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Interior of Sant’Apollinare Nuovo
dedicated 504 AD
Early Byzantine
The aisles were narrowed and their ceilings were lower. The apse at the end originally had a mosaic which showed a procession. |
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Miracle of the loaves and fishes
mosaic
ca. 504 AD
Early Byzantine
Similar in that there is the halo, unbeared Christ, young, royal purple and gold robes. It's new in that there is more of a narrative scene. It's also more abstracted, especially facially. |
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Justinian as world conqueror
mid-sixth century
Ivory
Early Byzantine
Had Roman works to look at and copy, but selectively chose not to. Justinian is about the same size as his horse, like with "Equestrian statue of Marcus Aurelius." Showing he is in line with Roman emperors. The bottom is like the spoils of Jerusalem, putting the spoils on display. It is also similar to the distribution of largess, in that people are ducking to fit in the frame. Nike is pictured - Greek appropriation. People on bottom represent different cultures (Africa, Asia)? |
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Hagia Sophia
ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS
532–537.
Early Byzantine
Minnerettes were built later. The dome was made using the pantheon concrete method. The bulk of the weight is on the corners.
The Pendentives help the ceiling appear as though it is 'hanging'. The sheer number of windows also helps make the Haga Sophia unlike any other. Marble inlay, like in the Pantheon (ENCRUSTATION). |
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Interior of Hagia Sophia
ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS
532–537.
Early Byzantine
Minnerettes were built later. The dome was made using the pantheon concrete method. The bulk of the weight is on the corners.
The Pendentives help the ceiling appear as though it is 'hanging'. The sheer number of windows also helps make the Haga Sophia unlike any other. Marble inlay, like in the Pantheon (ENCRUSTATION). |
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Inside Hagia Sophia
Anthemius of Tralles and Isidorus of Miletus
532-537
Early Byzantine
colonnade, arches, gallery, pendentive, portion of dome
Minnerettes were built later. The dome was made using the pantheon concrete method. The bulk of the weight is on the corners.
The Pendentives help the ceiling appear as though it is 'hanging'. The sheer number of windows also helps make the Haga Sophia unlike any other. Marble inlay, like in the Pantheon (ENCRUSTATION). |
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San Vitale
Construction begun under Bishop Ecclesius in 526
Dedicated by Bishop Maximianus in 547 526-547
Early Byzantine
Similar to the Santa Costanza. The focus was in the ceter, which is a circle, as opposed to Santa Costanza's cross shape.
Ambilatory, Apse, etc are similar to other buildings. Marble encrustations
What's different - curvy bay created. Niches, which also frame the dome. The central space becomes larger.
Plain outside, extremely decorated inside. |
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Interior of San Vitale
Construction begun under Bishop Ecclesius in 526
Dedicated by Bishop Maximianus in 547
526-547
Early Byzantine
Marble encrustations
What's different - curvy bay created. Niches, which also frame the dome. The central space becomes larger.
Plain outside, extremely decorated inside. |
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Choir and apse of San Vitale with mosic of Christ between two angels. Saint Vitalis Construction begun under Bishop Ecclesius in 526 Dedicated by Bishop Maximianus in 547 526-547 Early Byzantine |
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Mosaic of Christ Between two Angels Saint Vitalis Construction begun under Bishop Ecclesius in 526 Dedicated by Bishop Maximianus in 547 526-547 Early Byzantine |
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Justinian, Bishop Maximianus, and attendants, mosaic from the north wall of the apse San Vitale Mosaic ca. 547. Early Byzantine |
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Interior of San Vitale (view from the apse into the choir) 526–547. Early Byzantine |
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Theodora and attendants, mosaic San Vitale ca. 547 Early Byzantine |
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Virgin and Child between Saints Theodore and George, Encaustic on wood. Icon. Sixth or early seventh century. Early Byzantine |
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Virgin and Child enthroned, apse mosaic, dedicated 867. Middle/Late Byzantine |
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Crucifixion mosaic ca. 1090–1100. Middle/Late Byzantine |
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Christ as Pantokrator, dome mosaic ca. 1090–1100. Middle/Late Byzantine |
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Pantokrator, Theotokos and Child, angels, and saints, apse mosaic ca. 1180–1190. Middle/Late Byzantine |
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St. Mark’s begun 1063. Middle/Late Byzantine |
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Interior of Saint Mark’s begun 1063. Middle/Late Byzantine |
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Empress Irene, detail of the Pala d’Oro, Gold cloisonné inlaid with precious stones. ca. 1105. Middle/Late Byzantine |
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Lamentation over the Dead Christ, wall painting, ca. 1164. Middle/Late Byzantine |
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Virgin and Child, (Vladimir Virgin) Tempera on wood panel icon, late 11 - early 12 century. Middle/Late Byzantine |
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Anastasis apse fresco in the parekklesion of the Church of Chris ca. 1310–1320. Middle/Late Byzantine |
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Annunciation, reverse of two-sided icon Tempera and linen on wood panel early fourteenth century. Middle/Late Byzantine |
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