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The Director is the most important part of the film |
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Alfred Hitchcock (Film Noir) |
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50s Film Suspense Drama, Spy Films. PSYCHO Strangers on a Train, Rear Window, Dial M for Murder and Vertigo. Rope, Frenzy. |
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Television Director. 12 ANGRY MEN (60/70s) Pawnbroker. Serpico. Dog Day Afternoon. Verdict. Before the Devil Knows You're Dead. |
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TV, started with westerns. BONNIE AND CLYDE. Mickey One. Night Movies. Missouri Breaks. (70s) |
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Roger Cormon (2nd School) |
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Francis Ford Coppola (2nd School) |
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Cheap horror movies (60s) GODFATHER I and II (72 and 74) then Cotton Club. BLOCKBUSTER |
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Martin Scorsese (2nd School) |
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Mean Streats. Tazi Driver. Juxtaposition with music score. Raging Bull. Color of Money. Goodfellas. Casino. Departed. |
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Arthur Bemmer/ John Hinkley |
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Shot presidential candidate basis of Taxi Driver/ Goes after Reagan for Jodi Foster |
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Brian de Palma (2nd School) |
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Obsessed with Hitchock. CARRIE and SCARFACE Dressed to Kill. Untouchables. Carlito's Way. The Black Dahlia. |
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William Friedkin (2nd School) |
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The French Connection. EXORCIST. 2nd BLOCKBUSTER Cruising. To Live and Die in LA. |
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The Driver. THE WARRIORS. Johnny Handsome. Last Man Standing. Movies causing violence? |
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Starsky and Hutch and TV. STYLIZED. MIAMI VICE. Thief. Heat. Collateral. Miami Vice 2006. |
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