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Maxine Kumin
Killing woodchucks with gas and then sadistically with a gun. |
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Adrienne Rich
Jennifer putting tigers in a tapestry. Clues to her spousal abuse, but her creations are proud and unafraid. |
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Robert Browning
Portrait of a man's wife whom he more than likely killed, just as he's about to get married to another duchess.
Collection of his artwork. |
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e.e. Cummings
Spring with the lame balloonman, whistles far and wee, with the little children. |
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e.e. Cummings
Lonliness as a leaf falls. |
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[anyone lived in a pretty how town] |
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e.e. Cummings
Anyone and no one getting married, goes over their life story. |
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Li-Young Lee
Foreigner getting words confused with each other, such as fight and fright. Some conflict with a father figure. |
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W.H. Auden
Walking through a museum, seeing the artwork Icarus, discussion of how the human race ignores others in pain and suffering. |
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Andrew Marvell
"Love" poem arguing to his mistress that because they don't have all the time in the world, they should get it on as soon as possible. |
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Ann Lauinger
Story about a woman who isn't willing to take the rap for her man who committed a crime. He'll get 25 to life, and she promised to visit him once a year. |
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John Donne
All about debunking death and arrogantly proclaiming that Death has no power over mortals, and is in fact a slave to things such as war, poison, and Kings. |
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[Because I could not stop for Death-] |
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Emily Dickinson
Poem about being friends with death, if not even a date, as they drive around town and finally end at a grave. |
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John Donne
Another "love" poem, stating that a flea has already mixed the blood of the man, a woman, and itself, so how much different would that be from having a child? |
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A Valediction: Forbidding Mourning |
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John Donne
There should be no mourning when two lovers are appart, for their souls are one, yadda yadda yadda. |
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Gerare Manley Hopkins
Story about a hawk, and how it dives, as well as other properties. |
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Gerard Manley Hopkins
A discussion of how the flaws in nature are just as beautiful, much like spotted surfaces, freckles, etc. |
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Amy Clampitt
Fog rolling off the ocean and obscuring everything it blankets. |
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[a narrow Fellow in the Grass] |
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Emily Dickinson
About a snake that scares everyone, despite his very pleasant description. |
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Theodore Roethke
Potential child abuse story where the father is drunk, and they waltz off to bed after knocking over things in the kitchen. |
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William Wordsworth
A plea for John Milton to come to modern day London and see the state of disarray she's in, asking for his fine words to put order to things. |
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[My mistress' eyes are nothing like the sun] |
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William Shakespeare
A very non-romantic poem that disregards all the usual poetic cliches, and states that even though his mistress is ugly, smelly, etc, he still loves her for all her flaws. |
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[What lips my lips have kissed, and where, and why] |
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Edna St. Vincent Millay
Reflects upon all the past lovers that the speaker has had, but can't remember anything about them. Thinks about the wild times she has had, but that she's settled down since then. |
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I will put chaos into 14 lines |
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Edna St. Vincent Millay
Discusses either poetry or a part of her love life, and how the chaos she struggles with will be put into a 14 line sonnet, where she can better understand it and gain a new perspective. |
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Do Not Go Gentle into That Good Night |
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Dylan Thomas
Arguement with his father, stating that good men, grave men, etc. all struggle when their time comes to fight off death that claims them. Asks why his father is not struggling to hold on as well. |
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Elizabeth Barrett Browning
A poem passionately stating that the love the speaker has for the lover in question is boundless, and that the speaker's love would grow even greater in Death. |
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Elizabether Barrett Browning
Another sonnet that seems to plead with a lover for their love, wanting to just hear things, such as "say that thou dost love me". |
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Wilfred Owen
"It is sweet and proper to die for one's country", all about the hardships of war, and the different ways in which soldiers have fallen, whether gloriously or not, but always painfully. |
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Wilfred Owen
Poem about a soldier who's legs were taken from him from war, and how he is depressed that women do not view him in the same way that they look at men who are whole. |
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Derek Walcott
Discusses the topic of the american country and how it is influenced by immigration and empires, talking about the flag and the dirt beneath his feet. |
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Derek Walcott
Conflict between British rule and African tongues, discusses the massacre |
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The repetition of sounds in a sequence of words. Generally refers to repeated consonant sounds (often initial consonant sounds or those at the beginning of stressed syllables) but has also been used by some critics to refer to repeated vowel sounds. |
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A French verse form consisting of ninteen lines grouped in five tercets followed by a quatrain and involving only two rhymes, with the rhyme scheme aba aba aba aba aba abaa. |
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The repetition of identical or similar vowel sounds, usually in stressed syllables, followed by different consonant sounds in proximate words. |
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A type of alliteration involving repetition of the sonsonant s or other letters and letter combinations such as c (cent), ch (chalet), sh (shade), and z (zip) to produce a soft or hissing sound. |
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A tightly structured French verse form consisting of six sestets and a three line envoy. Widely acknowledged to be one of the most complicated verse forms, it originated in medieval Provence. The six terminal words are repeated in a specific and complex pattern, and are all included in the envoy. |
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Poetry that lacks a regular meter, does not rhyme, and uses irregular line lengths. |
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Generally, a neurological condition or psychological process whereby one kind of sensory stimulus evokes the subjective experience of another. For example, the sight of ants might make one itchy.
