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the doctrine of affections |
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-union of text and music -one mood or affection per movement/piece -love -hate -sorrow -joy -wonder -desire |
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What major change occurred in the Baroque era? |
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Added major and minor scales -tonal |
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continuous bass 2-performers |
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vocal music of baroque characterized by- |
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monody (no such thing as homophony) solo voice with intrumental accompaniment |
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Important composers of the Baroque |
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Florentine Camerata Vincenzo Galilei Giulio Caccini Jacopo Peri |
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-Recitative -Aria -Ensemble -Chorus -Overture/sinfonia |
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recitative (Stile rappresentativo) -secco -accompagnato |
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secco- only basso continuo accompanies voice accompagnato-accompanied by orchestra |
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solo song of highly emotional character does not advance the plot |
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Early opera in Italy (Composer) -famous work |
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Claudio Monteverdi (1567-1643) The Coronation of Poppea |
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Opera in England leading composer famous work |
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Henry Purcell (1659-95) Dido and Aeneas (1689) |
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Large scale sacred work for one or more solo vocalists with instrumental accompaniment and chorus |
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sacred monophonic hymn tune espoused by reformers like Martin Luther |
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Later chorale settings... |
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4 part harmony with soprano voice given the choral tune (cantionale) |
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Unifying thread of Protestant cantatas |
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-woven into the movements i don't even know |
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1685-1750 -wrote 500-600 cantatas -usually 5-8 movements -many movements based on chorale tune -several choral numbers aaB |
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Large-scale vocal work perfromed by solo voices, chorus and orchestra -not staged -same components as opera otherwise |
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George Frideric Handel Messiah (1742) |
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Instrumental Music in Baroque |
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Becomes just as important as vocal music |
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-sonata de camera (chamber) (uses dances) -sonata de chiesa (church) |
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2 solos and Basso Continuo |
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How many movements in a Sonata? |
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important sonata composers |
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Archengelo Corelli (1653-1713) |
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2 masses of sound opposed to each other usually instrumental |
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Types of Baroque Concertos |
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1. Solo Concerto Large group (orchestra, ripieno, tutti) and soloist 2. Concerto Grosso Large group (orchestra, ripieno, tutti) and small group (concertino) |
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stylistic characteristics of concertos |
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3 movements fast, slow, fast I and III are most important both use ritornello form |
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ritornello (ripieno) episode (solo/concertino) ritornello episdoe ritornello cadenza befor end |
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1678-1741 The four seasons -4 solo violin concertos -each accompanied by poem (program music) -music depcts specific lines in poem no cresecendos/ decrescendos terraced dynamics |
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A group of dances for any combination of instruments or type of ensemble usually unified by a single key aria, and each dance in binary or ternary form |
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Allemande, Courante, Sarabande, Gigue |
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German dance in duple simple meter at a moderato tempo |
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French dance in triple simple meter at a moderato tempo |
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Spanish dance in triple simple meter at an adagio tempo |
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(Jig) an English dance in duple compound meter at an allegro tempo |
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Additional Suite Movements |
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-overture (optional) -other dances (usually added between the sarabande and gigue) a. minuet b. gavotte c. bourree d. passepied e. hornpipe* |
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-Usually binary or ternary structure with each part repeated -on the repeat the melody is to be embellished -often times part I of the structure will modulate from the home key to a contrasting key (dominant or relative minor) then back to tonic in part II |
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1735-1805 music for music's sake |
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balance, order, form, symmetry, simplicity, objectivity |
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-diversion- chamber ensemble for light entertainment -Mozart |
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The String Quartet Prominant Composer |
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Franz Joseph Haydn (1732-1809) |
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Strings -violin 1-4 players -violin 2-4 players -viola-2 players -Violoncello and Double bass- 4 players total Woodwinds flutes -2 oboe-2 Brass Horn-2 Trumpet-2 Percussion Timpani |
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Ended the classical era -made musicianship a respectable art form |
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components of classical opera |
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overture recitative (half spoken half sung-starts drama) aria ensembles |
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Opera seria- serious opera, sung all the way Opera Buffa/Opera Comique/ Ballad Opera- comic opera can have spoken word singspiel- forerunner of the musical |
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died at 35- assited by Lorenzo da Ponte operas- La nozze de Figaro (1786) Don Giovanni (don Juan) (1787) Cosi fan Tutte (1790) |
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a short musical pattern that is repeated persistently throughout a performance or composition |
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