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Pitch, vibrations per second, highness or lowness of a sound |
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Sucession of single tones or pitches perceived as unity |
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distance the lowest and highest tones |
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graphic description (waves, arc, rising line) |
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Smooth, connected melody that moves principally by small intervals |
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Disjointed or disconnected melody with many leaps |
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Significant portion of melody |
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Resting place in a musical phrase; music punctuation |
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A melody that complements the main melody momentarily (it is NOT the main idea nor is it a background accompanying figure) |
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Regular pulsation; basic unit of length |
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Organization of rhythm in time; grouping of beats into larger, regular patterns |
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Rhythmic group or metrical unit that contains a fixed number of beats |
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Duple, triple and quadruple meter |
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Pattern of 2, 3, or 4 beats to a measure |
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Grouping of rhythms in which the beat is subdivided into two |
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Meter in which each beat is subdivided into three rather than two |
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Deliberate upsetting of the meter or pulse through a temporary shifting of the accent to a weak beat or an offbeat |
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The simultaneous combination of notes and the ensuring relationships of intervals and cords |
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Simultaneous combination of three or more tones that constitute a single block of harmony |
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Series of tones in ascending or descending order |
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Common chord type consisting of three pitches built on alternate tones of the scale (steps 1-3-5) |
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Principle of organization around a tonic, or home, pitch, based on a major or minor scale |
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Scale consisting of seven different tones that comprise a specific pattern of whole and half steps. Third degree raised half a step |
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Scale consisting of seven different tones that comprise a specific pattern of whole and half steps. Third degree lowered half a step |
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Melody using seven or eight notes |
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Melody using all of the notes |
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Combination of tones that sounds discordant and unstable, in need of resolution |
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Concordant or harmonious combination of tones that provides a sense of relaxation in music |
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Texture employing counterpoint, or two or more melodic lines |
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Melodic idea presented in one voice and then restated in another, each part continuing as others enter |
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Sing the same thing but enter at different points |
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Perceptual canon at the unison in which each voice enters in sucession with the same melody |
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Mirror image and backward statement of a melody |
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Statement of a melody in longer note values, often twice as slow as the original |
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Statement of a melody in shorter note values, often twice as fast as the original |
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Two part form with each section normally repeated |
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Performance styler with a singing leader who is imitated by a chorus of followers |
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Singing in which a solist or group of soloists alternates with the choir |
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The new; relief from melodic idea |
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The compositional procedure of altering a pre-existing musical idea |
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Creation of a musical composition while its being performed |
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Melodic idea used as a basic building block in the construction of a composition |
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Restatement of an idea or motive at a different pitch level |
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Short melodic or rhythmic idea; the smallest fragment of a theme that forms a melodic-harmonic-rythmic unit |
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Repetitive idea that supports a melody |
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Complete, self-contained part within a larger musical work |
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Rate of speed or pace of music |
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Element of musical expression relating to the degree of loudness or softness, or volume, of a sound |
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The quality of a sound that distinguishes one voice or instrument from another |
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Highest range voice (women or boys) |
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Lowest of the female voices |
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Wood or metal whose tone is produced by a column of air vibrating within a pipe that has holes |
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Wind instrument with a cup-shaped mouthpiece, a tube that flares into a bell, and slides or valves to vary pitch |
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Instrument that is made to sound by striking, shaking, scraping, or plucking |
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Bowed and plucked instruments whose sound is produced by the vibration of one or more strings |
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Post-Romantic/Impressionist Period |
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Modern/Contemporary Period |
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