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Latin word that means a skilled process |
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One studies art because they are part of the human race and the human race is filled with passion, emotion, and dreams. The arts are what we stay alive for and makes our lives richer, fuller, and worth living. |
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Cisterian monk who was anti-art. In 1127 A.D. he wrote a tirade against the arts saying "For God's sake, if men are not ashamed of these follies, why at least do they not shrink from the expense." |
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A place without aesthetic objects to react to |
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Puritanical Reaction to Art |
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Art is sinful and corrupts |
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Art will make you a better person and one takes it to become cultured. |
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Purpose: Clarify, Illustrate, Enlarge our experience of life
Place: Where was it created, where was it meant to be displayed
Patrons: Who commissioned the work, what was their purpose in commissioning the work
Point of View: Each work of art reflects a part of society that created it |
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The Nazi myth that they were superiorly creative. |
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Hitler's belief that that modern art was bad art. He was often credited with calling modern art "degenerate art." He arranged for an exhibition of degenerate art where he sold as much as he could and later burned the rest. |
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Rejected art student, took his revenge on the world. He became history's greatest art collector. Collected his art through means of theft. |
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Terrorism against art as a tool for change. The Uffizi bombings were an example of this. Complete works of art were destroyed when a group of men planted bombs in the parking garage to go off under the cover of night. This happened on May 7th, 1993. |
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Owning art is the new religion where patrons are giving money to museums instead of churches which represents personal validation as well as vindication of the rich. |
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First artist to sell a work for more than a million dollars.
Jasper Johns, FLAG, 1955 |
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Destruction of works of art and civilization |
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Greek for picture gallery where one would have to first past through in order to get to the main building. In a way art museums represent stolen culture since the works are not in their original location. |
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Feminist artists who protest for equality on the stage of art display. They are just asking for the equal time they deserve. They are "trying to change the world one sexist museum at a time." |
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Quality Art (Non-Quality Art) |
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Phrase used by white males to describe the art that they are interested in. The New York Times wrote an editorial that implied that the use of the phrase non-quality art was specifically reserved for women and those of minorities. |
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Term used to describe artists who are not based in the centers of art (i.e. Florence in the Early Renaissance, New York now) |
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Grant Wood, AMERICAN GOTHIC
Nobody is quite sure whether he was praising or criticizing rural life |
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Art that you have to go see |
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Art that cannot fail. Put of refrigerator doors. Used to build self-esteem. |
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Art that is meant to offend, to cause debate. It is usually in your face. DAVID was meant to be a symbol of the Florentines against the Medici family. |
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The "rights" of the artist and the art object. The artists have the moral right to the image that they created while the work has the moral right to remain unchanged. |
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Art of bad taste, art that is made cheaply. Often referred to as the people's art. |
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Margaret Keene
The Kitsch Master
She discovered that if you made paintings of little kids and other cute things with very large, sad eyes, people would want to buy it.
Her works were poorly made and did not have mush artistic value. |
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Gutzon Borglum, MOUNT RUSHMORE
Patriotic/Populist Art
Is this a patriotic kitsch or a fine art? |
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A catholic nun who decided she was going to become an art historian by reading a couple of books and museum brochures. She is not traditionally trained as a art historian but that does not stop her from being dubbed "The People's Art Historian." She popularized the study of art for many and for this reason has the "Westin Stamp of Approval." |
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Painted by Thomas Kinkade, America's most collected living artist. he is the perfect example of a safe artist. His works are safe in that they cause no controversy, that they are not debatable. Their meaning is clear and one that everyone can agree upon. |
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Painted by Andrew Wyeth using Helga Testorf as a model. This was a series of paintings that were completed by Wyeth, a former illustrator, that caused enduring public speculation and intrigue. Helga Testorf remains a woman of mystery. |
