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| text whose purpose is to persuade its addressee to take an action or position favored by the author |
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| text composed of events characters, and settings. unlike other texts, possesses a double time order - the time of the events narrated and the time it takes to narrate those events |
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consequence of the story - reason it gets told.
converns only the fiction NOT LIKE THEME |
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part of the narrative that is told or shown
whole set of events, characters &setting |
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| means by which the story is communicated - shown by narrator |
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| the person who wrote the book |
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| the audience to whom the narrator adresses the narrative |
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| intense kind of narratice curiosity, often because one of the possible outcomes of the present situation endagers the character with whom the read identifies |
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| comprehensive system of beliefs and ideas about the nature of things - may not be followingly it consciously- what they believe and how they believe it |
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truth-seeming or the semblance of thruth
NOT LITERAL TRUTH |
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| Branching of Story-Events |
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| the fundamental pattern of story; a given situation provokes our anticipation of the possibilty of a variety of ecents, but in traditional narrative, only one event actually materializes |
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a narrator who previously participated in the plot as one of the characters
"witness narrator" |
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| narrator with a personality |
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| perspective - moral, intellectual, emotional - from which the narrator presents the story |
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whatever precedes and follows a given narrative feature that helps the read interpret it
evens, props, character, theme |
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phrase - he said- she thought- that marks a given phrase as a quote of a character
LATIN WORD FOR TAG = INQUIT |
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| The narrator of a literary work creates an illusion of reality but then destroys the illusion by revealing that he is arbitrarily making up the story as he goes. ... |
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Explicit = evokes the fallibility of the characters
Implicit = characters behaiors as a whole are flawed |
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| an argument cast in the form of narration |
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| The Garden of Forking Paths |
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