Term
| what are the typical human frequencies? |
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Definition
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Definition
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Term
| average female frequency? |
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Definition
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Term
| production dialogue is recorded from the _______________, it comes to us from __________ _____________ |
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Definition
| original on-set performances; production recordists |
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Term
| this person prepares the session for the dialogue editor: |
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Definition
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Term
| this person cleans and prepares the production dialogue for the mixing stage: |
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Definition
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Term
| name 3 formats that can deliver production sound elements. |
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Definition
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Term
| this person records in the guide track, he assembles audio onto the work track using EDL: |
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Definition
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Term
| in recording the guide track, this channel of the work tape is routed to Pro Tools: |
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Definition
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Term
| in recording the guide track, this channel is used to lock pro tools via LTC: |
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Definition
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Term
| what is the most used EDL format? |
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Definition
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Term
| this person creates mutable splits, removes any other artifacts, and backfills room tone while balancing other ambiances: |
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Definition
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Term
| name the 2 types of mutable tracks. |
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Definition
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Term
| this mutable track is recorded during production: |
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Definition
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Term
| this mutable track is the production audio that will be replaced with ADR: |
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Definition
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Term
| name the 3 dialgue splits. |
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Definition
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Term
in _________________, lines are read in the order of the script and the director chooses by takes. |
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Definition
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Term
| this is a take that will be used in the animation, it is laid back to DAT in script order and all characters are included: |
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Definition
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Term
| this person has a connection between the talent and director, he is the problem solver of the dialogue mixer, and justifies which lines need to be replaced: |
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Definition
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Term
| this person selects and places microphones and is responsible for levels to tape: |
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Definition
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Term
| this person preps he ADR stage and loads the tape machine and documents what is being recorded: |
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Definition
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Term
| this is a group of professional ADR actors: |
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Definition
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Term
| this person receives the script/video and determines what sounds will be needed: |
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Definition
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Term
| this is making note of the sounds and dialogue needed for the soundtrack, as well as their start and end times: |
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Definition
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Term
| name the 3 things to understand while spotting and explain them. |
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Definition
dialogue = story/content sound fx = realism music = emotion |
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Term
| what are the 2 categories of sound? explain them. |
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Definition
subconscious, which are sounds that convey a certain feeling and sound concepts involving temp, weight or color, cognitive ideas conscious sounds, see a sounds - hear a sound, obvious hard fx |
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Term
| where do small fx appear in a theater? large? foley? backgrounds? |
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Definition
sm fx = front of theater lg fx = surrounds and/or sub foley = performed to picture backgrounds = location info |
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Term
| LTC stands for what? and what type of timecode is it? |
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Definition
Linear Time Code it is audio timecode |
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Term
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Definition
| timecode embedded in VIDEO signal |
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Term
| this is the art of performing sound fx to picture: |
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Definition
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Term
| this person selects mics and adept at finding/using props |
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Definition
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Term
| this person should be ready for tips for the foley performances and assists in performing cues: |
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Definition
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Term
| this person is responsible for foley documentation and room set up/patching: |
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Definition
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Term
| this is the last person to touch foley before it goes to dub stage: |
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Definition
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Term
| if you wanted a cloth to foley to formal wear for women, what would you use? |
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Definition
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Term
| true or false: foley footsteps are performed after cloth. |
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Definition
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Term
| this is a type of foley that is anything requiring props that is NOT cloth or a footstep: |
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Definition
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Term
| this is recording sound fx that are not performed to picture: |
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Definition
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Term
| dealing with background, this person reads the script and makes lists of sounds, he may "pull" or select sounds for the sound editor: |
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Definition
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Term
| this is an entry level sound editing position, he cuts and loops the various environments: |
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Definition
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Term
| true or false: it is uncommon to layer ambiance sounds. |
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Definition
| false, it is very common to layer your background sounds |
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Term
| this sound layer is made of detailed sounds establishing the scene and directly around the character (within reach): |
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Definition
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Term
| this sound layer is less detailed than foreground and establishes more subtleties at a greater distance, "in the room" with characters: |
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Definition
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Term
| this sound layer is vague ambient sounds that establish a general location: |
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Definition
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Term
| this is a template for the background session, it's 2 tracks with overlapping ghost regions: |
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Definition
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Term
| this is switching from one location to another and requires a 2 frame overlap: |
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Definition
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Term
| this is the same location but different perspective, interior vs. exterior and close vs. far: |
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Definition
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