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Frank Gehry, Guggenheim Bilbao Museo, Bilbao, Spanje, 1997 |
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Robert Smithson, Spiral Jetty, Great Salt Lake, Utah, 1970 |
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Christo en Jeanne-Claude, Surrounded Islands, Biscane Bay, Miami, Florida, 1980-1983 |
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Joseph Beuys, Hoe men aan een dode haas schilderen uitlegt (Wie man dem toten Hasen die Bilder elkärt), 1965, performance in Galerie Schmela, Düsseldorf |
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Definition
Joseph Kosuth, One and Three Chairs, 1965, gemengde technieken |
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Nam June Paik, video still uit Global Groove, 1973, video |
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Bill Viola, The Crossing, 1996, video-installatie |
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Andy Warhol, Brillo Soap Pads Box, 1964, zeefdruk en acrylverf op paneel |
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Walter de Maria, Lightning Field, 1974-1977, installatie |
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Bruce Naumann, Seven Figures, 1985, neonlicht |
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Dan Flavin, untitled (to Piet Mondrian through his preferred colors, red, yellow and blue) en untitled (to Piet Mondrian who lacked green) 2, 1986, neonlicht |
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Anish Kapoor, Afdaling in het ongewisse/Descent into Limbo, 1992, fiberglas, acrylmedium en pigment |
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Luc Tuymans, Silent Music, 1993, olieverf op doek |
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Douglas Gordon, 24 Hour Psycho, 1993, video installatie |
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Shirin Neshat, Guardians od Revolution (Women of Allah series), 1994, foto |
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Marijke van Warmerdam, Voetbal, 1995, video-installatie |
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James Turell, Milk Run III, 2002, installatie |
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Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991, gemengde technieken |
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Tracey Emin, I've got it all, 2000, foto |
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Thomas Struth, Audience 6 (Galleria dell'Academia), Florence, 2004, foto |
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Angela Bulloch, Macroworld: One Hours3 and Canned, 2002, gemengde technieken |
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Kara Walker, Freedom Fighters for the Society of Forgotten Knowledge, Northern Domestic Scene, 2005, knipsels en lijm op een wand |
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Damien Hirst, For the Love of God, 2007, platina, diamanten, menselijke tanden |
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Marlene Dumas, Osama, 2010, olieverf op doek |
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Ai Weiwei, Sunflower Seeds, 2010, installatie in de Turbine Hall van Tate Modern, London |
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