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| Church and convent of San Estevan Mission, 1629-42, Acoma Pueblo NM Father Juan Ramirez |
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| Mission Santa Barbara, Santa Barbara, CA, 1815-20 |
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Mission church of San Jose, Old Laguna Pueblo, New Mexico, 1699-1706
Pueblo Indian decoration along the walls and Spainish priest inspired retablo. painted by the Laguna Santero, an itinerant painter of images of the saints, 1800-1810 |
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Left, Mission San Jose y Miguel de Aguayo, San Antonio, Texas, 1720-31, Pedro Huizar.
Right, Hospital of San Frenando, Madrid, Spain, 1722, Pedro de Ribera |
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| Mission San Xavier del Bac, Tuscon, AZ, 1783-97 |
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| Parson Capen House, Topsfield, MA, 1683 |
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| Old Ship Meetinghouse, Hingham, Mass., 1681/ 1731/1755. |
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| Cliffs House, Westmoreland County, Virginia, ca. 1670. |
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| Bacon’s Castle, Surrey County, Virginia, ca. 1655 |
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| St. Luke’s church, Isle of Wight, Virginia, 1685 |
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| Frère Luc, France Bringing the Faith to the Indians, Ursuline Convent Quebec, 1675 |
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| John Foster, Portrait of Richard Mather, 1670; Seal of Massachusetts Bay, 1675 |
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| Anonymous, John Freake and Elizabeth Freake with Baby Mary, 1671/1674, Boston |
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| Thomas Smith, self portrait, 1680-1690, Boston |
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| Charlestown Carver, John Foster, 1681 |
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Left, Justus Englehart Kuhn, Henry Darnall, III, 1710, Maryland;
right, Henrietta Johnston, Portrait of Frances Moore, Charlestown, SC, 1707-1729 |
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| William Penn, Plan of Philadelphia, Pennsylvania, 1682 |
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| Alexander Spotswood, Bruton Parish Church, Williamsburg, 1711-15 |
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| Henry Cary, Capitol, 1701-05, (Perry, Shaw & Hepburn, 1931-34), Williamsburg, VA |
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| Top, Mulberry Plantation, Moncks Corner, South Carolina, painting by Thomas Coram, 1800; bottom, African House, Melrose Plantation, Isle Breville, Louisiana, 1798-1800 |
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| Typical shotgun plan house and street of shotgun houses in Memphis, Tennessee |
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| John Ariss, Mount Airy, Richmond County, Virginia, 1758-62. |
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Left, plate from William Halfpenny, Practical Architecture, 1747;
right, Robert Smith, Carpenter’s Company, Philadelphia, 177o |
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Bottom, Peter Harrison, Redwood Library, Newport, Rhode Island, 1748;
top, plate from Edward Hoppus, Fourth Book of Palladio, 1736 |
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| John Greenwood, the Greenwood –Lee Family, 1747; upper left, John Smibert, The Bermuda Group, 1729 |
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Left, Robert Feke, Brigadier General Samuel Waldo, 1748;
right, Benjamin West, Thomas Mifflin, 1758-59 |
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| John Singleton Copley, Boy with a Squirrel, 1765 |
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| Philadelphia, Queen Anne style armchairs, showing an economic range, built between 1730-1760. |
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| Benjamin West, The Death of General Wolfe, 1770. |
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| Benjamin West, William Penn’s Treaty with the Indians, 1771-72 |
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| John Singleton Copley, Watson and the Shark, 1778 |
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| Top, John Trumbull, The Death of General Warren, 1786; bottom, The Death of General Montgomery, 1786 |
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| Samuel McIntire, Gardner Pingree House, Salem, 1805 |
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| Tontine Crescent, Franklin St., Boston planned 1793, by Charles Bulfinch, plan and elevation |
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Charles Bulfinch, Massachusetts State House, Beacon St., Boston, 1798
before side additions |
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(center) portrait of Asher Benjamin, (left and right) Plates from his builders’ manuals
