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Cimabue, Maestà (Madonna of the Holy Trinity), ca. 1260-80, tempera on panel. Formerly in Santa
Trinita, Florence; now in the Uffizi, Florence |
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Giotto di Bondone, Maestà (Ognissanti Madonna), ca. 1310, tempera on panel. Formerly in the Church of Ognissanti, Florence; now in the Uffizi, Florence |
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Duccio di Buoninsegna, Maestà, 1308-11, tempera and gold on panel. Originally located on the high altar of the Duomo of Siena; currently located (most parts, anyway!) in the Museo dell’Opera del Duomo, Siena (details of Christ Entering Jerusalem) |
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Duccio di Buoninsegna, Maestà, 1308-11, tempera and gold on panel. Originally located on the high altar of the Duomo of Siena; currently located (most parts, anyway!) in the Museo dell’Opera del Duomo, Siena. (Annunciation of the Death of the Virgin) |
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Giotto di Bondone, frescoes of the Life of the Virgin and the Life of Christ, with the Last Judgement, The Arena (Scrovegni) Chapel, Padua, Italy, ca. 1305-1306 (consecrated 1305). (details of Christ Entering Jerusalem) |
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Giotto di Bondone, frescoes of the Life of the Virgin and the Life of Christ, with the Last Judgement, The Arena (Scrovegni) Chapel, Padua, Italy, ca. 1305-1306 (consecrated 1305). The Lamentation |
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Simone Martini and Lippo Memmi, The Annunciation, 1333, tempera and gold on panel. Uffizi, Florenc |
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Pietro Lorenzetti, The Birth of the Virgin, 1342, tempera on panel. Museo dell’Opera del Duomo, Siena |
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Ambrogio Lorenzetti, The Good and Bad Governments in the City and the Country, 1338-40, frescoes. Sala dei Nove (or Sala della Pace), Palazzo Pubblico, Siena. |
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Ambrogio Lorenzetti, The Good and Bad Governments in the City and the Country, 1338-40, frescoes. Sala dei Nove (or Sala della Pace), Palazzo Pubblico, Siena. |
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Ambrogio Lorenzetti, The Good and Bad Governments in the City and the Country, 1338-40, frescoes. Sala dei Nove (or Sala della Pace), Palazzo Pubblico, Siena. |
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Andrea Pisano, The Baptism of Christ, Baptistry South Doors (Scenes from the Life of John the Baptist),1330-36, gilded bronze. Baptistry, Florenc |
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Masaccio, Trinity, ca. 1425, fresco. Santa Maria Novella, Florenc |
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Masolino, The Temptation, ca. 1425, fresco. The Brancacci Chapel, Santa Maria del Carmine, Florence |
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Masaccio, The Expulsion from Paradise, ca. 1425, fresco. The Brancacci Chapel, Santa Maria del Carmine, Florence |
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Masaccio, The Tribute Money, ca. 1425, fresco. The Brancacci Chapel, Santa Maria del Carmine, Florence |
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Fra Angelico, The Annunciation, ca. 1438-47, fresco. San Marco (top of the stairs), Florence, Italy |
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Andrea del Castagno, Last Supper, 1447, fresco. Refectory of Sant’Apollonia, Florence, Italy |
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Domenico Veneziano, Madonna and Child with Saints (Saint Lucy Altarpiece), ca. 1445, tempera on panel. Originally for main altar of Santa Lucia dei Magnoli, Florence; currently in Uffizi, Florence |
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Piero della Francesca, The Resurrection, ca. 1463, fresco. Palazzo Comunale (Town Hall), Borgo San Sepolcro |
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Piero della Francesca, Double Portrait of Battista Sforza and Federico da Montefeltro, ca. 1474, oil and tempera on panel. Uffizi, Florence |
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Antonio del Pollaiuolo, Battle of the Nudes, ca. 1465-70, engraving. Cincinnati Art Museum, Ohio |
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Filippo Lippi, Madonna and Child with Scenes from the Life of St. Anne (The Bartolini Tondo), 1453, tempera on wood. Palatine Gallery, Pitti Palace, Florence |
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Paolo Uccello, The Battle of San Romano, ca. 1438, tempera and silver foil on panel. The National Gallery, London |
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Ghirlandaio, The Birth of the Virgin, ca. 1485-90, fresco. Tornabuoni Chapel, Santa Maria Novella, Florence |
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Ghirlandaio, Portrait of an Old Man and a Young Boy, ca. 1480, oil on panel. Louvre, Paris |
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Botticelli, Primavera, ca. 1482, tempera on panel. Uffizi, Florence. (Patron = Lorenzo di Pierfranceso de’ Medici? |
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Botticelli, The Birth of Venus, ca. 1484-86, tempera on panel. Uffizi, Florence. (Patron = Lorenzo di Pierfranceso de’ Medici?) |
