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Which part of the ear feels pressure fluctuations? |
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What is the Middle Ear's job? |
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Transforms pressure fluctuations of the outer ear in to vibrations of the small bones (the ossicles) in the middle ear |
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The vibrations from the middle ear are sent to? |
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the cochlea located in the inner ear |
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What happens in the inner ear? |
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vibrations are further transformed by stereocilia (hair cells) into neural impulses distributed by frequency |
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matches ear canal to outside world. OUTER EAR |
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(the passageway) conducts sound into head. OUTER EAR |
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(the drum) transforms pressure fluctuations into displacement |
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The little bones in the middle ear |
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(the hammer) moved by Tympanium. Bone of middle ear. |
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(the anvil) supported by ligaments that protect against loud percussion. Bone of middle ear. |
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(the stirrup) force multiplied by 1.3 because of lever action. Bone of middle ear. |
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(the Snail) converts displacement into neural impulses. Inner ear. |
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neural impulses to brain. Inner ear. |
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detect motion and orientation |
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The location where in the Cochlea the stereocilia are stimulated is the? |
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The number of HC that are stimulated by the sound determines the ? |
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Intensity, or perceived loudness |
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Which part of the ear protects you from loud noises? |
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vibration sense organisms |
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Formula for Sound Intensity Level |
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SIL = 10 Log ( I / Ithreshold ) |
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Magnitude of the sensation produced by a sound; the “amount” of sound. |
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The Human ear is what kind of sensor? |
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Intensity is perceived as? |
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Frequency is perceived as? |
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Vibration Recipe is perceived as? |
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The Fletcher-Munson Diagram is |
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a plot of the SIL (in dB) versus frequency for the SIL required to produce an equal sensation as that produced at 1000 Hz. |
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In a Fletcher-Munson, the contours are of? The unit is? |
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Definition
of equal loudness level phon |
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One of the settings of a Sound Level Meter (filter switch “A”) modifies the calibration of the instrument to account for the frequency dependence of human hearing. |
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Sound Level is then reported as dBA |
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In cube roots, so an 8 person choir is twice (2x) as loud as a soloist. Because ∛8 = 2. |
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is equal to the SIL at 1000 Hz that produces the same magnitude of sensation. |
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Loudness level measured in? |
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Loudness increases approximately with the |
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What is the threshold of intensity? |
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The Intensity of a sound wave is: |
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the energy radiated per unit time per unit area. [W/m2] |
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The objective relative intensity level of sound is quantified as the |
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Definition
Sound Intensity Level (SIL) and the Sound Pressure Level (SPL) |
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Sound Intensity Level (SIL) and the Sound Pressure Level (SPL) are measured in? |
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Sound Intensity Level equation and Ithreshold level |
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SIL = 10 Log( I / Ithreshold ), with Ithreshold = 1 pW/m2 |
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Sound Pressure level equation and pthreshold |
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SPL = 20 Log (p/pthreshold ) With pthreshold = 20 μPa |
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Humans are most sensitive in the frequency range: |
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The lowest detectable intensity (the threshold of hearing Ithreshold ) is about: |
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1 pW/m 2 or 1x10 -12 W/m 2 |
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The intensity at which one experiences pain (the threshold of pain) is about |
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The Sound Intensity Level is 10 times the logarithm of the ratio of the intensity of a sound and the threshold of hearing. |
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0 dB corresponds to an intensity of? |
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The threshold of pain is? |
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20An equal ratio of frequencies sounds like an: |
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Interval or equal distance |
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20An octave is the pitch interval corresponding to a frequency ratio of: |
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How many cents are in an octave? |
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The sensation of pitch is a property of human auditory perception that infers pitch from the: |
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Harmonics (including the fundamental) may be missing but we: |
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hear the difference frequency as well as the harmonics |
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The Just Noticeable Difference (JND) or difference limen is the |
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Definition
difference in pitch (or loudness) that will elicit 75% correct responses in a Two-Alternative Forced-Choice test (2AFC) test. |
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For sustained high pitched tones (>3 kHz): the pitch perception: |
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rises slightly (goes sharp ♯) with loudness |
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For sustained low frequencies (<500 Hz): the pitch perception: |
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drops ( goes flat ♭) with loudness. |
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For pulsed tones: the pitch perception: |
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drops slightly ( goes flat ♭) with increasing loudness for all frequencies |
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Tones are indistinguishable if they are closer than a: |
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Pitch interval is proportional to the logarithm of: |
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Definition
the ratio of the frequencies |
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The intensity of sound decreases with the: |
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square of the inverse of the distance from the source in an open area I / I0 = (r0 /r) 2 |
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The Sound Intensity Level (SIL) diminishes with distance thus: |
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SIL= SIL0 – 20 Log (r / r0 ) |
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Wave motion is characterized by: (6 characteristics) |
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Reflection Refraction Diffraction Doppler Shift Beats Interference |
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every point on the wave is the source of a new (spherical) “wavelet.” |
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f observed ≈ f source ‧ [1 + vobserver /v ][1+ vsource |
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is the return of a wave from a change in a medium. |
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is bending of the wave due to velocity variation along the wavefront. |
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is the bending of the wave around obstacles because of Huygen’s Principle |
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is the change in frequency due to the relative motion. |
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intensity modulations in time due to coherent addition of waves of near equal frequency. |
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spatial modulation of intensity due to the coherent addition of nearly equal frequency waves at different points in space |
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20If two tones have frequencies separated by less than a critical band width they add coherently and the amplitudes of waves are added.Then the intensity will be |
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Definition
proportional to the square of the the combined amplitudes.
