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A SERIES OF EVENTS RELATED TO A CENTRAL CONFLICT OR STRUGGLE |
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THE TIME AND PLACE IN WHICH A STORY OCCURS |
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A WORK IN WHICH EACH ELEMENT SYMBOLIZES OR REPRESENTS SOMETHING ELSE |
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THE EMOTIONAL ATTITUDE TOWARD THE READER OR THE SUBJECT IMPLIED BY A LITERARY WORK |
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THE EMOTIONAL CREATED IN THE READER BY PART OR ALL OF A LITERARY WORK |
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OCCURS WHEN THE AUTHOR DIRECTLY TELLS THE READER ABOUT A SPECIFIC CHARACTER |
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INDIRECT CHARACTERIZATION |
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THE AUTHOR DOES NOT TELL THE READER DIRECTLY ABOUT THE CHARACTER, BUT INFERS THINGS TO THE READER |
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VANTAGE POINT FROM WHICH A STORY IS TOLD |
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STRUGGLE THAT TAKES PLACE WITHIN A CHARACTER |
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STRUGGLE THAT TAKES PLACE BETWEEN A CHARACTER AND SOME OUTSIDE FORCE |
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CENTRAL CHARACTER IN A STORY |
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A CHARACTER IN OPPOSITION TO THE MAIN CHARACTER |
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CENTRAL IDEA IN A LITERARY WORK |
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DIFFERENCE BETWEEN APPEARANCE AND REALITY OR THE OPPOSITE OF WHAT IS EXPECTED BY THE READER OR A CHARACTER |
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ACT OF PRESENTING MATERIALS THAT HINT AT EVENTS THAT HAVE NOT YET OCCURRED IN THE STORY |
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FEELING OF EXPECTATION, ANXIOUSNESS, OR CURIOUSITY CREATED BY QUESTIONS THAT ARISE IN THE MIND OF THE READER |
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PROSE WRITING ABOUT IMAGINED EVENTS OR CHARACTERS |
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TYPE OR CATEGORY INTO WHICH A LITERARY WORK FALLS |
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THING THAT STANDS FOR OR REPRESENTS SOMETHING ELSE IN ADDITION TO ITSELF |
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IMAGES IN A LITERARY WORK ARE REFERRED TO COLLECTIVELY AS SOMETHING ELSE |
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THE PERSON OR THING TELLING A STORY |
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THE NARRATOR'S POINT OF VIEW USING HE, SHE, OR IT (OR OTHER 3RD PERSON SUBJECT/OBJECT PRONOUNS); THIS TYPE OF NARRATOR SEES ALL CHARACTERS AND IS NOT LIMITED TO ONE. |
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