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Giovanni Bellini, Madonna and Saints, 1505, oil on panel. San Zaccaria, Venice |
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Perugino, Christ Delivering the Keys of the Kingdom to Saint Peter, ca. 1481-83, fresco. Sistine Chapel, Vatican |
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Andrea Mantegna, “Oculus” of the Camera degli Sposi, 1465-74, fresco. Ducal Palace, Mantu |
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Luca Signorelli, The Damned Cast into Hell, 1499-1500, fresco. San Brizio Chapel, Orvieto |
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Melchior Broderlam, Retable de Champmol, from chapel of the Charteuse de Champmol, installed 1399, oil on panel. Musée des Beaux-Arts, Dijon |
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The Limbourg Brothers, Les Très Riches Heures du Duc de Berry (January and July), 1413-16. Musée Condé, Chantilly, France |
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The Limbourg Brothers, Les Très Riches Heures du Duc de Berry (January and July), 1413-16. Musée Condé, Chantilly, France |
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The Wilton Diptych, ca. 1400, tempera and gold on panel. National Gallery, London |
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Robert Campin (Master of Flémalle), Mérode Triptych (open), ca. 1425-28, oil on panel. Metropolitan Museum of Art (the Cloisters Collection), NY |
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Hubert and Jan van Eyck, Ghent Altarpiece, 1432, oil on panel. Saint Bavo Cathedral, Ghent, Belgium |
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Jan van Eyck, The Arnolfini Portrait, 1434, oil on panel. The National Gallery, London |
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Rogier van der Weyden, Deposition, ca. 1435, oil on panel. Originally part of a triptych from Notre-Dame hor-les-murs, Louvain, Belgium; now in Museo del Prado, Madrid |
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Rogier van der Weyden, Saint Luke Painting the Virgin, ca. 1435-40, oil and tempera on panel. Museum of Fine Arts, Boston |
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Hugo van der Goes, Portinari Altarpiece, ca. 1476, oil on panel. From Sant’Egidio, Florence; now in the Uffizi, Florence |
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Hans Memling, Diptych of Martin van Nieuwenhove, 1487, oil on panel. Hans Memling Museum, Sint-Jans Hospital, Bruges |
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Hieronymous Bosch, The Garden of Earthly Delights, ca. 1480-1515, oil on panel. Museo del Prado, Madrid |
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Barolomé Bermejo, Pietà, 1490, panel. Barcelona Cathedra |
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Michael Pacher, Saint Wolfgang Altarpiece, 1471-81, carved wood and oil on panel. Church of Saint Wolfgang, Austria |
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Buxheim Saint Christopher, 1423, handcolored woodcut. John Rylands University Library, The University of Manchester |
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3. Martin Schongauer, The Temptation of Saint Anthony, ca. 1480-90, engraving. Metropolitan Museum of Art, New York |
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4. Leonardo da Vinci, Virgin of the Rocks, ca. 1485, oil on panel. Louvre, Paris |
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Leonardo da Vinci, The Last Supper, ca. 1495-98, oil-tempera. Santa Maria delle Grazie, Milan (commissioned by Ludovico Sforza) |
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Leonardo da Vinci, Mona Lisa, ca. 1503-1506, oil on panel. Louvre, Paris |
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Michelangelo, Pietà, ca. 1498-1500, marble. Saint Peter’s, Vatican. Made for French cardinal Jean de Bilhères Lagraulas |
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Michelangelo, David, 1501-1504, marble. Accademia, Florence |
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Michelangelo, The Sistine Ceiling, 1508-12, fresco. The Sistine Chapel, Vatican. (details of The Creation (Animation) of Adam, The Creation of Eve, The Temptation and Expulsion, The Libyan Sibyl and The Prophet Jonah |
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Michelangelo, The Sistine Ceiling, 1508-12, fresco. The Sistine Chapel, Vatican. (details of The Creation (Animation) of Adam, The Creation of Eve, The Temptation and Expulsion, The Libyan Sibyl and The Prophet Jonah |
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Definition
Michelangelo, The Sistine Ceiling, 1508-12, fresco. The Sistine Chapel, Vatican. (details of The Creation (Animation) of Adam, The Creation of Eve, The Temptation and Expulsion, The Libyan Sibyl and The Prophet Jonah |
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Definition
Michelangelo, The Sistine Ceiling, 1508-12, fresco. The Sistine Chapel, Vatican. (details of The Creation (Animation) of Adam, The Creation of Eve, The Temptation and Expulsion, The Libyan Sibyl and The Prophet Jonah |
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Definition
Michelangelo, The Sistine Ceiling, 1508-12, fresco. The Sistine Chapel, Vatican. (details of The Creation (Animation) of Adam, The Creation of Eve, The Temptation and Expulsion, The Libyan Sibyl and The Prophet Jonah |