Icoherent = (a1 + a2 ) 2 = a1 2 + a2 2 + 2 a1a2 |
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Incoherent addition of waves is equal to the sum of their independent intensities if they are |
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Definition
not within the critical bandwidth
Iincoherent = a12 + a2 2 |
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Standards for "Good" Acoustics (7) |
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Clarity Uniformity Envelopment Smoothness Reverberation Performer Satisfaction Freedom from noise |
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Haas or Precedence Effect |
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Definition
The earliest sound that arrives determines the sense of the origin of a sound, even if the later (<100 ms) reflections are louder. |
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The sound reflects many times, each time: |
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Definition
losing energy to the reflecting surface. |
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absorptivity of the surface |
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The intensity of the sound that is lost in a reflection is |
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The intensity of the reflected wave is |
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The reverberation time is the time |
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Definition
for the intensity to decay by a factor of 10 –6 (- 60dB) of its initial value |
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Sabine equation (in terms of reverberation time) |
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Direct sound should come: |
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is the volume of the room. |
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“effective surface area” of the walls S1 , floor S2 and ceiling S3 (in sabin) etc |
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Se = α1 S1 + α2 S2 + α3 S3 + α4 S4 +… |
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Definition
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“Western Music” is based (approximately) on the |
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Definition
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With Just Temperament it is |
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Definition
impossible to tune all notes or tones of the chromatic scale so that they are all in tune, that is, the correct ratio for all keys. |
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20Equal Temperament intonation is a compromise in which the semitones |
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Definition
are precisely 100 ¢ or a ratio of 1.05946… of its neighbor. |
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integer ratios of adjacent notes in the chromatic scale |
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a constant ratio of adjacent notes in the chromatic scale |
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fundamental frequency equation |
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Definition
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Standing waves on the string are responsible for |
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Definition
the harmonic series of stringed instruments |
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A musical instrument comprises four important components |
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Definition
a mechanical energy source a frequency generator a frequency filter an antenna |
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Frequency of nth harmonic: |
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Definition
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The modes that will be present are those that are |
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The coupling of the string to the sound board will |
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Definition
accentuate or attenuate various frequencies |
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The timbre of a musical instrument (also known as musical recipe) is determined by the |
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Definition
excitation, frequency generation, filtering and broadcast of the harmonics |
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The node-antinode distance is |
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Definition
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Marsenne Equation (frequency of nth harmonic). Used for string instruments |
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Definition
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The timbre of bowed strings is affected |
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(1) by the properties of strings, (2) by the effects in bowing and (3) by the frequency resonances of the instrument. |
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The Stick-Slip Mechanism causes the string to |
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Definition
vibrate when rubbed by the bow |
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The coupling of the string to the sound board will |
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Definition
accentuate or attenuate various frequencies |
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The Difference limen for pitch is about |
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Definition
1/30 the critical band width |
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Pitch Interval corresponding to f2 and f1 : |
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Definition
₧ = 3986 ¢ ‧ Log (f2 /f1 ) |
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TR = 0.16 V/Se
Se = α1 S1 + α2 S2 + α3 S3 + α4 S4 +… |
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Velocity of a wave on a string |
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