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Italian for Smokey and Hazy. it integrates the figures with the landscape. |
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the Italian for “light / dark”. gives the illusion of three-dimensionality with consistent light sources, explainable spaces, a development of perspective, and ultimately, suggesting atmospheric effects. |
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*Martin Luther’s* attempted reform of Catholicism resulted in a movement to break away from the Centralized Catholic church and establish a new branch of Christianity, known as Protestantism. |
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German religious reformer whom established Protestantism. |
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A reminder of ones mortality.
Latin for "Be mindful of death" |
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the exploration of individual potential and a desire to excel, and a commitment to civic responsibility and moral duty. |
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he 1527 attack of Rome by Spain and France where an estimated 45,000 men, women and children either fled the city or were killed by the army of Charles V. Roman churches, shrines and other historic monuments were looted or destroyed. Only the Sistine Chapel was spared. |
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Platonic idea which suggested that looking at and contemplating beautiful objects, sacred images, and architecture, leads one’s soul into closer union with the Divine. |
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Florentine banking family. Humanist thinkers and great patrons of the arts. |
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Both a priest and humanist scholar, Erasmus advocated reform of the Church but rejected Martin Luther’s call to break with it. |
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the study of the symbolic meaning of objects, persons or events depicted in works of art. |
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one-point “scientific” perspective |
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efers to compositions which have a single vanishing point and are “constructed” with orthagonals which converge upon that point. Compositions with one-point perspective create the illusion of depth and perspective and endow human figures in this space with substance. It reflects the Renaissance artists’ new awareness of man’s place in the world reflected in the increased interest in and expression of logic, scientific observation, mathematics, etc. |
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Catholic Counter Reformation |
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The goal was to inspire devotion and piety in the population. Art and architecture were major tools in the Counter Reformation campaign to bring people back to the Catholic Church. propaganda. |
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evokes the ideas of both pity and piety. |
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use of dramatically contrasting dark-light effects in painting or film. |
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Italian for “fresh.” It refers to the medium and process of applying a thin layer of fresh plaster on an existing plaster surface and then immediately applying color pigments (tempera) which, upon drying, become a permanent part of the wall surface. |
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depictions of idyllic place of rural peace and simplicity. Derived from Arcadia, an ancient district in Southern Greece. |
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color or painted. A term used to describe the application of paint, characteristic of Venetian Renaissance art. |
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a painting realistically depicting scenes of everyday life.
A slice of life. |
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a full-size drawing made for the purpose of transferring a design to a painting or tapestry or other large work. They often reveal the artist’s ideas as they evolve. |
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Baroque artists influenced by Caravaggio’s dramatic tenebrism technique.
A style. |
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a distorted image that must be viewed by some special means, such as a mirror, to be recognized. |
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Descent from the Cross, by Pontormo, 1525-28. Mannerism |
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Raphael (School of Athens), fresco in the Vatican High Renaissance |
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Raphael "Baldasare Castiglione" High Renaissance |
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Pieter Bruegel "Hunters in the Snow" Northern Renaissance |
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Caravaggio "Conversion of Saint Paul" Italian Baroque |
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Caravaggio "Calling of Saint Matthew" Italian Baroque |
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Michelangelo "David" High Renaissance
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Michelangelo "Pieta" High Renaissance |
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Albrecht Durer "Fall of Man" (adam and eve) Northern Renaissance |
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Grunewald "The Isenheim Altarpiece" Northern Renaissance |
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Giorgione "Pastoral Symphony" Venetian Renaissance |
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Holbein "The French Ambassadors" Northern Renaissance |
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Leonardo da Vinci "The last supper" High Renaissance |
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Raphael "Galatea" High Renaissance |
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Michelangelo "The Sistine Chapel" High Renaissance |
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