Term
|
Definition
Emphasizing a derived essential character having little visual reference to objects in nature |
|
|
Term
|
Definition
Where images of divine being are in other than human form |
|
|
Term
|
Definition
Term applied to art that seeks to emulate compositions, styles, motifs, etc. of the past; aesthetic nostalgia |
|
|
Term
|
Definition
Form that is visually self-contained and not interacting with its surroundings |
|
|
Term
|
Definition
Distortion of forms to create emotional intensity |
|
|
Term
|
Definition
Where images of divine beings are in human form |
|
|
Term
|
Definition
The study dealing with the symbolic (often religious) meaning of objects, persons, or events depicted in works of art; or more generally, the study of subject matter and symbolism |
|
|
Term
|
Definition
Where form is sought in the outline; representation captured by line |
|
|
Term
|
Definition
A thematic or visual element in a work of art, usually recurring |
|
|
Term
|
Definition
Representation of things as closely as possible to their appearance in the natural world without distortion or idealization |
|
|
Term
|
Definition
Art in which the depiction of the recognizable objects is completely absent |
|
|
Term
|
Definition
Form that is visually interacting with its surroundings that moves the viewer's eyes away from itself |
|
|
Term
|
Definition
Where form is sought through light and shade, unstressed edges, and tactile surfaces; representation is a visual semblance |
|
|
Term
|
Definition
Reacting against formalist methodologies by accommodating a wide range of style, formats, subjects and theories that includes a self-conscious awareness of the artist, of art making processes, and of the audience that receives them; some postmodern theoretical approaches to art include social history, post-colonialism, semiotics, post-structuralism, deconstructionism, gender studies, cultural criticism, and psychoanalysis |
|
|
Term
|
Definition
A consistent use of certain forms (line, color, space, texture, light, shadow, etc.) and composition (organization of forms) that is characteristic of a chronological period, a geographical area, or an individual |
|
|
Term
|
Definition
To cause an object, figure, or scene to conform to a set style of convention |
|
|
Term
|
Definition
The study or interpretation of symbols; and the representation of expression by means of symbols |
|
|