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He was not an artist but was the conceptualist that others followed in completing the Disney characters. |
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reflects the Disney philosophy of creating a perfected world, free of dirt, problems and stress where your dreams can come true. (Wish Upon a Star Theory). |
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Painter who recently published a book entitled SECRET KNOWLEDGE in which he suggests that artists from the 15th century used a pre-camera machine called the Camera Obscura to trace the outline of their subjects in paintings. This idea has been rejected by art historians. |
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The camera obscura was the device that was suggested by David Hockney to have been used by 15th century artists to trace their subjects onto surface. Uses a darkened room, lens, mirror, and a light source. |
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1000-year period between the fall of the Western Roman Empire and the revival of classical Greek and roman culture embodied in the Renaissance. |
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The Byzantine style. It was mostly practiced in Eastern Europe. |
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The Gothic style. This style was utilized in the Western European area. |
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Stresses the belief that all things in nature are important. This was a radical view because of its contradiction to the Medieval view of a hierarchy structure. |
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The little brothers who were the followers of St. Francis of Assisi |
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The vows that the Franciscan monks took of poverty, obedience, and chastity. |
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In 1378, woolworkers were defeated in trying to stop salary cuts. This reflects a rise in humanism and an attitude that all people are important. |
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The practice that merges Christian beliefs with Pagan symbols. |
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The style of art that came about with the renaissance that was in search for the beauty in all things. |
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Rebirth of: ~Perspective ~Naturalism ~the Nude ~the Portrait ~Landscape ~Humanism ~Historical Biographies
as well as the ~Invention of the Printing Press ~Media change from fresco to oil paints ~Media change from marble and bronze to terra-cotta |
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Nicola Pisano, PULPIT, Pisa Baptistry, 1259-60
The first sculptor of the modern era. This was a prime example of classical revival. The pulpit displays the Gothic Quatrefoils. He was the head of the Italian tradition of of sculpture. |
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Nicola Pisano, relief of the Nativity (pulpit), Pisa Baptistry, 1259-60
In this work he succeeded to mix the styles of French Gothic with the classical style of ancient Rome. This relief is also a classic symbol of neoplationism with the larger than life mary in the center of the work representing the Goddess or Earth mother in Pagan beliefs. As a part of the pulpit this was originally painted and enameled. |
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Cimabue, MADONNA ENTHRONED, 1280-90
The teacher of Giotto, he is referred to as the last great painter of the Byzantine tradition or the Maniera Greca. This painting shows a gold background, striated lines that model drapery and a stiffness. There is a lack of gravity in the painting. It is composed of scenes and forms that are flat and highly stylized. He was however a pioneer in the move towards naturalism with more life-like proportions and and shading. |
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Giotto, MADONNA ENTHRONED, 1310
Giotto, student to Cimabue, was a the true beginning to the renaissance tradition. Giotto's displays a better understanding of the human form with the bulky figures that somehow show a greater definition to the space. The clothes seem real as well as the body underneath them. He defines the drapery with shading as opposed to gold lining. |
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Chris Ofili, THE HOLY VIRGIN MARY, 1996
This is the most famous Madonna painting of our time. What is strange about this depiction is the lack of christ with her as well as the normal depiction she has received. It is as if she is a normal person who is able to sin. She is also presented in a very earthly (DUNG!!!) manner as though she is the Earth-Mother. Dung is a symbol of rebirth. |
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~Gravity ~Modeling ~Foreshortening ~Rounded Forms ~Real People ~Human Expressions ~Return to the Real ~Portraiture ~Landscape ~(Later, Blue Sky)
His innovations were an influence on art for 700 years. |
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Left side, reserved for the condemned to hell. Evil or productive of evil. |
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Eye of God, Almond shaped. Mandorla is the Italian word for almond. It is also a variant of a halo which surrounds the whole body of the person. It symbolizes power as well as spirituality and is often appeared around the body of Christ. |
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~Water based painting on plaster ~Permanent, lasting thousands of years ~Florentine speciality ~Venice however avoided due to the city's humidity ~Tradition from antiquity |
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1) Draw Cartoon: quick sketch used to transfer original deign to wall surface
2) Arriccio: Rough base plaster
3) Intonaco: Final layer of fine ground plaster
4) Cartoon: transfer cartoon by pouncing (punching pin holes in cartoon and then hitting the cartoon with a bag filled with charcoal dust until charcoal goes through the holes and marks the pin holes on the plaster) or using sinopia (red clay material, named for a place in Turkey. Used as a type of chalk).
