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| type of sculpture in which form projects from a background |
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| three dimensional work of art or the art of making it. Such works may be carved, modled, constructed, or cast |
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| total structure a synthesis fo all the visible aspects that structure and of the manner in which they are united to create its distinctive character |
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| the part of a picture scene that appears to be farthest away from the viewer, usually nearest the horizon |
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| in relief sculpture, a form that extends at least halfway out of the background |
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| a french term meaning low raised work |
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| prints are made from ink trapped in the grooves in an incised metal plate |
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| the technique of cutting and abrading the surface of a block of material to shape it into a particular form |
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| subtraction is the act of removing |
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| something that is transferred from one place to another |
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| modeling material consisting of PVC |
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| a nonhardening substance used for modeling sculptures |
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| tools for working with modeling clay |
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| a process of applying heat to make hard pottery in either an oven or an ovenlike enclosure called a kiln |
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| capable of being shaped or formed |
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| ingredient in paint wihch adheres to the pigment particles |
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| thin flexible leaf or sheet of metal |
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| a skeleton like framework to give rigid internal support |
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| a sculpture technique in which a 3-d form is manipulated in a soft material |
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| a chemical compound made by grouping molecules to form natural or synthetic resins |
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| a plyable metalmetallic strand made in many lenghts and diameters |
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| one who produces sculpture |
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| construction made of objects that are balanced and arranged on wire arms and suspended so as to move freely |
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| construction made of objects that are balanced and arranged on wire arms and suspended so as to move freely |
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| an abstract sculpture that has movable parts similar to a mobile, but that is attached to a solid unmovable base rather than suspended |
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| an abstract sculpture that has movable parts similar to a mobile, but that is attached to a solid unmovable base rather than suspended |
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| introduced mobiles and stabiles in teh 20s |
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| form refers to an element of art that is 3-d and encloses volume |
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| to construct is to form by assemling or combining parts; to build |
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| having, or appearing ot have height width and depth |
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| having height and width but no depth flat |
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| technique artists use to project an illlusion of the three-dimensional world |
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| a form of linear perspective in which all lines appear to meet at a single point on the horizon |
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| an application of lnear perspective in which all lines appear to meet at either of two points on teh horizon |
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| a system of drawing or painting in which teh artist atttempts to create the illusion of spatial debth on a 2-d serface |
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| level line where water or land seems to end and the sky begins |
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| in linear perspective teh place on the horizon where parallel lines seem to meet |
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| two or more straight lines or edges on teh same plane that od not intersect |
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| straight and flat across parallel to the horizon |
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| the direction going straight up |
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| seeing from a point of view from an altitudde or from a distance |
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| seeing from the point of view at a great height |
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| seen as if from teh surface of the earth or the floor |
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| term used to indicate the name of teh color such as red, blue, green , etc hues can be changed bu mixing one hue with another |
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| pure pigment colors unmixed or undiluted |
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| describes the lightness or darkness of a color white is teh hightest value and black is the lowest |
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| produces a high value color it is lighter than the pure color and is made by adding white to a color |
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| produces a high value color it is lighter than the pure color and is made by adding white to a color |
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| produces a low value color it is the pure color that has been darkeneed by adding black lowering its value |
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| refers to the brightness or ddullness of a color its strength or its weekness |
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| red, yellow and blue cannot be mixed from any other colors |
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| two primary colors mixed together |
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| colors that are directly oppoisite each other on the color wheel |
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| colors that are directly oppoisite each other on the color wheel |
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| this color scheme inclueds three colors the key hue lus the colors on either side of the key hue's opposite color |
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| a color scheme that consists of one specific color plus its tintstones and shades in various values and intensities |
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| adjacent color arrangements of a similar hue they are found next to eachother and are less than seven steps away from eachother |
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| this color scheme incluedds three colors that are evenly and equally spaced from each other forming a triangle on teh color wheel |
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| this color relationship is a contrast of four or more colors equidistant from each other on the color wheel this scheme can be eithre basedd on a square or rectangle |
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