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The overall plan or structure. Depends on how the formal elements (line, shape, color, dark, light) are arranged. Involves balance and harmony of parts. |
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A flat surface having a direction in space. Can be horizontal, vertical, or diagonal.
Examples: Horizontal - Magritte's Pipe Vertical - Brancusi's Bird Diagonal - God Drawing the Universe With a Compass |
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The harmonious blending of formal elements (line, shape, color, dark, light). Simplest form is symmetry. |
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A technique used to create a 3D space out of a 2D image. Typically done using modeling lines. |
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A path traced by a moving point. |
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A tool used to add to the aspect of depth. Can be linear or geometric. |
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Physical Properties of Color |
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Defined by hue, value, and intensity. Hue includes primary colors, secondary colors, tertiary colors, monochromatics, complementary colors, etc. and relates to wavelengths. Value is the relative lightness or darkness of an image. Intensity refers to brightness or dullness. |
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Part of Greek art, when sculpting and painting began to advance and change. 600BC-480BC Paintings usually involved a black figure technique and narrative scenes. |
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Category of Greek art 480-400BC Pottery style done with red figures. |
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Famous Greek sculptor ~440BC Well known for his Doryphoros (spearbearer) |
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Greek city state 5th century BC - Golden age of Athens Construction of the Acropolis happened during the classical period. |
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The "High City" of Athens - location of the main temple. Mid 5th century BC Phidias, a famous sculptor, contributed to the building. |
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Greek temple on the acropolis dedicated to Athena. 448-432BC First real expression of balance, proportion, and unity. Statues of Athena built my Phidious |
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Greek Sculptor 480-430BC Depicted the birth of Athena on one of the walls of the Parthenon. |
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A style of temple building characterized by columns, walls, sculptures, and art work on the buildings. 600BC The shaft is slightly tilted forward about a quarter of the way up. |
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Building style similar to doric, but more graceful and elegant. |
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Style developed in Corinth Late 5th century BC Recognized by acanthus leaf capital |
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Capital of Italy that rose to power after the fall of Alexander the Great in 323BC 735BC - mythological founding date Heavily influenced by Greek sculpture, painting, architecture. |
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Democracy formed by the Romans after overthrowing Etruscans 509BC-27BC Led by 2 consuls that were elected annually. |
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Imperialist period that begins with Octavian becomes the first emperor 31BC - 300AD First ruling dynasty that was the Juli0-Claudian dynasty. |
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An amphitheater to hold annual gladiatorial, naval, and animal games. 72AD Gardens Tuscan columns on ground floor, ionic on second, and corinthian on 3rd |
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Built in 27BC and rebuilt in 117-125AD by Hadrian Location of Raphael's tomb |
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A roof or ceiling of a masonry, constructed on the arch principle. 4th century BC (early Roman) The basis of the arch which is formed using bricks. |
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A vaulted ceiling on a circular base which resembles an arch rotated 180 degrees. 125AD The Parthenon is an example. |
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French Magician 1805-1871 One of the leading box office attractions of his time |
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French brothers, Auguste and Louis who created the first camera and projector in one. 1895 They made their own short and simple films. |
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French Magician and filmmaker Born in 1861 1902 - A Trip to the Moon Considered the father of fantasy film |
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French painter specializing in sensual/religious work. 1825 - 1905 "Birth of Venus" Painter. Style was sweet and smooth. |
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Romanesque Art (main characteristics) |
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Style of architecture commonly used in churches, meant to scare or intimidate people into worship. 11th-12th centuries. Took elements from Roman styles, such as columns, rounded arches, dark interior, absence of light and windows, apses, and barrel vaults. Examples: St. Sernin in Toulouse, France - contains central nave, long doric hallways |
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Religious journeys popular among christians First crusade - 11th century Used to forgive Christians for their sins. |
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A series of military conflicts originally meant to take land from Muslims. 11th-13th century Motivations were spiritual, material, and territorial. |