5) Pigments: applied to the cartoon in layers and actually become part of plaster. |
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Writer of biographies of artists, 1550. Includes a biography of Lorenzetti and Cimabue. His book was entitled La Vite. He is often considered the world's first art historian. |
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Illusion of airy condition, of the haze and rain |
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Something that is used to represent something larger |
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Continuation of Byzantine/Gothic. The style represents an aristocratic and conservative taste. They were combining the Renaissance styles with the Maniera Greca and Maniera Tedesca |
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Tres Riches Heures du Duc de Berry |
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The Book of Hours was a medieval book of hours. This was a collection of the text for each liturgical hour of the day. The Limbourg brothers created the best known late medieval illuminated manuscript. |
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Precious stone that has been mined in the Badakhshan province of Afghanistan for 6500 years. |
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Was the patron for the Book of Hours. The medieval world's greatest connoisseur of the visual arts. He was one of the highest nobles in France who was the brother to King Charles V, Duc d'Anjou, and Duc de Bourgogne. He was a very wealthy man who owned many things including rubies that were 240 karats and numerous books. |
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Reminders of death that include skulls and rotting fruit. |
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The Plague. It killed half of the population of Europe. This severe drop in the population led to the all out stop of the Renaissance movement. People were actually considering that the Black Death was the result of deviating from the traditional ways of the medieval tradition. Art began to revert to the conservative style. |
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Became the seat of the arts. Florence was attacked many times for various reasons of conquest. There were three quite notable attacks on the city. 1) GIAN GALEAZZO VISCONTI: The duke of Milan marched to Florence in 1402. This would have been the most easy of the conquests since Florence didn't have a military force. Unfortunately, he died just as he reached the gates of Florence. 2) LADISLAUS: King of Naples. Attacks Florence in 1414 and also dies. 3) FILIPPO MARIA VISCONTI: Son of Gian Galeazzo, went back to Florence to try to attack but simply fled. These victories led to the commission of new works of art. |
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The lion symbol of Florentine republic is adapted to Bruni's coat of arms. |
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Allegory of the arts, the mourning over the loss of a patron. Muses mourn the death of one of their greatest contributors. |
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Florentine Chancellor, humanist who commissioned many works. |
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The latin term for literary studies. Bruni was an advocate for humanitas. |
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The place to be buried in Florence and Italy. The Church of the Holy Cross. Bruni, Dante, Michelangelo, and Galielo were buried there. |
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Renaissance Art History professor at Columbia University and critic of the ILARIA DEL CARRETTO restoration. Called it a "...disgrace, an incorrect, spic and span cleaning..." |
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A tomb marker, has no body in it. |
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Term used to depict the works that are from antiquity or display qualities that are from antiquity. |
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Gothic architect of the Duomo which began construction in 1296. Duomo refers to the Cathedral of Florence. Its name is Santa Maria dei Fiore. |
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The term that Michelangelo used to describe the first attempt at covering the drum part of the Santa Maria dei Fiore. This was meant to criticize the decorative arcade balcony. |
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Feature of the Hospital of Santo Spirito. It was a place where one could anonymously leave a baby. The Renaissance fire station. Martin Luther in rome in 1511 was horrified at the abandoned babies believing them to be "the sons of the pope himself." |
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Ceramic sculptor, inventor of the new blue and white gazes, sculptor of inexpensive substitute for marble. |
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Fired earthware of a gray, buff, or reddish color. Terra-Cotta has been used since prehistoric times to make sculptures and figurines, vases, tiles, and bricks. |
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Della Robbia makes baked clay polychrome circular medallions with special enameled ornamental effects |
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Bluish-grey sandstone used to juxtapose against the marble or terra-cotta |
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Ancient basket carriers in Florence. Used baskets to carry groceries. |
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The Flemish Netherlands, modern-day Belgium. Beginning in the 15th century movement towards Renaissance qualities develop. There was an increased depiction of secular life. There soon developed an erosion of confidence in moral and religious authority. This is where we will mostly speak about Northern Renaissance. |
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The "pen name" to Robert Campin. |
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Refers to Jan Van Eyck's older brother Hubert |
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Image Breakers. "Thou shall not make graven images..." |
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Identification, description, and the interpretation of the content of images. |
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Media in which the yolk of an egg is added to the pigments and then applied to the surface. |
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"New" media that replaces tempra and fresco. |
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Dating by the study of tree rings |
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Giotto, ARENA CHAPEL, Padua
Also known as Giotto's Grotto. It was the first complete Renaissance work of the modern era. It was a simple barrel-vaulted rectangular structure that was covered in fresco. The patron was a loan shark that wanted to commission the chapel as a means of atonement. The various panels are meant to depict a drama. |
