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the study of all the sound techniques that make up a poem |
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poetry that follows set, established patterns of rhyme and rhythm – A sonnet, for example, has 14 lines, each 10 syllables long, with a set pattern of rhymes (Wordsworth’s “The World is Too Much With Us” is a sonnet |
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poetry that may incorporate patterns of rhyme and rhythm, but not in a fixed or regular fashion (Walt Whitman’s “Song of Myself” is free verse) |
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poetry that follows a set rhythmic pattern (iambic pentameter), but does not use rhyme. (Wordsworth’s Tintern Abbey) |
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Scansion (Describing Rhythm)
Meter
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The meter of a poem is its beat, its pattern of stressed and unstressed syllables |
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a poetic foot is one unit of the rhythmic pattern
the most common in English is the iamb. Other types of feet are trochees, anapests, dactyls, spondees, pyrrics
the most common line in English poetry is decasyllabic(10-syllables long) |
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a two-syllable foot, with the first syllable unstressed, and the second syllable stressed (de-gree, ful-fill) |
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a one-syllable foot that is stressed (“the slow moon climbs” –the is unstressed, but the other three are equally stressed –they are spondees) |
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Alliteration is the poetic technique of repeating initial (beginning) consonant or vowel sounds of words, usually within the same line:
The force that through the green fuse drives the flower/ Drives my green age; . . . --Dylan Thomas
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Enjambment is a technique of continuing the grammatical structure and sense of a line into the next line (with no punctuation halting the flow), sometimes even across stanzas:
None of this cares for us. Nothing shows why At this unique distance from isolation
It becomes still more difficult to find Words at once true and kind, Or not untrue and not unkind. (“Talking in Bed”) –Philip Larkin
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A caesura is a pause or break in the rhythmic progress of a line of verse. The pause is indicated by strong punctuation (a semi, a colon, a period, a dash)
“A wind is ruffling the tawny pelt Of Africa. Kikuyu, quick as flies, Batten upon the bloodstreams of the veldt.”
--Derek Wolcott “A Cry from Africa”
Note: A comma is a weak pause and does not create a caesura.
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A catalog is an extended list of things in a poem
Of every hue and caste am I, of every rank and religion,A farmer, mechanic, artist, gentleman, sailor, quaker,Prisoner, fancy-man, rowdy, lawyer, physician, priest. --Walt Whitman, “Song of Myself |
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“Enlightenment” in the 18th
century meant applying scientific theory and modes of
discovery to human affairs
The “New Science,” born in the 16th
and 17th
centuries, influenced all areas of
philosophy
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Sir Francis Bacon --– Novum Organum affirms that inductive logic is the only way to advance science |
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Galileo -- demonstrates heliocentrism (the sun at the center of the universe) |
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Sir Isaac Newton – Principia Mathematica describes the laws of gravity, the orbits of celestial bodies, and calculus for measuring those orbits
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truths that do not change, regardless of time or place
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unchanging processes or values that govern the universe
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Some of the “universals” in science were assumed to be |
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►The universe is structured in a discernable order
►The universe is rational – therefore, it can be understood rationally
►The ordered universe is a hierarchy
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“Deism” (also called “natural religion”) rejected the irrational in religions: |
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►The Divinity of Christ
►The possibility of miracles (they violate natural law)
►The omnipresence of God – instead, we have a clockwork universe
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the purpose art is didactic – that is, it seeks to teach and improve humankind
art should be designed on the principles of utilite et dulce (usefulness and
delight)
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inaugurates a “protest” against Catholic ideology and practices; he and other “Protestants” separate from the Catholic Church
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Protestant sects develop throughout Europe |
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Neoclassical thought was dominated by these ideas: |
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Reason is virtuous – Passion is dangerous
Order is godlike – disorder is evil
Moderation is virtuous – excess is dangerous
The Universe is rational, symmetrical, balanced, and hierarchical – it reflects the
orderly mind of God
The best art is an orderly reflection of the universal natural laws
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Voltaire is an Enlightenment philosophe--a french intellectual who believes
- Man is perfectible (not fallen) and has free will
- all religions must be tolerated
- deism is the most palatable understanding of God
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Crush the infamy!!!
*infamy may include religious intolerance (or organized religion itself); brutal governments, absurd (dangerous) dogmas -- all impediments to personal an intellectual freedom. |
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a type of didactic literature that seeks to correct human follies by ridiculing them.
* Term derived from Greek “satyr” = l/2 man, l/2 goat. “Satyr plays” were bawdy, humorous plays that followed the series of 3 tragedies performed each day during the Festival of Dionysus (4th and 3rd Centuries BCE)
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a perfectly realized vision of the ideals often proclaimed but generally violated in the reader’s own world
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Which literary form did voltaire employ when he wrote Candide? |
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conte philosophique – the“philosophical tale
* allows the author to demonstrate philosophical ideas acted out in reality and exaggerated for effect
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A decleration of Independece from:
- Religion
- Political authority
- Class heirarchy
- gender oppression
- Slavery
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study of how we know what we know
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God is immanent – present in everything
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Literary technique that strove to capture the world as it is – to record in detail. The idea was to “report” reality – to describe the world without prejudice or assumptions, objectively.
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• Objectivity
– artist must be invisible
– artist must reflect, but not interpret, reality
• Inclusivity
– artist should not “edit” reality
– ugly and beautiful, boring and exciting have equal claim
• Anti-Romantic
– themes often seek to debunk romantic concepts
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Song of Myself (from leaves of Grass)
Individualism |
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Author: Walt Whitman
Poetic techniques: free verse, colloquial speech, catalogs
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Expostulation & Rely, Tables turned, Daffodils and Tintern Abbey Passages |
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Vindication on the rights of Woman |
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Author: Mary Wollstonecraft |
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Author: Samuel Taylor Coleridge |
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" The Lady With the Dog" (realism) |
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