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Arte Barroco Arte Propaganda (contrareforma) |
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S. XVI hasta XVIII en clase XVII |
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el contraste de luz y sombra |
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uso de fondos muy oscuros (casi negros al principio) se aclaran mas tarde Mas claro= mas adelantado |
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Curtain thing above the pope (Zuruban) Curtain En equilibrio |
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captar Zuruban capta el momento muy bien |
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lace in the painting of Zuruban and the papa |
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material, fabric material that looks hard and duro- Zurub. |
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hay una diferencia entre el epocha del cuadro y las cosas dentro |
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virtues to have the power of |
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cuadro con objetos y sin personas naturaleza muerta- no hay figuras humanas |
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baige, tan, colored like the earth mas general (marones tambien) |
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Colores terrosos pero mas specifica tan y baige |
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paño (cloth, material) de pureza |
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La pedazo de ropa que lleva jesús en la cruz |
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el cuerpo no esta mirando al frente- casi- poco torcido |
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Bronzish color (cauldron?) Zurbaran- Santa Casilda |
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hay muchas de estes typos de lineas en el arte Barocco- no horiz. ni vertic. pero __________ |
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brushstrokes (that blend in with the fondo) |
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chastity- cinturon es un simbolo |
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pinceladas pastosas y densas |
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dense and pasty brush strokes Velazquez en la primera etapa |
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pan (metal) used for frying or boiling in older times |
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Morter- to grind things with Stick that you grind crush things with |
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Jug Jar aguador de Sevilla, 1 etapa Goblet |
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figuras que esta en el fondo y no parece como parte del cuadro- no mete bien |
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captar captar la instante (Velasquez) |
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capture capture an instante |
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fatty y obvio que no trabaja mucho |
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tecnica para trabajar con la atonomía- un parte del cuerpo esta en descanso, otro en accion- pretexto para trabajar al atonomía |
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blueish grey- santa casilda rusty bage ish |
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