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-Organic Structure -Wild forces of nature -The unexplainable, gothic, mystical |
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-Storm and Stress -Shocked Audience -Violence and forbidden topics |
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-Just another room on the stage -Introduced during the Romantic era |
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Historical accurate costumes and scenery |
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•Introduced during this era •Replaced candles in the 1820’s •Volatile and dangerous •Greater intensity of light •Could be dimmed up and down |
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-Rebellion against romanticism and melodrama -Further visual realization 1. Detailed scenery and costumes 2. Historical and contemporary accuracy |
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- first fully realized realistic plays -Norway -Adaptation of melodrama and well made play -A Doll's House (1879) -Ghosts (1881) |
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-Developed realistic acting styles -Moscow art theater's Psychoanalysis, Representational style, illusion of spontaneity, focus on other actors, subtle realistic changes in voice and body, ensemble acting. -Plays of Chekov |
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Realistic Acting (Characteristics) |
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-Ensemble acting -careful examination of character history and motivation -Psychological evaluation -Fourth wall: actors do not acknowledge presence of audience |
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Director’s abilities and job responsibilities |
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-Provide leadership, inspiration -unification to a production -Textual interpretation -Artistic conceptulization -Coordination of visuals -Actor coaching |
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Director collaboration with Designer/Actor |
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-meetings before casting -brainstorming- interpretation, ideas, images - Director focuses and inspires -Shapes work into unified concept |
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-Analysis, research, brainstorming, intuition, experiment. - Interpretation leads to concrete choices in production |
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Artistic decisions meant to communicate a specific interpretation to the audience. |
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Concept is achieved through |
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scenery, costumes, lighting, rhythm, movement, composition |
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-Physical and vocal characteristics -talent and range -collaborative spirit -ability to take direction |
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-prepared audition pieces (monologues) -"cold" readings -Interview -Previous work |
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read through, blocking rehearsals staging, development rehearsals, technical rehearsals, dress rehearsals |
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workers who maintain and execute cues for props, costumes, sets, lighting, and sound during the run of the show |
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-During tech rehearsals the show is slowly transferred over to them -Call cues -Oversees running crews |
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realistic acting; representing real life |
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Presentational (Rhetorical) acting |
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not an attempt to imitate real life |
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the art or technique of dramatic composition and theatrical representation |
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a technique that actors use in which an actor re-experiences a moment from his/her life to bring about similar emotions in a play |
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actor’s recall of sights, sounds, touch and smells of specific past events |
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Elements of Scene Development |
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•Designs that… o Imitates real life o Realistic details o Historical accuracy o Imaginary 4th wall |
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•Designs that… o Suggest, distort, or abstract reality o Deliberately incomplete o Environment that is impossible in real life o May rely on mood, color, shapes, visual symbols |
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audience view of a set drawn to perspective |
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•4 variables o Silhouette (or line) – outer shape of costume helps communicate time and place o Color – culturally specific, emotional response and communicates character o Texture – time of year, economic status o Accent – finishing detail and accessories |
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Elements of Costume design |
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list of clothing items worn by each actor for each scene in the play |
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•Creating movement and mood with light o Lights the action and actors on stage o Molds the human face o Provides primary and secondary focus o Create, sustain and change mood |
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shows where instruments will be hung in the theater |
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