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| a dark/box that, through the use of mirrors, reflects an image onto a wall/piece of paper so it cam be traced |
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| "the light room"; had a prism so one could view their subject and their drawing at the same time |
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| cameraless photographs made by casting light on photo sensitive paper, or by placing objects directly on the light sensitive surface |
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| a set or series of photographs that are intended to tell a story or invoke an emotional reaction |
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| two images side by side, that when viewed with a viewer, looks 3D |
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| A small photographic portrait mounted on a cardboard backing that was the size of a visiting card. Created in sets of 8. |
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| the next size up from the visiting card |
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| Frank Leslie’s Illustrated Newspaper |
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This weekly newspaper specialized in visual accounts of current
events and provided a market for photographic images. |
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| The process where photographs were printed with text in a book, newspaper, or magazine. Called half-tone b/c it allowed for values between black and white. |
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| a technique that uses two or more negatives to make a final image |
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| Commercially produced photographs that exposed fast enough to capture movement. B/C quick exposure time, camera is now hand-held |
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| (salt print) invented by William Henry Fox Talbot, using paper coated with silver iodide. Positive-negative process, copies can be made. Soft images. |
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| invented by Daguerre; uses a silver or silver coated copper plate to register an image in a camera obscura. Sharp image, no full range of values (value of plate to black), not capable of making copies (direct positive) |
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| inexpensive photographic proces that renders images onto thin sheets of iron, not tin. Lightweight, easy to send through the postal system |
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| (collodion positive). Puts a dark backing behind a sheet of glass on which a negative image has been rendered , a positive image results. |
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