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An orchestra work with 4 movements |
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a structural pattern used by composers first in the 18th century as a means to organize their music. |
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a three-part A–B–A structure in a piece of music. The first and third parts (A) are musically identical, or very nearly so, while the second part (B) contrasts sharply with it. The B section is often known as a trio. |
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Orchestra work with 3 movements and a prominent soloist |
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Classical Period 1795-1803 |
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20 OF 32 piano sonatas from this period. Beethoven learned about counterpoint and orchestration from Hayden and others. |
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Most famous work was at this time. He did 3-8 symphonies, 3-5 piano concertos, 1 violin concerto, and 1 opera fidelio. He was also known for the suicide note at this period. |
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Late or Reflective Period 1820-1827 |
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concentrated on his last 5 string quartets, last 5 piano sonatas, last symphony #9 (Ode to Joy) |
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A small group of soloists that play in private houses or salons. |
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Concerts where program guides are handed out. |
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Singable songs that were increasingly long and chromatic. Used the 7th suspensions. |
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is a musical scale with twelve equally spaced pitches, each a semitone apart. |
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a simultaneous combination of tones conventionally accepted as being in a state of unrest and needing completion. |
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New instruments being invented or added to the orchestra. |
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Rubato, a kind of rhythmic improvisation, that sounds like the tempo speaks up and slows down for impressive purposes. |
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Famous salon Musician that performed in private homes |
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song that consists of a pianist and a soloist singer. |
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A type of artsong that where the same music is used over and over for several strands of music. |
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a form of artsong where the music constantly changes to reflect the constant meaning of the text. |
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A form of artsong were some stanzas are strophic while other stanzas have music that changes to reflect the tone. |
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A piece of orchestra movement where a single continuous section in which a content of a poem or artwork is illustrated or evoked |
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