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The portion of the stage nearest to the audience and in front of the proscenium arch or house curtain |
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a portion of the stage that has been designated for use during the playing of a scene. the stage is divided into specific "___", such as down, right, up, left etc. |
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A short speech intended only for the ears of the audience, and by convention not heard by other characters on stage. A typical device, for example, of nineteenth century melodrama, it may be used to impart information of expose the secret thoughts of the speaker. |
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Usually a large piece of canvas or other material behind the stage setting, sometimes with a detailed scene painted on it. |
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The area in back or to the sides of the setting not seen by the audience. |
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The equalization of attention by brining actors, properties, set pieces, and other elements into harmony so as to achieve the required physical equilibrium. |
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A position or area nearer to the audience. The downstage area is "___" the upstage area. |
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Throwing the playing area into complete darkness by the sudden turning off of all stage lights. |
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The planned movement and stage compositions of the production as developed during the early rehearsals. |
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A curtain hanging behind but parallel to the proscenium to aid in masking lights, the working rigging, and the fly space. |
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Interior setting consisting of three walls and often a ceiling as well. One of the most common of realistic settings. |
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The increase in energy, tension, or emotional key directed toward a climax, either in a specific scene or through the progress of the play. |
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Detailed pieces of action developed to enhance characterization, establish mood, and so on. Not the same as the basic stage movement. |
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The announcement that warns actors when they are to be ready for rehearsals, performances, and individual scenes. |
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the high point of interest and/or action in a play , act, scene, or speech. The "___" of a play will invariably occur in the second half of the piece after the rising action and before the falling action |
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To turn or adjust the body position so that the actor is turned away from the audience |
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A turn on stage in which the back of the actor is seen by the audience during the turn. |
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The persons involved in the production of a play. May also refer to a permanent group involved in a succession of productions, as a "summer stock" "___". |
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A shifting of position to compensate for the movement of another actor in order to re-achieve a balanced and pleasing stage composition. |
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To hide from view of the audience another actor, property, or piece of business. Often used deliberately so as not to make obvious the faking of an extremely difficult piece of business, as in a stage fight, stabbing, and so on. |
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A movement on stage from one area to another. |
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The action or dialogue that signals that the next line is to be spoken or certain business and movement is to take place. |
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The receipt of applause by the cast as the curtain is raised at the end of the play. |
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A backdrop surrounding the setting on three sides. Occasionally used to represent the sky, it is nonspecific in detail. |
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The words spoken by the actors in the play. |
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The general stage area nearest to the audience. |
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A rehearsal prior to performance that unites all the elements of the production exactly as they will function during actual performance. |
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The highlighting or accenting of a particular portion or feature of the production. The actor may give "___" to a specific action or to a key line and even to one word. |
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Coming on stage in view of the audience. Can also refer to the opening in the setting that permits the actor to make his or her way on stage. |
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Leaving the playing area of the stage. It can also refer to the doorway or other opening in the setting through which the actor leaves. |
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Material in the play that is included to give the audience the background required in order to understand the development of the story. Often refs to action that has occurred prior to the beginning of the play. Hence the "____" in a play is most likely to occur in the opening scenes. |
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Actors who appear in a play with no lines and little or no characterization. They are needed to perform a certain function in the play, as in the case of a member of a crowd scene. |
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The decrease in energy, tension, or emotional key after a climax. |
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A light wooden frame covered by canvas that constitutes the primary unit used to build such settings as a box set. |
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he area immediately over the stage where scenery can be raised by a system of pulleys and counterweights. |
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A large lighting used for illumination of broad portions of the stage, general rather than specific in the area it lights, as it cannot be focused. |
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An outline drawing of the setting indicating only the design of the setting as it would be seen from above. |
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A blunder during performance, such as a missed line or one that is garbled in its execution. |
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The point of greatest interest on stage during the playing of a scene. |
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A spotlight that is not permanently focused on one position but can follow the movement of an actor about the playing area. |
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Lights located in the stage floor at the edge of the forestage and permitting general illumination. |
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See apron: The portion of the stage nearest to the audience and in front of the proscenium arch or house curtain |
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The auditorium and/or lobby, as distinguished from the stage. Used in such terms as "__" of house and out "__". |
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To change stage position so as to permit greater emphasis to be focused on another actor. |
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Traditionally the gathering place for actors in the backstage area, often serving a social function as well. |
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A framework of steel beams above the stage that supports the rigging required to fly scenery. |
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A warning indicating a piece of scenery or other object is falling or being lowered. |
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To stop the action of the play, whether movement or diaglogue, usually because of applause or laughter. |
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The part of the theater in front of the footlights, as opposed to the stage and backstage areas. Usually the auditorium, as in "How's the "___" tonight? Meaning many seats are filled. |
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Toward center of the stage. |
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To spoil the planned effectiveness of a line, a movement, a piece of business, or a technical effect, usually be miscalculation in timing. |
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Either 1 the speeches of the actors, or 2 the sets of ropes supported by the grid that are used to fly in scenery. |
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To conceal from the view of the audience any area of the stage not intended to be seen. |
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A serious play in which the primary emphasis is on spectacle and contrived action rather than logical character development and relationships. |
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A movement on the same plane toward the center of the stage, either from stage left or stage right. |
