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The technical and aesthetic planning for sets, decoration, props and wardrobe |
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Construction, fabrication or building of sets, set dressing and set props |
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An industry-specific term for paint, the vocation or the action of painting sets, set props and dressing |
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The profession and acquisition of set props and set dressing |
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The back story occurs before exposition or action is presented in the first frame |
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A list of given circumstances that determines the appearance of sets and characters that visually portrays the back story |
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Unified design ideas created by the designer, director and d.p. production designer and sometimes the writer or writers of the script. |
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The relative or proportional comparison of figures and objects |
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Reference artwork created during pre pro |
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The relative or proportional comparison of figures and objects |
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Comparison of figures and objects based on a specific unit of measure |
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Actual measurement of figures and objects |
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A Pencil or Pen Blueprint sketch |
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A drawing in perspective of a proposed structure. |
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scale plans drawn for the fabrication of sets and decorations |
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three dimensional model of sets, decoration or props |
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Levels=Horizontal surface parallel to the sound stage floor Planes |
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Corner=Junction of the main set walls & Returns=Corner that precedes or recedes from the main set walls |
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Particulate matter added to scenic paint or debris placed as set dressing |
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Why is the term “props” not labeled as one of the four primary Art Direction categories? |
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Which films have we viewed for characterization and back story? |
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Which films have we viewed for back story, characterization and production concept? |
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Which of the four prototypes utilizes “size” for space comparison? |
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