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How will modern art take place? |
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1) industrialization of Western World,
2) capitalist mentality, 3) rise of middle class,
4) social awareness of working class,
5) invention of photography
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massive amounts of resources used to create massive energy in production of goods, turning away from handmade |
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Daguerre, "Artist's Studio", Early Photography (1840-1870).
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new mechanical technology w silver plate inside camera, captured still life, black and white, could not be reproduced |
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Cameron, "Mrs. Duckworth".
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- potraits, how light hits the face, profile, captured powerful personalities |
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Courbet, "Burial at Ornans"
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-painted reality, plain, dead, only what he sees, no angles/Christ, leads modern realism, paints alot of people |
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Daumier, "Rue Transnonain"
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- innocent family of workers murdered by civil guard during republic revolt, political instability and economic difficulties, lead to satirical art, tradgic scene |
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- forefather of modernism, falt treatment, collapsed space, 2D
- Japonism, dark outlines
-content displays prostitute giving a look |
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1870-1900
leave impression, want tobe in plein air, leisure, effect of light time of day and weather, complementary colors to enhance color, define through color rather than shapes |
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Monet "Impression Sunrise"
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- sunrise, foggy harbor, industrial, ship, smoke, fisherman, color leaves impression of mood, visible brush strokes |
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Renoir "Moulin de la Galette"
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- plein air, leisure, dancing, Parisian slice of life
- diagonal separates two groups, parents marry you, girl uninterested, social gender issues |
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Degas "Little Dancer Fourteen Years Old"
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- modern object sculpture, combining actual tutu skirt with real hair, armature- layer by layer to sculpture |
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Muybridge "Horse in Motion"
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- collotypr print, stop-action phtography, animal movement
- "Does horse always have one foot on the ground?" |
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"dark room", small aperture, projection upside down creates negative image, photography |
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new maechanical technology developed by Daguerre for permanently fixing upon a flat surface & in minute detail an exact tonal/full-color image of the world, early photography using silver plate inside camera. |
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- exposed to sun leaves image, photogram of rich hue of blue |
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- French photographer of potraits of intellectual important figures |
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1850-1900
social commentary, shocking subject matter, formal elements get public reaction to realism; can denounce universality of social injustices & truths, gov not concerned came from people, artists bring awareness |
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the satirical comment on life and politics, which became a standard feature of journals and newspapers |
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the greatest satirical artist during Realism movement, lithographic drawings, important sculptor and painter. |
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Realist painter, rural themes, Plowing the Nivernais, against gender norms |
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vanguard, military term, usually shocks the public & critics at first, then eventually will become well accepted |
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responds to rejection of paintings not accepted by French Academy, exhibit during Impressionism movement. |
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French Academy of Art exhibition |
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japanese print & screen, style realist artists followed wood block prints and dark outlines, flat; Van Gogh |
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breaking form into surfaces and shapes; Cezanne further Picasso |
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the Peeping Tom, male seeking pleasure |
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1880-1900
move away from observations, return to obvious form, focus on impressions, science and emotion based, symbolism |
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Seurat "Sunday Afternoon at La Grande Jatte"
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- neo-impressionism, breaks form into color spots (pointilism)
-shades, shadows, volumes, no movement, frozen in time |
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Cezanne "Mont Saint-Victoire"
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- geometry in nature, lines, rectangles, geometric shapes in mountains, 3D image, unrealistic |
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Gauguin "Where Do We Come From?..."