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the area of the stage not visible to the audience. |
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The area of the stage intended to be visible to the audience. |
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to turn or adjust the body position so that the actor can play more directly to the audience. |
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A turn on stage in which the audience sees the front of the actor during the turn. |
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A direction away from the center stage |
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To speak or move before the indicated cue, or before another speech or movement is completed. |
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To give to a scene, dialogue, or action greater exaggeration and emphasis than is required. |
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The acting out of an incident or story with out words |
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The movement on stage of two or more characters in the same direction at the same time. |
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A command to increase the pace of the playing, often in reference to the shortening of the interval between the cue and the next line or action. |
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A command instructing the company that an act, in rehearsal or performance, is about to begin and each member is to take the proper position. |
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To call attention to an object or fact that will have special significance later in the play. |
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The copy of the play including the dialogue and author's stage directions. |
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To emphasize a key line, movement, or piece of business so that it will have greater significance. |
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The story of the play that is developed by the playwright in a logical sequence of events. |
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A functioning prop that can actually be used by the actor rather than one that is ornamental and cannot be used, in the literal sense. A window that opens, a tap that runs water, are "___". |
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To choose actors for specific roles before the tryout period is held. |
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All the various elements that make up the finished play ready to be seen by an audience. |
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The person who aids a forgetful actor by reading aloud key words or lines from off stage, usually from the wings. |
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All the furniture, set pieces, and objects that are seen on the stage. Large pieces or "__" that are not used by the actors are called stage "__". Small "__" used by actors are called hand "__". "__" used only by one character and brought on stage by the actor are termed personal "__". |
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The wall and arch that set off the stage area from the audience. |
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The central figure or hero of the play, from the Greek term meaning the first actor. |
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a sloping platform used to serve the same functions as a step unit. |
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The organized periods during which the cast prepares the play for production. |
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a flat set parallel to the footlights and at the downstage edge of the setting running of into the wings, just above the tormentor. |
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the increase in energy, tension, or emotional key directed toward a climax |
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A specially rehearsed sequence of actions, as a dance or song number. |
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A rehearsal in which an entire scene or act is played without any interruptions. |
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Either 1 a portion of an act, which be the nature of the action, or some arbitrary division, is a distinct unit by itself, or 3 the locale indicated by the setting, as in the "__" is et in a small living room |
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Either 1 to make permanent the reading of lines or movement and business after a series of rehearsals or 2 an abbreviation for setting, the arrangement of scenery and properties that designate the locale of the action |
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The arrangement of scenery and properties that designate the locale of the action |
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To take a position on stage so that equal emphasis is afforded two or more actors. |
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A typed script that includes only the speeches of one actor and the relevant cues. |
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The visibility of the playing area from the audience, usually from the seats on the extreme right and left sides of the house. |
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A monologue spoken by th eactor as an extension of his or her thoughts and not directed to, or by convention overheard by an other actor. It is longer than an aside, and usually the actor delivering the "__" is alone on stage. |
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A lighting unit used to light only a small section of the stage. |
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Instructions in the play script relative to movement, business, and so on. |
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To the left and right of the actor when facing the audience |
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A scene with little or no movement and often having a slow pace. |
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The act of having an actor assume emphasis by drawing attention away from the character to whom it would normally be paid. The term is often used in a derogatory sense. |
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one group of several steps used in the stage setting |
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A permanent group of actors that puts on a number of different plays during a comparatively brief period of time, as in a summer season. |
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Having high attention value, as in strong position or area. |
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To treat any element of the production as of minor or secondary importance so as to focus emphahsis elsewhere. |
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The final line of a character when leaving the stage or just prior to the fall of the curtain. |
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To assume a more prominent body position or move to the most emphatic area so as to receive the focus of attention. |
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a border drapery that masks the fly space and determines the height of the stage opening. It is located behind the house curtain and immediately in front of the tormentors. |
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To have 2 or more actors overlap the reading of lines or execution of business. |
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The impression that audience receives of the general rate of the production. Directly dependent upon pace. |
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to underplay deliberately a line or business, often to achieve greater emphasis elsewhere in the scene or play. |
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The exact use of time, carefully planned to achieve maximum effectiveness in the reading of a line, execution of business, or movement. |
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To so emphasize a line or an action that is more emphatic than the line or action that precedes it. |
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Two matching flats, usually black in color, located slightly upstage of the teaser and serving to mask the wings or to vary the size or width of the playing area. Together with the teaser, they effectively serve as a picture frame for the stage setting. |
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An opening in the stage floor that can be used for the ascent or descent of characters or objects. Usually covered by a hinged, removable door. |
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the auditioning of actors for roles in the forthcoming production |
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A small role without any lines |
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Exercising the body and/or voice prior to rehearsal or performance. |
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Having relatively low attention to value,, as in a "___" position or area. |
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Several hinged flats, often in matching pairs, set in sequence at stage right and stage left masking the offstage area. Most frequently used with a backdrop to enclose the playing area. |
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The offstage areas to the right and to the left of the playing space. |
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