Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
Going against society Post WW2 Not constrained to their countries views Very anti- rebelling the consistency before the war, being bold and different |
|
|
Term
Grand Narrative
(modernism) |
|
Definition
overall story of how things combine to creat modernism. The history of what happened |
|
|
Term
Themes of Rationalism
(modernism) |
|
Definition
Theres so much more out there, different religions, cultures, opinions |
|
|
Term
|
Definition
Now they are free they can do more, anything they want |
|
|
Term
|
Definition
Truth in youre own thought- not with religion |
|
|
Term
Abstract Expressionsim
(modernism movement) |
|
Definition
Reaction against WW2 Went so radical Political views were dangerous and extreme Abstract—cant say its democratic or communist Tried to bring everyone together with modernism
A movement in experimental, nonrepresentational painting originating in the U.S. in the 1940s, with sources in earlier movements, and embracing many individual styles marked in common by freedom of technique, a preference for dramatically large canvases, and a desire to give spontaneous expression to the unconscious.
ROTHKO and POLLACK |
|
|
Term
POP Art
(modernism movement) |
|
Definition
To promote American capitalism All about consumerism Took figures that everyone could relate to and knew Going against communism All American
An art movement that began in the U.S. in the 1950s and reached its peak of activity in the 1960s, chose as its subject matter the anonymous, everyday, standardized, and banal iconography in American life, as comic strips, billboards, commercial products, and celebrity images, and dealt with them typically in such forms as outsize commercially smooth paintings, mechanically reproduced silkscreens, large-scale facsimiles (exact copy), and soft sculptures.
Andy Warhol |
|
|
Term
Minimalism
(modernism movement) |
|
Definition
Simplicity can express a greater meaning Simple shapes and figures Exploring simple things further Artists believe that they are better at expressing themselves through simplicity Austere- reserved. Never showed emotion No meaning to minimalism |
|
|
Term
New Realism
(modernism movement) |
|
Definition
Fixated on found objects Altering real life objects Taking everyday objects and appreciating the beauty of it Placing an object out of context Taking objects out of context would bring people together. Making a bridge between life and art Pierre restany started this movement |
|
|
Term
Post Modernism
(time period) |
|
Definition
Multi media, digital media Less about the process and more about concept behind it Embracing the differences in everyone Everyones more tolerant
Incorporates pluralism, incorporating everyone’s idea and and opinions Nothing is right nothing is wrong More open, accepting everyone, move forward rebuild the world There is no truth
incorporates: PLURALSIM AND THEMES OF RELATIVISM AND CONCEPTUAL ART |
|
|
Term
Conceptual Art
(post modernism movement) |
|
Definition
technology is very present Execution is irrelevant All bout the idea and meaning behind it Not pressing his meaning and point of the piece on the audience Personal experience for the viewer Take it as they want it |
|
|
Term
|
Definition
understanding all cultures and religions. Everyone started to interact |
|
|
Term
|
Definition
is the concept that points of view have no absolute truth or validity, having only relative, subjective value according to differences in perception and consideration. The term is often used to refer to the context of moral principle, where in a relativistic mode of thought, principles and ethics are regarded as applicable in only limited context. |
|
|
Term
Historical influences on art |
|
Definition
Zen art influenced john dewy in his art Art is the best window into a culture Art is an outlet to other cultures Need to experience the culture to understand it |
|
|
Term
|
Definition
The Art is not a representation of the author / artist, but is instead an exemplification of the time period in which it was created
The body of ideas that determine the knowledge that is intellectually certain (or “correct”) at any particular time.
This body of ideas comes from v¬¬¬arious fields of study / academia (sociology, anthropology, sciences, etc)
Our general sense of what we know / general sense of how we interpret something, as opposed to other ways of interpreting the thoughts of an artist e.i: by sharing a common fantasy (Freud) by direct transmission (Tolstoy)
Episteme is a theory conceived by philosopher Foucault |
|
|
Term
|
Definition
Art provokes thought Through art work youre able to understand Art can help someone gain further knowledge Enriching experience- john dewy |
|
|
Term
|
Definition
|
|
Term
|
Definition
Anyone can think anything is beautiful Nature vs nurture |
|
|
Term
|
Definition
CLOSED OFF
Thinks that everyone has the same taste in beauty Everyone has the same subconscious Its uncontrollable, and natural |
|
|
Term
|
Definition
with enough education and enough experience in art every critics will come to their own consensus of what is beautiful and what is not. |
|
|
Term
|
Definition
“a work of art is object that embodies a meaning” “ “art is whatever object happens to warrant the attention of the art world”
meaning is open, or rather, any meaning can be placed on or ascribed to the art object. Danto focuses less on the artist’s intended meaning, and more on the social and cultural factors / meanings that are ascribed to the art object |
|
|
Term
|
Definition
art is a universal language, to understand one another |
|
|
Term
|
Definition
In every different culture you can find something similar which is art |
|
|
Term
|
Definition
American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. It created an outpouring of seemingly effervescent works that defied the term "minimalism". Nevertheless, he is generally considered the leading international exponent of "minimalism," and it's most important theoretician through such seminal writings such as "Specific Objects.” |
|
|
Term
Richard Serra
(minimalist) |
|
Definition
is an American minimalist sculptor and video artist known for working with large-scale assemblies of sheet metal. Serra was involved in the Process Art Movement. |
|
|
Term
Claes Oldenberg
(minimalist) |
|
Definition
Swedish sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. |
|
|
Term
|
Definition
contemporary American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. |
|
|
Term
|
Definition
Andre is an American minimalist artist recognized for his ordered linear format and grid format sculptures. His sculptures range from large public artworks (such as Stone Field Sculpture, 1977 in Hartford, CT[1] and Lament for the Children, 1976[2] in Long Island City, NY) to more intimate tile patterns arranged on the floor of an exhibition space |
|
|
Term
Modern Cult of Artistic Personality (Post- Modernism) |
|
Definition
Embraces Individualism, a social theory advocating the liberty, rights, or independent action of the individual, the pursuit of individual rather than common or collective interests; egoism.
(differs from past eras where artists worked on a commission basis) |
|
|