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| different voices come in at different times with the same music/sound. blending the notes, very cautious about disonance |
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| when one voice stops, another keeps going so the song is flowing along all the time |
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| pairs voices, a type of polyphony (main goal is beauty) |
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| 95 theses were posted and the church does some re-evaluation of their virtues and decides not to change and makes church the place to be, decoration and art makes people excited about their faith. |
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| characteristics of baroque art |
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| space/light/time, energy (busy), emotion (theatrical, dramatic), extravagance (excessive, dazzling) |
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| strong contrasts of light and dark both within the subject and between the subject and the background/atmosphere |
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| middle class baroque background |
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religion: protestant
politics: independent
economics: strong
suspicious of the catholic church and its propaganda but still loved art so they made it less frou-frou... not a lot of religious art either (celebrates the good life) |
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| evoke emotion, energetic rhythms and melodies, contrast, and form |
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| composition with a principal of contrast. constant alternation between tutti and soloist(s). baroque. |
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| refrain.. something familiar that the tutti goes back to |
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| everyone plays, could also be called the ripieno |
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| instrumental music associated with a story, poem, idea, or scene. represents the emotions, characters, and events of a particular story or it can evoke the sounds and motions of nature. baroque. |
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| music for music's sake. doesnt tell a story or make reference to anything outside itself |
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| composition focusing on a musical idea repeatedly. a catchy fragment that is easy to hang onto, and the listener listens for them. baroque. |
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| tells a story in music like a musical but with different composition type and singing style. ps, they sing EVERYHTING |
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simple singing telling a story.
"im in a store and im singing" |
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| musical setting of the story of the death/resurrection of Jesus |
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| subset of the baroque, the nobility moves to paris after the king dies and they design their homes less extravagantly. its like baroque on a diet. |
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| characteristics of rococo |
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NUDITY!!!!
also very shallow and meaningless. beautiful, but meant nothing. |
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| movement towards art that makes you a better person so looking back to greco-roman ways. NEW CLASSICAL ERA. |
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| characteristics of neoclassicism |
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| symmetry, intellect, art that matters |
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| classical revivals in architecture |
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| bringing back greece and rome because they were aligning themselves with greco-roman values. basically they put rome and greece on a pedastool. |
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| couldnt really look back at greco-roman music but took their values and made music based on that (symmetry, form, appeal to the mind and the ears.) BUT! NOT AFRAID TO BREAK SOME RULES! (Hadyn) |
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| small group music, usually for home use. one person per part. string quartet could be one of these. |
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| what goes around comes around... there is a musical theme that keeps coming back and in between themes is something a little different from the theme. |
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| form as a means to appeal to the mind (relates to greco-roman love of balance, order, and structure). a game plan or procedure... general outline. exposition, development, recapituatlion, coda. |
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| age after napoleon, there is a sense of unrestrained and often innovative artistic activity. artists seek any means of self-expression. more of an attitude than technique. |
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| express emotion, appealing to the heart. "the heart has reasons that Reason does not know". |
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| blows you away... extraordinary. |
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| pretty as a picture, pleasing to the eyes. |
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| eclecticism in architecture |
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| picking and choosing from different styles of the past to relate to the building that is being built. |
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| music for all, a new sound, dynamics, tempo and expression, melody, harmony, form. there are lots of options to choose from when composing music that will be sure to express emotion adn evoke emotion. |
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| transition to impressionism |
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| had to do with the influence of beethoven breaking rules and doing your own thing... manet was trying to get there. |
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| to present the immediate sensation (impression) through color and light. got away from the exactness and let paintings be paintings, not photographs |
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| create an impression similar to what monet was doing in painting using dream-like scales that were blurry and indistinct, also different notes/scales/rhythms from the usual. uses sounds to paint a picture or tell a story. |
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| use of color theory to paint with dots of color. used by Seurat. post-impressionism. keeps subject the same, also lots of color (the same too) |
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| to make impressionism something solid and durable. reduced objects to geometrical shapes, patches of color, looking and presenting objects from more than one angle. |
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| paint that glass and THROW IT ON THE GROUNNDDDDDDDD. there are still objects that you can see but they're not very clear. lots of different influences. |
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| secular song, one person per part, not strophic |
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| related to chanson. originally just vocal, turned to instrumental music. |
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| big churches, placing people everywhere, so its like surround sound |
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| about anything in the world, surprises you, sometimes unsettling. no set rhythm all the time, dissonance. |
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| applying pant thickly with like a paint knife so that you can see that he was there and he painted this. post-impressionist. |
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| the world gone cray cray from uncertainty (war) |
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| things that already existed and changing them in some way (orientation, adding something, etc.) and creating a "new thought" and calling it art. |
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| beyond the real... based on freud... crazies. |
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| percieving things and portraying them from more than one angle. |
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| distortion of color and shape to produce emotion |
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