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Sainte-Foy in Conques France |
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Popular pilgrimage site in France on the way to Spain. 1120AD Built for St. Foy, a young woman martyr killed in the 4th century - beheaded by Romans because she wouldnt sacrifice - monks stole her remains and built the church Style of Romanesque art |
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The semi circular or triangle decorative wall surface over an entrance. 1130AD An aspect of Romanesque art that was originally from the Romans. |
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Ornamental band or molding surrounding the tympanum in a Romanesque or Gothic church. 1115-1135 |
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The horizontal crossbeam spanning the opening in the post and lintel system. 1130 AD Earliest type of architecture. |
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An oval or almond shaped radiance surrounding a holy figure. 1130AD Its usually seen around figures of Christ in tympanums. |
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Saint-Lazare Cathedral at Autun, France |
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Roman Catholic Cathedral 1195 AD Sculptural decoration. Has an awesome God of Last Judgement, fear of God Type of Romanesque art |
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Popular during the rise of Humanism, when people were focusing on humanity and a growth of universities. 1200AD - 1400AD Light and airy structures, attempted to be more welcoming. St. Francis of Assisi - Imprisoned and had visions prompting a rise of "humanity"
Characteristics: cluster piers, stained glass, pointed arches, dematerialized spaces, flying buttresses, rubbed vaulting, rose windows, realistic sculptures EX: Notre Dame, Chartres cathedral |
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Gothic church in France 1140AD Considered first Gothic church |
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A vault constructed of arched diagonal ribs. 1140 AD A deviation from older barrel vaults. |
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Windows composed of pieces of glass colored with minerals held in place with strips of lead. 1140AD - St. Denis Major feature of Gothic architecture. |
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A Characteristic and essential feature of gothic churches. 1140 AD - St Denis They reflect the Roman arch as well as Islamic influence. |
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Gothic architecture 1140 AD - St. Denis Walls were opened to let more light in but structures needed more support. |
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Gothic style cathedral in France. 1134 - 1220 AD The tympanum above the door depicts the second coming. |
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In churches, the long narrow central area used to congregate. The largest hall in the church. |
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A cross arm in a Christian church, placed at right angles to the nave. 1134 - 1220 AD (Chartres cathedral) Shorter in length than the nave. Rose windows often placed at the ends. |
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Renaissance (Two prominent painters) |
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Term means rebirth. Began about 1400 - 1520 with the death of Raphael. Rediscovery of the classics and desire to reproduce the natural world. Began in Florence. Development of perspective Order and reason
Raphael (1483 - 1520) Influence of the Classical Quarry, geometry, stately, clear and calm Leonardo da Vinci (1452-1519)Sfumato, perspective |
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Concerns in human values and interests as distinct from religious values. 1300 - 1600AD Francesco Petrarca is the father - italian poet. |
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Italian city. 15th century. Wealthy patrons supported humanism. |
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Arnolfini Wedding Portrait |
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Renaissance oil painting by Jan Van Eyck. 1434 AD Christian symbolism. Intense realism and rich detail. |
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Painter of the Northern Renaissance. 1390 - 1441 AD Credited with inventing the oil painting. Realistic, detail orientated, brightly colored and filled with symbolism. |
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Italian painter, sculptor, inventor, engineer, etc. 1425 - 1519AD Considered to be an archetype man. Used sfumato in his paintings. |
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Culmination of art from the Italian Renaissance. 1450 - 1520AD Ideas of proportion, composition, and perspective. It inspired mannerism. |
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Oil on wood painting by Leonardo de Vinci. 1503 - 1506AD Also called La Gioconda. Features a pyramidal composition and contrasting perspectives in the foreground and background. |
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Fresco painting by Leonardo de Vinci. 1495 A mixture of oil and tempera that flaked off and is badly damaged today. Depicts Christ declaring that one of his 12 apostles will betray. |
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Means "toned down" or "vanished in smoke" and is formed by delicate gradations of light and shade. Leonardo used glazes to achieve sfumato in oil, which creates a haze. |
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Italian high renaissance painter and architect. 1438 - 1520AD "Madonna of the Meadows" and "The School of Athens" Embodied the classical character of the high renaissance. |
