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| Jean Restout, The Death of St Scholastica, 1730. Musée des Beaux-Arts, Tours. |
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| Antoine Watteau, The Dance (Les Fêtes vénitiennes), c. 1717-18. National Gallery of Scotland, Edinburgh. |
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Jean-François de Troy, A Reading from Molière, c. 1728. Private collection. |
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Gabriel-Germain Boffrand, the Princess’s Salon, Hôtel de Soubise, Paris, 1737-40. |
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François Boucher, Hercules and Omphale, c. 1730. Pushkin Museum, Moscow. |
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Jean-Siméon Chardin, The Governess, 1739. National Gallery of Canada, Ottawa. |
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Jean-Honoré Fragonard, The Swing, 1767. Wallace Collection, London. |
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Jean-Baptiste Greuze, The Benefactress, 1775. Musée des Beaux Arts de Lyon. |
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Jean-Honoré Fragonard, The Meeting, from The Progress of Love, 1771-72. Frick Collection, New York. |
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Marie Louise Elisabeth Vigée-Lebrun, The Artist and her Daughter, c. 1785. Louvre, Paris. |
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Matthaeus Daniel Pöppelmann, pavilion in the Zwinger, Dresden, 1711-22
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| Dominikus Zimmermann, the Wieskirche, Bavaria, 1745-54. |
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Ignaz Günther, Tobias and the Angel, 1763. Burgersaal-Kirche, Munich.
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Giovanni Battista Tiepolo, staircase ceiling of the Residenz, Würzburg, Germany, 1752-53.
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Definition
| Francesco Guardi, Santa Maria della Salute, Venice, c. 1765. National Gallery of Scotland, Edinburgh. |
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| Giovanni Antonio Canal called Canaletto, Venice: The Bacino di S Marco on Ascension Day, 1732-35. Windsor Castle. |
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| Rosalba Carriera, Charles Sackville, 2nd Duke of Dorset, c. 1740. Lord Sackville Collection, Knole, Kent, England. |
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