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Michelangelo, Studies for the Libyan Sibyl, 1508-12, red chalk on paper. Metropolitan Museum of Art, New York |
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Nicola Pisano, Pulpit, 1259-60, marble. Baptistry, Pisa |
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Giovanni Pisano, Pulpit, Cathedral, Pisa, Italy, ca. 1302-10 |
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Filippo Brunelleschi, The Sacrifice of Isaac, 1401, bronze. Museo del Bargello, Florence |
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Lorenzo Ghiberti, The Sacrifice of Isaac, 1401, bronze. Museo del Bargello, Florenc |
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Lorenzo Ghiberti, Jacob and Esau panel, Baptistry East Doors (The Gates of Paradise), 1425-52, gilded bronze. Baptistry, Florence (original panels in Museo dell’Opera del Duomo, Florence) |
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Donatello, Feast of Herod, 1423-27, gilded bronze. Baptismal Font, Baptistry, Siena |
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Nanni di Banco, Quattro Coronati (Four Crowned Saints), ca. 1409-16/17, marble. Niche of the Wood and Stone Carvers’ Guild,Orsanmichele, Florence |
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Donatello, Saint George, ca. 1410-15, marble. Niche for the Armorers’ Guild. Orsanmichele, Florence |
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Donatello, David, ca. 1420-60, gilded bronze. Museo del Bargello, Florence |
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Verrocchio, David, ca. 1465, bronze. Museo del Bargello, Florence |
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11. Donatello, Erasmo da Narni (Gattamelata), 1453, bronze. Piazza del Santo, Padua. |
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Donatello, The Penitent Magdalene (Mary Magdalene), ca. 1450s-60s, polychromed and gilded poplar wood and stucco |
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Claus Sluter, Well of Moses, 1395-1406, limestone. Chartreuse de Champmol, Dijon, France. |
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. Florence Cathedral (Duomo), Santa Maria del Fiore, begun 1296 by Arnolfo di Cambio. |
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Filippo Brunelleschi, Hospital of the Innocents, commissioned 1419 (by the Silk Guild). Piazza SS. Annunziata, Florence |
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Filippo Brunelleschi, Old Sacristy, San Lorenzo, ca. 1420-29. San Lorenzo, Florence. |
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Filippo Brunelleschi, San Lorenzo, Florence, begun ca. 1419/21-69 |
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Filippo Brunelleschi, Dome of Florence Cathedral, 1420-36 |
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Leon Battista Alberti, Façade of Santa Maria Novella, Florence, ca. 1458-1470. |
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Altarpiece of Saint Clare, ca. 1280, tempera on panel. Convent of Santa Chiara, Assisi. |
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Saint Francis Preaching to the Birds, ca. 1290-1300, fresco. Upper Church of San Francesco, Assisi. |
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Buonamico Buffalmacco (attributed) or Francesco Traini?, The Triumph of Death, ca. 1325-50, fresco. Camposanto, Pisa |
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Andrea da Firenze (or Andrea di Bonaiuto), The Way of Salvation, 1365-67, fresco. Guidalotti Chapel (Spanish Chapel), Santa Maria Novella, Florence. |
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Gentile da Fabriano, Adoration of the Magi, signed and dated 1423, tempera and gold leaf on panel. Uffizi, Florence. |
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Marco del Buono Giamberti and Apollonio di Giovanni di Tomaso, Cassone with the Conquest of Trebizond, ca. 1461-65, tempera, gold, and silver on wood. Metropolitan Museum of Art, New York. |
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Antonio del Pollaiuolo, Hercules and Antaeus, ca. 1475, bronze. Museo Nazionale del Bargello, Florence. |
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Definition
Jan van Eyck, Man in a Red Turban (Self-Portrait?), 1433, oil on panel. The National Gallery, London. |
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Definition
Jean Fouquet, Melun Diptych, ca. 1451, oil on panel. L = Gemäldegalerie, Staatliche Museen, Berlin; R = Koninklijk Museum voor Schone Kunsten, Antwerp. |
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Conrad Witz, The Miraculous Draught of Fishes, 1444, oil on panel. Musée d’Art et d’Histoire, Geneva, Switzerland. |
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Mary of Burgundy Painter, page with Mary at Her Devotions, from the Hours of Mary of Burgundy, ca. 1480, colors and ink on parchment. ÖsterreichischesNationalbibliothek, Vienna. |
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Penelope Weaving (Penelope at Her Loom), fragment from The Story of Penelope and the Story of the Cimbri Women, ca. 1480, tapestry. Museum of Fine Arts, Boston. |
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Palazzo Vecchio (Palazzo della Signoria), Piazza della Signoria, Florence. Begun 1298 by Arnolfo di Cambio. |
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