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Giotto, NATIVITY, Arena Chapel, Padua, 1305
This was a Early-Renaissance piece in which one would find simple, direct realism, a unified light source, a natural landscape, and a clarity in telling the story. |
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Giotto, CRUCIFIXION, Arena Chapel, Padua, 1305
Scene in the Arena Chapel in which Giotto depicts the Crucifixion. The cross separates the Holy form the the evil. Examples of Renaissance include humanistic features and natural landscape. |
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Giotto, LAST JUDGEMENT, Arena Chapel, Padua, 1305
It is meant to be the last image visitors see as they leave the Chapel. This painting has sinistra, mandorla, and was painted in fresco. the donor Scrovegni is depicted in the painting as offering the chapel to the Marys as a way of atonement. Giotto's assistants are probably more responsible for this work than Giotto himself. |
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Duccio, MAESTA, from Siena Cathedral, 1308-11
This altarpiece was done in the maniera greca which expresses the feeling of animosity between Florence and Siena. Not everyone bought the Renaissance. Unfortunately for Duccio, he couldn't help but incorporate some Renaissance ideas into his painting. For example the motion expressed by the figures in the painting, the gravity displayed by the figures, and the fact that there was a ground used as a setting. |
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Duccio, KISS OF JUDAS, from the MAESTA, 1308-11
While Duccio made some headway in his transition towards naturalism, this painting does not greatly express his shift. there is a gold background, the figures seem to be floating off the ground without a sense of gravity, but their faces do seem to be more natural. It was as a result of aristocratic simplicity that Giotto's innovation were rejected. There is a scenic depiction but a minimal one. There does however seem to be a more drastic movement taking place in this scene. |
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Giotto, KISS OF JUDAS, Arena Chapel, Padua, 1305 |
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Simone Martini, Annunciation, 1333 Example of International style, clearly seen by the gold background. Story of Annunciation tells of the angel, Gabriel, sent by God to the Virgin Mary this is the pregnation of Mary. Gabriel is holding an olive tree branch which represents Mary's virginity. |
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Claus Sluter, Well of Moses, Chartreuse de Champmol, Dijon,1395 Moses is depicted here with horns because of a mistranslation of the Bible (they were suppose to be rays of light). Sluters' workshows highly emotional facial expression, figural stance, and drapery. Sluter was the most important northern European sculptor and was considered a pioneer of the "northern realism". |
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Famous Dutch Renaissance miniature painters active in the early 15th century. known for Tres Riches Heures du Duc de Berry akaThe Book of Hours. This was a collection of text for each liturgical hr of the day. This work was considered the archetype of International Gothic style. This was the first time a calendar was so lavishly represented. The Limbourg brothers' miniature painting are remarkable in the mastery of rendering space for such a small canvas. Limbourg brothers are also know for their use of vivid colors, specifically ultramarine (Lapis-Lazuli) |
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Jacopo della Quercia, Ilaria del Carretto, Lucca, 1406-1408 Earliest known sculpture by Quercia. Sculpted is his wife who died during child birth, the dog by her feet represents fidelity and faithfulness. This sculpture is entirely renaissance in conception and execution, the the carved folds of drapery and engravings had dirt in them to define the lines and we later removed. The removal of the dirt, Patina, changed the interpretation of the scultpure from peaceful and radiant to a ghost. |
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Colration of sculpture, by chemical change, aging, dirt. |
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Andrea Mantegna, Dead Christ, c.1500 excellent example of forshortening, at the front the feet are enormous and the rest of the body gets smaller as the images recends. |
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Masaccio, Expulsion, 1425, Brancacci Chapel, Carmine Florence. Depicts the expulsion of Adam and Eve, shows the great agony and shame in their raw facial expression and stance. Shows the affect of the Renaissance in the artwork bc it has a more realist portrayal of the human body and gravity. |
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International Gothic Style |
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A continuation of medieval and Gothic aristocratic traditions, characterized by decorative, exuberant, rich, colorful figures. |
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Nude: secure, posed for beauty. Ex. Nude model for art classes. Nudity of David in the Biblical story, he fought w/out clothes symbolizes Christian purity. Naked: vulnerable, w/out clothing, pornographic. Ex.Prono, figures w/out power, w/out clothing, and thus vulnerable. |
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Piero della Francesca, Battista Sforza, Duchess of Urbino, after 1475. painted in stark realism. Battista Sforza died in 1472 and this was painting of her after she died, and memorial painting. Shows the importance of power related to portrait paintings, more often than not portraits were done of those in a position of power. |
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Filippo Brunelleschi built the Dome of Florence Cathedral (1420-36) This was the most innovative /important architectural commission in a 1000yrs the very top of the dome is 348 ft above ground the dome is 150ft wide and 168ft above the bldg |
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The Sacrifice of Isaac (1401) competition
-Filippo Brunelleschi v Lorenzo Ghiberti They both entered in their artwork for the competition panel for the East Door The Gates of Paradise, of the Florence Baptistry. Ghiberti won the competition bc his panel was cheaper, 15lbs lighter, and not necessarily better. [this image is Ghibertis' panel, the winning panel] |
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The Sacrifice of Isaac (1401) competition
-Filippo Brunelleschi v Lorenzo Ghiberti They both entered in their artwork for the competition panel for the East Door The Gates of Paradise, of the Florence Baptistry. Ghiberti won the competition bc his panel was cheaper, 15lbs lighter, and not necessarily better.