Other examples: Red Hot Coal
Frigid Tone
Heavy Silence |
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Words that depict sound, such as Buzz, Boom, and Crack. |
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The attitude of the author toward the reader, audience, or subject matter of a literary work. |
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French for "Striding over", a poetic statement that spans more than one line. |
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Consists of an octave with the rhyme scheme abbaabba and a sestet with the rhyme scheme cdecde
The octave often poses a question or dilemma that the sestet answers or resolves. |
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Contains three quatrains with the rhyme scheme abab cdcd efef followed by a couplet with the rhymes gg. |
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Something that, although it is of interest in its own right, stands for or suggests something larger and more complex.
An object or idea that radiates meaning. |
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A group of seventeenth-century English poets who wrote lyrics, often in the form of an argument, characterized by their analytical approach, originality, wit, and intellectual tone. |
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From the Italian for "Idea" or "Concept, a figure of speech involving an elaborate and often surprising comparison between two apparently highly dissimilar things, often in the form of an extended metaphor. |
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From the Greek for "To transfer", a figure of speech that associates two distinct things without using a connective work to link the "vehicle" and the "tenor". |
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An indirect reference, often to a person ,even, statement, theme, or work. |
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A pause in a line of poetry. |
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Broadly defined, any unrhymed verse but usually referring to unrhymed iambic pentameter. |
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A rhetorical figure in which the speaker directly and often emotionally addresses a person who is dead or absent, an imaginary or nonhuman entity, or a place or concept. |
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A word's literal meaning(s). The "Dictionary definition". |
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The associations evoked by a word beyond its literal meaning. |
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The pattern of rhyme in a poem or stanza, typically described by assigning a lower case letter to each new rhyming sound. |
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Harsh, unpleasant, or discordant sounds. |
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Pleasing, harmonious sounds. |
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A metrical foot in poetry that consists of two stressed syllables (' '). |
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A rhythmic unit containing two or more syllables in a line of verse. Classified according to the combination of two elements: # of syllables, and relative stress or duration of the syllables. |
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A metrical foot in poetry that consists of one unstressed syllable followed by one stressed syllable (u '). |
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A metrical foot in poetry that consists of two unstressed syllables followed by a stressed syllable (u u '). |
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A metrical foot in poetry that consists of one stressed syllable followed by two unstressed syllables (' u u). |
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A metrical foot in poetry that consists of one stressed syllable followed by one unstressed syllable (' u). |
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The more or less regular rhythmic pattern of stressed and unstressed syllables in verse. This version deals with both the total number of syllables and the number of stressed and unstressed syllables are relatively consistent from line to line. |
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A figure of speech in which human characteristics are bestowed upon anything nonhuman from an abstract idea to a physical force to an inanimate object to a living organism. |
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A lyric poem in which the speaker addresses a silent listener, revealing himself or herself in the context of a dramatic situation. The speaker provides information not only about his or her personality but also about the time, the setting, key events, and any other characters involved in the situation at hand. |
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