Asher Benjamin, The Builder’s Guide, 1839
The Country Builder's Assistant, 1797 |
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Top, Thomas Jefferson, The Virginia State Capitol, Richmond, VA, 1785;
bottom, the Maison Carree, Nimes, France, 1st century CE |
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| upper left) aerial view, (lower right) plan, Monticello, Charlottesville, Va., by Thomas Jefferson |
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| (upper left) Hotel Guimard by C. N. Ledoux, (upper right) Elevation drawing of Pavilion IX, (lower left) Façade of Pavilion IX, (lower right) close-up of recessed entry of Pavilion IX, University of Virginia, Charlottesville, Va., by Thomas Jefferson |
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| Benjamin Henry Latrobe, The Bank of Pennsylvania, Philadelphia, 1799-1801 |
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| T. U. Walter, Girard College, Philadelphia, 1833-48 (one of Latroube's students, later building more Greek) |
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| Alexander Parris, Quincy Market, Boston, 1825 |
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| Top, John Haviland, Eastern State Penitentiary, Philadelphia, PA, 1823-36; bottom, Round Stone Barn, Hancock Shaker Village, Hancock, MA, 1826/ 1865 |
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| Thomas Cole, The Architect’s Dream, 1840 |
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Right, A. J. Davis, Rural Residences, 1837;
left, Andrew Jackson Downing, Treatise on A Theory of Landscape Gardening, 1839. |
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| A. J. Davis and Eugene Baumann, Llewellyn Park, West Orange, New Jersey, 1857, entrance gat lodge |
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| Catherine Beecher and Harriet Beecher Stowe, The American Woman’s Home, 1869 |
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| Isaiah Rogers, The Tremont House, Boston, 1827 |
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| John Trumbull, The Declaration of Independence,1817-19 |
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| Gilbert Stuart, Lansdowne Portrait of Washington, 1796 |
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| Charles Wilson Peale, Washington at the Battle of Princeton, 1779 |
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| Peale, The Artist in His Museum, 1822 |
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| Model of the Virginia State Capitol, 1785; Jean-Antoine Houdon, George Washington, 1788 |
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| Horatio Greenough, George Washington, 1833-41. |
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| George Caleb Bingham, left, The Concealed Enemy, 1845; right, Fur Traders Descending the Missouri, 1845 |
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| John Vanderlyn, The Death of Jane McRae, 1803-04 |
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| Charles Bird King, Young Omahow, War Eagle, Little Missouri and Pawnees, 1822 |
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| Karl Bodmer, left, Interior of a Mandan Chief’s Hut, 1839-40; right, Travelers Meeting with the Minataree Indians, 1839-48 |
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| George Catlin, Portrait of Four Bears (Ma-to-toh-pa), 1832. |
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| George Catlin, Pigeon’s Head (Wi-Jun-Jon) Going to and Coming from Washington, 1837-39 |
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| Bottom, Emanuel Leutze, Washington Crossing the Delaware, 1851; top, unknown, imitation of Leutze, Washington Crossing the Delaware |
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| Left, Ralph Earl, Portrait of Roger Sherman, 1775-16; right, Earl, Portrait of Elijah Boardman, 1789. |
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| Left, Rufus Hathaway, Molly Leonard, 1790; right, Ammi Phillips, Harriet Leavens, 1815. |
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| Left, Erastus Salisbury Field, Garden of Eden, 1860-70; right, Joseph B. Moore Family, 1837 |
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| Edward Hicks, Peaceable Kingdom, 1834; Hicks, detail of Penn’s Treaty with the Indians. |
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| George Bingham, The Country Election, 1852 |
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| Left, Charles Wilson Peale, The Artist in His Museum, 1822; right, William Sidney Mount, The Painter’s Triumph, 1838 |
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| William Sidney Mount, Farmer’s Nooning, 1836 |
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Lilly Martin Spencer, right, Domestic Happiness: Hush Don’t Wake Them, 1854
left, Young Husband: First Marketing, 1856 |
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