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means irregular or imperfect unrestrained, overly emotional, more energetic Chiaroscuro and theatrical effects Color and light are contracted, space is asymmetrical 1600-1715 - Italy Rise of the Catholic church Concept of Tenebrism |
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Bernini's rival Worked on the Trinitarian monastery of San Carlo - considered an architectural innovation due to the alteration in concave and convex and twisted columns |
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One of the first woman painters to emerge from Europe Known for paintings of heroic women and violent scenes "Judith Slaying Holofernes" - exhibits a baroque taste for violence, shifts of light and dark, dramatic drapery follower of Caravaggio |
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The use of sharply contrasting light and dark Seen in Caravaggio's Calling of Saint Matthew Used to enhance the Christian message (Light focused on the figures who see Christ and dark portrayed on the man who is focused on money) Characteristic of Baroque Liberation of art EX: Conversation of St. Paul |
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Painter - Italian Baroque Criminal behavior and knowledge of Roman street life affected his paintings "Calling of Saint Matthew" "Boy with a Basket of Fruit" - shows close study of nature |
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An intellectual quarry for the Greeks and Romans that served as inspirtion for artists |
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Protestant painter in Amsterdam Said to have invented modern art market Reflected Dutch capitalism Subject of paintings included biblical and mythological senses, landscapes, and portraits Attracted to dramatic uses of light and dark Night Watch - depicts a militia company leaving Amsterdam on a shooting expedition, arches in the background are a reminder of ancient Rome Psychology of light Influential on theater and cinema |
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Leading architect in Rococo architecture Created Rococo Residenz/Episcopal Palace Contains staircase, decorations of statues and stone kraters, cupids over the doorways Doors are framed by Corinthian pilasters |
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Architect for church Rococo "Church of the Meadow" Interior designed to give visitors a sense of spiritual loftiness and a glimpse of heaven Decoration is mostly gold with some pink and pink marble Ceiling of church uses ornate illusionism |
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Rococo Artist - The Swing - use of frilly patterns, twisting branches, fluffy clouds Use of stone statues to give an erotic implication Connotation of "swinging" still used today - "swinging sixties" |
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18th century (1700-1775) Age of enlightenment Coined term by mixing two terms which meant "rock" and "shell" An expressionism of wit and frivoly but also has somber and satirical undercurrants 1715-1800 Elaborate delicate clothing Image of love Reaction to the power of Baroque Francois de Cuvillies Jean-Honore Fragonard |
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18th century Philosophical ideas translated into a political movement "ergo sum" - "I think therefore I am" Improvement in technology and advances in science Knowledge derives from experience Images of light and sun Important people - Descartes, John Locke, Denis Diderot |
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Leading Rococo painter Interest in voluptuous nudes and richly textured materials Subjects were thin and gracefu "Fetes Galantes" - paintings of festive gatherings Pilgrimage to Cythera - oil painting the depicted a group of amorous people at the island of Venus - flowers denote love and fertility, frivolity of lovers |
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Significant around 1750 Revival of Gothic due to Palladian movement and romatic movement Imitation of gothic ruins Strawberry Hill - building includes battlements, buttresses, tracery, interior vaulting - mixed styles Horace also sat in parliament as a Whig |
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French artist Traditional Roman idealized figures Embodied neoclassiciam and romanticism with some traces of Mannerist elegance Academy of Fine Arts Napoleon Enthroned - shows fussiness of rococo, exaggeration of mannerism, clarity and percision of neoclassicaliam Fued with Delecroix |
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Late 18th & early 19th centuries Classical style with an element of romanticism A reaction from rococo levity Evolved from French baroque Closely associated with many revolutionary movements of the period Political aspects, heroic subject matter, formal clarity, stability and solidity EX: Osterly House - Robert Adam - combo of style - greek temple front, swirling interior from Rome Emma Hamilton |
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1750-1900 Reaction to Rococo search for natural expression of emotion Nobel savage vs. society man Nostalgia for the past EX: Jean-Jaques Rousseau |
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First gothic novel Written by Warpole "Romance of ruin" Plot: crumbling castle, damsel in distress, tyrant demon, haunted - people believed it to be true Lead to Dracula and Frankenstien First to use idea of trap doors |
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Paris Opera - 1825-1898 Very ornamental Place to be seen Grand promenade hall Central court where people were introduced Phantom of the Opera Neo-baroque |
