Shen Zhou

 Poet on a Mountaintop

1500 (China)

Ink on Paper

Katsushika Hokusai

The Great Wave

1832 (Japan)

Woodblock print

Jean Honore Fragonard

The Meeting (Late Rococo)

Painted for Madame Du Barry on panels

1771-73

Angelica Kauffmann

Cornelia Pointing to her Children as her Treasures (Neoclassical)+ Roman

1785

oil on canvass

Jacques-Louis David

Death of Marat

1793 (Neoclassical)

Oil on Canvass

Theodore Gericault

Raft of the Medusa (Romantic)

1818-1819

Oil on Canvass

Thomas Cole

The Oxbow (Romantism, Naturalism)

1868, America, Hudson River School

Goustave Courbet

A Burial at Ornans

1850-51 (The Salon)

"Death of romantism"

Edouard Manet (Based on Titian)

Olympia (Realism/impressionism)

1863

Oil on Canvass

Claude Monet

Gare St-Lazare (Impressionist)

1877

Oil on Canvass

Vincent Van Gogh

Flowering Plum Tree (Japonaiserie)

1887

Gustave Klimt

The Kiss (Art Nouveau)

1907-08

Late 18th century, France

ornate, florid, and playful

Arabesque

S, C, and Reverse C curves

Volutes

Plant Forms

Reflections, merging of forms

Putti

Subplanted by neoclassical style

1780's -- Reaction against the excesses of Rococo

Return to clarity

Classic Geo structure

Formal composition

Overall lighting

Reinterest in Roman art

Moral Content

History painting highly emphasised

Diderot + Reynolds, British and French Royal academies

English Academic painter

Believed there was a clear way to teach art

A huge departure from Vasari

Neoclassical

Discourse on Art III, 1770

Second half of the 18th century

Gained strenght in reaction to the industrial revolution

Anti heros

Contemporary figures

Landscape painting is important

"Raft of the Medusa" (1816)

Nostalgia for pre-industrial past

theatrical  

School of "Realism"

NOT 19th century naturalism

Politically motivated -- examine lower classes

Begins in France

Gustave Courbet

Associated with avant garde (departure from the Salon)

Precursor to modernism -- impressionism

Late 19th century

Inspired by Japanese woodblock prints

depicts demi-monde

Unusual cropping of the scenes

color unmodulated, bounded by lines

complementarty colours

tilted groundplane

1905-1907

Salon d'Autumne -- 1905

explosive colours

impulsive brushwork

Matisse + Derain

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anti-impressionism: Gauguin rejected Impressionism: drew from stained glass, Japanese prints, folk art

Simplified drawings with flat plains in anti-natural color