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- cooled down, found peace and happiness in Tahiti, circle of life, spiritual, primitive |
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Van Gogh "Starry Night"
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- sky has movement, spirals and diagonals, sky biggest part of picture, strong wind, moon pulsing bright |
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Rodin "Burghers of Calais"
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- invents, modern sculpture; people starving, surrendering, emotions of death |
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- style of art in Post-Impressionism periood
- imagination, spiritual, Romanticism (long ago & faraway) |
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Moreau "The Apparition"
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- goodess woman, man's head dripping blood, "Femme Fatale"- women power over man, mythology- long ago |
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Rosseau "The Sleeping Gypsy"
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- element of desrt gypsy and lion- faraway
- imagination, naive style, childlike |
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Seurat, breaks form into color spots |
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from precivilizations before industry, tribal traditions |
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1870-1910
began in England, affected by Ind. Rev., pushing hand techniques, back to tradition, rejecting industrial ways |
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Morris "Pumpernel Wallpaper"
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- symmetry, organic, circular, pushing machine out, "art for art's sake" |
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Mackintosh "Glasglow Library"
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- wood, geometric, angles |
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1890-1910
-natural forms & structures, nature and curved lines, art should be way of life, aesthetic
dynamic, movement, decorative, exotic forms, curves, imagination |
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Kilmt "Adele Bloch-Bauer"
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- patterns, gold leafing, circular forms, realistic, face & hands
- higher class, elegant, jewelry, gold |
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Horta "Stairwell Taseel House"
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- metal alloy, strength, bendy; into walls and patterns, curved railways, mosaic tile floor |
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Munch "The Scream"
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- dominant colors are red and orange
-diagonals, curvy
- vertical sticks- have lives together
- fluid, can't hang on, powerless, anxiety, alienation, unhappiness |
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1900-1920
- color & form, shocking strong juxtaposition of color
-primitivsm & African art influences
- abstraction of shpae, contraction of space, symbolism |
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Matisse "Portrait of Madame Matisse"
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- flattening image, random colors, primary and complementary, strong outlines, quick forms, happiness |
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Brancusi "Bird in Space"
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- abstract, wing of bird, movement, flight is freedom |
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1900-1920
Die Brucke- set down a bridge b/w tradition & modernity; leave past behind and cross to future
Der Blaue Reiter- the blue rider, expressive, blending colors, Marc and Kadinsky |
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Kirchner "Street, Dresden"
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- curvy shapes, intense colors, unhappy , economc and political downfall, not at peace, clashy, dead in Germany |
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Nolde "The Last Supper"
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- reds and yellows, clashy colors, spiky, angualr, rough, primitive, unhappy |
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Kadinsky "Composition VII"
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- less aggressive, ties work to music w/ colors and movement, patterns, doesn't want to represent objects |
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Marc "Large Blue Horses"
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- strong colors, blending, exciting, not disturbing, curvy shapes foloow art nouveau, breaks images into shpaes |
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1990-1920
Picasso lead the movement, mulitiple view points, odd, breaking human into angular, volumes |
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- feeling sad during this time, more 3D, features softer and real, shading, shadows, cycle of life |
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Picasso "Les Demoiselles d'Avignon"
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- frontal face, profile nose, body 3/4 view, flat boobs, breaking pieces in different way
-African mask faces, boxes instead of human lookng |
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- planes, constructing with different materials, mixed media, breaking form of guitar into shapes, implementing music |
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Braque "The Portuguese"
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- breaks shapes into geometric planes, flattening
- Cezanne influence
- many different view points, analytical cubism, non-objective, all over the place, words in painting |
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EARLY MODERN ARCHITECTURE |
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Definition
1880-1920
new materials, concrete, ferroconcrete, iron,steel
- improve society, new machine age, functionalism |
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Sullivan "Guaranty Trust Building"
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- early skyscraper tripartite base, shaft, capital
- innovative "function determine form"
- efficient, terracotta deco |
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Wright "Robie House"
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- deep eves, long, horizontals, Art's and Crafts, contrast colors, Japponism, offset, geometric lines, Art nouveau design is all inclusive, flows, floor to ceiling, furniture part of wall |
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Maybeck "Palace of Fine Arts"
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- Greek inspired temple, base shaft capital, sculptures on top, open walls |
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Perrett "Notre Dame, Le Raincy"
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- ferro-concrete, stained glass
-Art Deco, church bc cross and steeple
- big open room, steel pilars
-minimal structure inside supports heavy concrete |
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