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Duane Hanson, 1980, Sculpture, Trompe L'oeil |
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Julie Mehrutu, 2000, Painting, Non-Representational |
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Rebecca Purdum, 1995, Non-Representational |
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Picasso, 1941, Abstract Art |
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Albert Bierstadt, 1863, Painting, Atmospheric Perspective |
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Edgar Degas, 1884, Pastel |
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Gerhardr Richter, 1988, Oil Painting |
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Paul Cezanne, 1865, Water Color |
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Andy Warhol, 1963, Screenprint |
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Joseph Scheer, 2007, Large Format Print |
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Louiss Daguerre, 1839, Daguerreotype |
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Mathew Brady, 1865, Photo Journalism |
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Dorothea Lange, 1936, Photo Journalism |
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Alfred Stieglitz, 1893, Pictorialism |
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Term
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Definition
Artists perform to create extraordinary versions of ordinary objects
Give tangible form to the unknown
Give tangible form to feelings and ideas |
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Define Representational Art |
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Work that depicts foms in the natural world and has a visual likeness of reality |
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Forms of the visual world distorted |
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Define Non-Representational Art |
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Does not refer to the visible world outside of the picture. Meant to depict feelings and emotions |
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Ten visual elements: Time, Motion, Space. Name the other 7 |
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Definition
Line, Shape, Mass, Light, Value, Color, Texture |
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Red & Green, Yellow & Violet, Blue & Orange |
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Red and Yellow scales on the color wheel |
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Blues and Greens on the color wheel |
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One color, different values and intensities |
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Materials for drawing (3) |
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Definition
Graphite, Charcoal, Crayon, Pastel |
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Term
There are 7 kinds of paints. List and describe 3. |
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Definition
Tempera: Pigment mixed with oil, resin, or egg yolk
Encaustic: Pigment mixed with wax and resin
Fresco: Pigment mixed with water and applied to plaster support-wall or ceiling |
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Define what printmaking is |
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Definition
An image made from a master and copied onto paper.
Woodcut- like a stamp using a wood block
Lithography- Flat surface using and oil/water combo
Screenprinting- Image transfered to paper, stencil technique |
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An optical device using the pinhole technique |
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How was early photography used? |
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Portraiture, Documentation, Civil War |
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Name 2 Pictorialist Photographers |
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Definition
Alfred Stieglitz
Sally Mann
Henry Peach Robinson
Robert Demachy
George Seeley |
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Term
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Definition
Used 1885-1915
Puts finished photo first, subject matter second
Alter photo to make it art, not just documentation
usually less focused, other colors besides B&W and had visible manipulations |
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