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English romantic movement Expression and passion through nature Thirst for exotic and medieval Bright colors, elegant clothing Ex: Dante Gabriel Rossetti - resistance to modernism John William Waterhouse - The Lady of Shalott - curse on her if she looks at Sir Lancelot, floating woman |
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Light passes through a pinhole and shows an inverted image Possibly used since the renaissance (17th century) First development in fantasy film |
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Contains an eye, object, and piece of paper Different from camera obscura because it added a mirror and prism Reflection allows for artists to draw very accurate images Charles Falco and David Hockney |
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Primitive slide projector Moving slides quickly gives animation Moveable parts add sound Sometimes accompanied with singers - Ada Jones Phantasmagoria Limelight used - somewhat dangerous (Oxygen and water squirted onto limestone caused light) |
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1779-1869 Roget's Thesaurus Swiss medical doctor Inverted thaumatrope - flipping disc Persistence of Vision |
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1801-1883 Belgian physicist Created Phenakistiscope - many images on a rotating disc - 1828 |
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1765-1833 Photography Silver chloride on surface changes color when struck by light Used on the back of a camera obscura 8 hour heliograph - but light/dark reversed first fixed image-1827 Died due to inhaled mercury vapors |
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1787-1851 Gallery owner and hustler Meets Niepce in 1827 and offers money for ideas/products and claims sole crefit |
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1800-1877 Member of parliment, optometrist Bathes plates in silver nitrate and salt to make a Shadowgraphy Lights and darks reversed Dagurre steals idea |
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1830-1893 French physiologist 12 images per second = movement Photo rifle beginning of motion pictures |
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1824-1893 Pacific railroads Created monopolies that forced people to buy bonds Exploited farers Developed land and then raised rent Governor of CA |
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Western photographer Study of galloping horse - 1882 study proved horses 4 legs off the ground and helped Stanford win a bet Created projector Zoopraxiscope |
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1883 - First movies in England Magic box - projector |
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Stole many ideas Created monopolies Kinetoscope with perforated film srocket Black Maria |
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created word balloons and the brownie camera |
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Created Lumiere projector 1895 - first theater show First show scared people "Arrival of a Train" The Grande Cafe - 10 short films Used special effects First traveling camera People eventually lost interest |
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1861-1937 "Black sheep" of the family Sent to London and studied card tricks Witnesses Lumieres show and is amazed Used special effects - disappearing, white magic Bought Robert-Houdin's theater First director to use story boards Took Houdin's name - Houdini |
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Aspects of George Melies' films |
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Magic tricks from Houdin - trap doors, smoke bombs, fadeout Intricate set designs Didn't use close-ups Stop motion cinematography (like the disappearing lady) Superimposition of scenes Lots of light Baroque influences seen in sets Famous movie: A Trip to the Moon |
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Jean Eugene Robert-Houdin |
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1805-1871 Magician of Paris Ambassador to Algeria - calmed natives with his bullet trick Invented incandescent light Used contortionists, smoke bombs, acrobats,rising/falling sets |
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1896 Cresents around figureheads Throne of the Selenites - from the film A Trip to the Moon |
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Romantic artist uses bold colors Painted Othello and Liberty Leadig the People No solid lines gives emotion Use of earthy tones Romantic but contemporary |
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1819-1877 Tore down a Napoleon statue and was exiled to Switzerland Anti church, anti govt, anti school didn't use elevated subjects |
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Heroic materialism Ex: The Stone Breakers - Coubet Megalographic Not really relevant at the time due to photography |
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1832-1883 Optical sensations of light and color Used earthy tones and complementary colors Not idealistic Used proportions His reaction to romantic |
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1840-1926 Absinthe drinker Coloristic paintings Used a lot of color and light Complementary colors and choppy brush strokes Impressionism |
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Rejected priest, stalked women Admired Coubet Used color to suggest emotion Everything interrelates Painted The Potato Eaters and The Night Cafe and Starry Night |
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1863-1944 Emotional painter Painted Madonna |
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1856-1939 Idea of Ig, ego, and super ego Many health problems Studied dreams and psychoanalysis Ideas of depression, denial, childhood, unconscious Started talk therapy Influenced painters like Munch |
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