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Discovering all possible means of persuasion |
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External evidence the speaker doesn't create |
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Internal proofs that contain logical, ethical, or emotional appeals |
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Logical proof, which comes from the line argument in a speech |
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an incomplete version of a formal deductive syllogism that is created by leaving out a premise already accepted by the audience or by leaving an obvious conclusion unstated |
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Perceive credibility which comes from the speaker's intelligence character, and goodwill toward the audience as these personal characteristics are revealed through the message |
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Emotional proof, which comes from the feelings the speech draws out of those who hear it |
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The principle divisions of the art of persuasion established by ancient rhetoricians-invention, arrangement, style,delivery, and memory |
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A speaker's "hunt" for arguments that will be effective in a particular speech |
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The virtue of moderation; the virtuous persons develops habits that avoid extremes |
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