2)materials: iron & glass 3)designed for the world exposition 4)lots of natural light for nations to show off their work 5)creates a giant greenhouse 6)uses wood, glass, cast iron 7)prefab made it very efficient to build 8)Charles Dickens describes how much materials were created and how fast it was built 9) 10) 11) |
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Tassel House Brussels, Belgium Victor Horta 1892-93 |
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1)interior uses organic plant motif in ornamentation 2)layout doesn't reflect organic motif 3)architect was the leading architect in art noveau 4)architect used design to move away from historical precedents 5)curves highlight fluidity 6) appears to grow out of nature 7) 8) 9) 10) 11) |
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Bibliotheque Ste. Genevieve Paris Henri Labrouste 1842-50 |
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1)iron 2)loadbearing stone 3)people weren't comfortable with iron trusses, so stone brackets were added 4)1st floor with small windows, acts as the base of the building 5)neoclassical 6)helped make neoclassicism the style of France 7)inside appears as if it uses modern technology 8)became a popular precedent for factories 9)glass 10)Masonry presents base, with light appearing shell 11)authors names enscribed on the building |
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Postal Savings Bank Vienna Otto Wagner 1904-12 |
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1)traditional meets industrial architecture 2)art noveau + Wagner's own syle 3)ext resembles traditional architecture (repeating bays/pedestal) 4)interior resembles the crystal palace or bibiotheque, train shed 5)interior uses little ornamentation 6)vents show Wagner's personal touch 7)beauty comes from the necessary parts (i.e. vents) 8) 9) 10) 11) |
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Church de la Sagrada Familia Barcelona Antonio Gaudi 1882 |
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1)still being built to this day 2)resembles Gothic cathedral that's melting 3)4 towers, instead of 2 4)pointy, not round 5)3 entries 6)building as sculpture with honeycomb appearance 7)made of stone 8)architect studied parabolic arches to create this design 9)architect looking for architecture specific for Spanish 10)wanted to design in his own form of Art Noveau 11)Will be finished in 10 years 12) Islamic Architecture +Gothic Architecture |
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Monument to the 3rd Int'l _? Vladimir Tatlin 1919 |
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1) celebrates 3rd anniversary of Russian revolution 2)steel structure 3)3 rooms suspended inside 4)Cube revolves 1/year 5)pyramid revolves 1/month 6)cylinder 1/day 7)Nature inspired 8)DNA 9)Designed at a time when people were becoming disinterested in Earth's pettiness 10)couldn't be built at the time it was drawn 11) |
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AEG Turbine Factory Berlin Peter Behrens 1908-09 |
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1)façade resembles screw 2)compared to parthenon 3)simplicity of greek temple 4)brought grandeur to factories 5)designed similarly to an exposition space 6)architect was also a designer for household objects 7)architect embraced industry 8)architect believed that its a designers' job to make sure everyone can afford good design 9)symmetrical 10)glass facade 11)heavy masonry 12)high roof |
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Fagus Shoe Works Alfeld, Germany Walter Gropius & Adolf Meyer 1911-12 |
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1)focused on best design for factory 2)natural light: exposed glass 3)minimum enclosure 4)not symmetrical 5)closed front 6)flat roof 7)seemed to oppose AEG Turbine Factory 8) 9) 10) 11) |
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The Bauhaus Dessau, Germany Walter Gropius 1926 |
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1)glass protrudes from it 2)futuristic 3)form follows function? 4)revolution mvmt: height of progress 5)Arts & Crafts mvmt 6) 7) 8) 9) 10) 11) |
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Soviet Pavilion, Exposition Des Artes Decoratifs Paris Konstantin Melnikov 1925 |
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1)express soviet ideology & power 2)diagonal stair 3)dynamic in abstract art 4)stair divides building into 2 parts 5)irregular shaped interiors 6)its structure celebrates industrialism 7)hammer 8)sickle 9) 10) 11) |
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The Red House Bexleyheath, Kent Philip Webb 1859-60 |
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1)red brick 2)steep roof 3)medieval 4)irregular plan 5)2 unequal wings 6)windows vary in size 7)uses a lot of wood (local, medieval, vernacular) 8)Arts & Crafts 9)architect believed that industrialism was the source of evil 10)irony: only wealthy could afford house like this 11)furniture was designed to match the architecture |
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Palais Stoclet Brussels, Belgium Josef Franz Maria Hoffman 1905-11 |
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1)form uses picturesque massing 2)the masses are arranged organically 3)arch designed his own furniture to unite with architecture 4)his design focused on the contrast between geometry and nature 5)luxious materials inside 6)velvet chairs, gold leaf, marble 7) 8) 9) 10) 11) |
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Casa Mila Barcelona Antonio Gaudi 1905-07 |
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1)Not orthogonal 2)very curvy 3)whole form of building is natural 4)cave-like 5)2 lightwells 6)roof acts like a playground, adventurous 7) 8) 9) 10) 11) |
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Steiner House Vienna Adolf Loos 1910 |
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1)architect hated ornament 2)form: bold geometrical massing 3)form driven by function 4)no cornice, so building ends @ top 5)symmetrical 6)architect created this using pedestrian scale 7)domestic façade 8)back resembles office building 9)architect uses psychological design for interiors 10)his use of psychological design replaces his lack of ornamentation 11)uses the Raum Plan Theory: interlocking volumes of space by varying ceiling heights 12)homey interior |
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House of Parliament London Charles Barry & A.W.N. Pugin 1836-68 |
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1)architects opposed each other 2)Barry preferred classicist 3)Pugin preffered gothic 4)houses burned down in the Great Fire 5)there was a contest to rebuild parliament housing 6)classicist: reg. spaced bays, proportion, symmetry 7)gothic: details in towers 8)Gothic became the style of England 9)Pugin searched for truth in arch 10)a lot of money was put in by patrons 11)includes Big Ben 12) goth: darkness |
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Villa Savoye France Le Corbusier 1929-31 |
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1)open space 2)2 formal elements 3)simple white box with ribbon windows 4)fragmented circular forms 5)ramps: leisure & celebrate movement 6)spiral stairs: intense & celebrate movement 7)doesn't mix structure and enclosure 8)roof terrace: ocean liner 9)uses architect's 5 Points of architecture 10)1. Pilotis 11)2.Free design of ground plan 3. Free façade 4. horizontal window 5. roof gardens |
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Glasgow School of Art Glasgow, Scotland Charles Rennie Mackintosh 1807-1909 |
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1)influenced by William Morris wallpaper 2)organic motifs 3)organic balanced with geometric 4)open, north facing facade 5)want natural lighting for art (lots of glass) 6)tudor windows (rectangle frames) 7)Art Noveau 8)no classical/gothic columns 9)gate has a unique flower 10)unique brackets for window cleaning 11)unique lighting fixtures (designed details esp. for this art school) |
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La Citta Nuova Antonio Sant’Elia 1913 |
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1)never built 2)appear to be at an overwhelming scale 3)industrial 4)speed 5)movement 6)no ornament 7)no nature 8)infrastructure (similar to Hoover Dam) 9)Futurist 10)Not much futurist arch was built 11)Gives architects the right to reject past & nature |
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Pravda Newspaper Building _ Viktor & Alexandr Vesin 1924 |
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1)abstract art 2)planar quality 3)incorporates moving parts 4)clock 5)search light 6)Light represents how the media is on the search for truth 7)represents movement, communication, & search for truth 8) 9) 10) 11) |
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