[this image is of Brunelleschi, the losing panel] |
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Piero della Francesca, The Flagellation, c. 1460 This panel painting was commissioned as an attempt to favor the reconciliation between the two Christian churches of East and West. This is seen by the presence of person dressed in Greek fashion and an inbscription on the frame which supports this claim. |
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Paolo Uccello Student to Ghiberti, notable for innovations in foreshortening and linear perspective His drawings emphasized the rebirth of pictoral space. Uccello incorporated math of perspective vanishing points to render a 3D illusion in his artwork Had an understanding of space and gravity. |
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considered one of the founders of the Renaissance, along with Brunelleschi and Donatello. He was strongly influenced by Brunelleschi and Donatello, learning mathematical proportion from Brun. and learning classical art from Donatello which led him away from the prevailing Gothic style. Masaccio was conserned less with detail and ornamentation than with simplicity, unity, & three dimensionality. Famous for his work, The Holy Trinity and Tribute Money. |
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Masaccio, The Holy Trinity, 1425 the most famous work of Masaccio. The painting depicts Momento Mori*, reminders of death, and also shows the influences of Brunelleschi and Donatello with the mathematical vanishing perspective and classical stylings. This painting is also believed to be an educational tool; Ars Moriendi*, preparation for a good death. |
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Sandro Botticelli, Birth of Venus, c.1480 |
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Gets into fight with Michelangelo |
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Sigismondo Pandolfo Malatesta |
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Anti-Christian, evil prince of Rimini. |
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Wrote The Prince(1532), guide to politics. Well known for "the end justifies the means." |
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Those who attribute works of art to a better known name and apologizes for lesser works as being by the "school of" or an inferior student. |
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Second Renaissance style, meaning beyond naturalism. |
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Famous for Madonna and Child 1450. He formed a relationship with a nun, Lucrezia Buti, and tried to run away with her but they were caught. The Medici's saved him from disgrace and further punishment by releasing them from their vows. They got married and had two children, Filippino Lippi and Alessandra. Lippi wasn't faithful to his wife, Lucrezia, and was poisoned by another lover at age 57. |
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Lucrezia Buti "Nun on the run" |
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Filippo Lippis' wife, and former nun. She tried to run away with Lippi and elope but it didn't happen. Instead the Medici's released her and her husband from their vows and they got married and had two children. |
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AKA Andrea degli Implicati* which meant Andrea of hanged men, meaning that he dealt with the harsh realities of life and death. Has famous works of art such as the Youthful David, Dante, and Niccolo da Tolentino. |
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Filippo Lippi, Madonna and Child, 1450 One of Lippi's most celebrated works. The shape of the circular panel was a favorite for religious compositions. The pure face of the Virgin Mary is almost in the center, along with her child they constitute the principal object of veneration and of vision. |
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Robert Campin, Merode Altarpiece, c.1425-30? In this alterpiece Mary and Joseph are depicted together at the point in time were Mary is told she will have baby Jesus. At this time Joseph and Mary are engaged and therefore it is extremely rare to see the assemblage of subjects. However, there is some discression as to if they are actually seen together or not, in the bg on the leftwing it is visible that it is spring time whereas on the other side you can see snowflakes which could represent a passage of time. Other notable things in this painting is that its style is blunt realism free from the Int. Gothic style. Also the objects in Josephs' workshop represent allude to the Crucifixion of Christ with the log that rep. the wood of the cross & the stick propped against it, the crown of the Passion. etc. (pg.68) |
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Italian for Mercenary soilder. |
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1.) Renaissance was a turning point in portraiture, they were given an important role. 2.) depicted donors, they were represented in the work they commisioned. 3.) Emphasized the material richness and elegant poses of those represented 4.) Northern Renaissance seldom used portraits after 1420. 5.) Portraits were often used to display power, powerful people would get their portraits painted. |
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