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Art Hist
Test 2 - Byzantine
25
Art History
Undergraduate 3
11/20/2013

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Term
[image]
Definition

Interior of Sant’Apollinare Nuovo

dedicated 504 AD

Early Byzantine

 

The aisles were narrowed and their ceilings were lower. The apse at the end originally had a mosaic which showed a procession. 

Term
[image]
Definition

Miracle of the loaves and fishes

mosaic

ca. 504 AD

Early Byzantine

Similar in that there is the halo, unbeared Christ, young, royal purple and gold robes. It's new in that there is more of a narrative scene. It's also more abstracted, especially facially. 

Term
[image]
Definition

Justinian as world conqueror

mid-sixth century

Ivory

Early Byzantine

 

Had Roman works to look at and copy, but selectively chose not to. Justinian is about the same size as his horse, like with "Equestrian statue of Marcus Aurelius." Showing he is in line with Roman emperors. The bottom is like the spoils of Jerusalem, putting the spoils on display. It is also similar to the distribution of largess, in that people are ducking to fit in the frame.  Nike is pictured - Greek appropriation. People on bottom represent different cultures (Africa, Asia)? 

Term
[image]
Definition

Hagia Sophia

ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS

532–537.

Early Byzantine

 

Minnerettes were built later. The dome was made using the pantheon concrete method. The bulk of the weight is on the corners.

The Pendentives help the ceiling appear as though it is 'hanging'. The sheer number of windows also helps make the Haga Sophia unlike any other. Marble inlay, like in the Pantheon (ENCRUSTATION). 

Term
[image]
Definition

Interior of Hagia Sophia

ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS

532–537.

Early Byzantine

 

Minnerettes were built later. The dome was made using the pantheon concrete method. The bulk of the weight is on the corners.

The Pendentives help the ceiling appear as though it is 'hanging'. The sheer number of windows also helps make the Haga Sophia unlike any other. Marble inlay, like in the Pantheon (ENCRUSTATION).

Term
[image]
Definition

Inside Hagia Sophia

Anthemius of Tralles and Isidorus of Miletus

532-537

Early Byzantine

 

colonnade, arches, gallery, pendentive, portion of dome

 

Minnerettes were built later. The dome was made using the pantheon concrete method. The bulk of the weight is on the corners.

The Pendentives help the ceiling appear as though it is 'hanging'. The sheer number of windows also helps make the Haga Sophia unlike any other. Marble inlay, like in the Pantheon (ENCRUSTATION). 

Term
[image]
Definition

San Vitale

Construction begun under Bishop Ecclesius in 526

Dedicated by Bishop Maximianus in 547 526-547

Early Byzantine

 

Similar to the Santa Costanza. The focus was in the ceter, which is a circle, as opposed to Santa Costanza's cross shape. 

Ambilatory, Apse, etc are similar to other buildings. Marble encrustations  

What's different - curvy bay created. Niches, which also frame the dome. The central space becomes larger.

Plain outside, extremely decorated inside.  

Term
[image]
Definition
Interior of San Vitale Construction begun under Bishop Ecclesius in 526 Dedicated by Bishop Maximianus in 547 526-547 Early Byzantine Marble encrustations  

What's different - curvy bay created. Niches, which also frame the dome. The central space becomes larger.

Plain outside, extremely decorated inside.  

Term
[image]
Definition
Choir and apse of San Vitale with mosic of Christ between two angels.
Saint Vitalis
Construction begun under Bishop Ecclesius in 526
Dedicated by Bishop Maximianus in 547
526-547
Early Byzantine
Term
[image]
Definition
Mosaic of Christ Between two Angels
Saint Vitalis
Construction begun under Bishop Ecclesius in 526
Dedicated by Bishop Maximianus in 547
526-547
Early Byzantine
Term
[image]
Definition
Justinian, Bishop Maximianus, and attendants,
mosaic from the north wall of the apse San Vitale
Mosaic
ca. 547.
Early Byzantine
Term
[image]
Definition
Interior of San Vitale (view from the apse into the choir)
526–547.
Early Byzantine
Term
[image]
Definition
Theodora and attendants,
mosaic
San Vitale
ca. 547
Early Byzantine
Term
[image]
Definition
Virgin and Child between Saints Theodore and George,
Encaustic on wood. Icon.
Sixth or early seventh century.
Early Byzantine
Term
[image]
Definition
Virgin and Child enthroned,
apse mosaic,
dedicated 867.
Middle/Late Byzantine
Term
[image]
Definition
Crucifixion
mosaic
ca. 1090–1100.
Middle/Late Byzantine
Term
[image]
Definition
Christ as Pantokrator,
dome mosaic
ca. 1090–1100.
Middle/Late Byzantine
Term
[image]
Definition
Pantokrator, Theotokos and Child, angels, and saints,
apse mosaic
ca. 1180–1190.
Middle/Late Byzantine
Term
[image]
Definition
St. Mark’s
begun 1063.
Middle/Late Byzantine
Term
[image]
Definition
Interior of Saint Mark’s
begun 1063.
Middle/Late Byzantine
Term
[image]
Definition
Empress Irene, detail of the Pala d’Oro,
Gold cloisonné inlaid with precious stones.
ca. 1105.
Middle/Late Byzantine
Term
[image]
Definition
Lamentation over the Dead Christ,
wall painting,
ca. 1164.
Middle/Late Byzantine
Term
[image]
Definition
Virgin and Child, (Vladimir Virgin)
Tempera on wood panel icon,
late 11 - early 12 century.
Middle/Late Byzantine
Term
[image]
Definition
Anastasis
apse fresco in the parekklesion of the Church of Chris
ca. 1310–1320.
Middle/Late Byzantine
Term
[image]
Definition
Annunciation,
reverse of two-sided icon
Tempera and linen on wood panel
early fourteenth century.
Middle/Late Byzantine
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