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Cinematography/Editing (Soviet montage) |
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Sound, offscreen space, graphic match, camera angles |
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Continuity editing, music, blocking, lighting |
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Deep focus, triangle blocking, low camera angles, fetishes, non-diegetic insert, Oedipal structure |
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The abyss of desire, film noir, supermarket scene |
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Italian neorealism/neutral transparency, back and forth movement |
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The signifier and signified, myth of spontaneity, myth of integration, musical as a ritual that involves celebration of shared beliefs and values |
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POV shots/subjective camera, abyss of desire, feminism |
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Against Hollywood conventions, graphic matches |
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Static shot/staring/long shots, shooting through frames, sound |
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Mise-en-scène, seedy underbelly |
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Not cinema-verité, people turn into characters |
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Moving camera, binary oppositions, narrative structure |
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Mise-en-scène, absence of organizing structures, cartoon/comic book cinematography |
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