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The repetition of accented consonant sounds at the beginning of words that are close to each other, usually to create an effect, rhythm, or emphasis.
(Ex. Big, Bad, Barking dog.) |
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A reference in literature or in art to previous literature, history, mythology, pop culture/current events, or the Bible. |
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Quality of being intentionally unclear. Events can be interpreted in more than one way.
(Ex. "Thou still unravished bride of quietness." -Keats, Ode to a Grecian Urn) |
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Element in a story that is out of its time frame. |
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Clarifies or explains an unfamiliar concept or object, or one that cannot be put into words, by comparing it with one which is familiar.
Similes and Metaphors |
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The process of examining the components of literary work. |
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The poetic foot (measure) that follows the pattern unaccented, unaccented, accented.
Gives poem a moving rhythm |
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A short and often personal story used to emphasize a point, to develop a character or a theme, or to inject humor. |
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A character who functions as a resisting force to the goals of the protagonist.
(Tends to be the villain, though if the protagonist is evil, the antagonist is virtuous
Ex. Macbeth and Macduff) |
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The word or phrase to which a pronoun refers. It often precedes a pronoun in prose (but not necessarily in poetry).
(Ex. "O that this too, too solid flesh would melt,
Thaw and resolve itself into dew." -Shakespeare, Hamlet) |
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An often disappointing, sudden end to an intense situation. |
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A protagonist who carries the action of the literary piece but does not embody the classic characteristics of courage, strength, and nobility.
(Ex. Holden Caulfield) |
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A concept that is directly opposed to a previously presented idea. |
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A rhetorical figure of direct address to a person, object, or abstract entity.
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A character, situation, or symbol that is familiar to people from all cultures because it occurs frequently in literature, myth, religion, or folklore.
Ex.) Symbol:
Dove of Peace |
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The repeated use of a vowel sound.
Ex.) How now brown cow.
Twice five miles in a mazy motion. |
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Emotional cleansing or feeling of relief.
(from the audience) |
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Associations a word calls to mind.
House and Home
Light, Fire, Mother, Father, Rose, Water
(Can reveal authors intent) |
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The dictionary or literal meaning of a word or phrase.
-Different from Connotation- |
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Literally, when the god's intervene at a story's end to resolve a seemingly impossible conflict. A cop-out ending.
Ex.) Sleeping beauty, Greek Mythology |
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The deliberate choice of a style of language for a desired effect or tone. The effect of
formal, informal, or colloquial
Hawthorne Mark Twain |
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Substitution of an inoffensive word or phrase for another that would be harsh, offensive, or embarrassing.
Usually wordier than the original. |
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In poetry, a rhymed couplet written in iambic pentameter
(5 ft., each w/ one unstressed syllable followed by a stressed syllable.) |
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An extreme exaggeration for literary effect that is not meant to be interpreted literally. |
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A figure of speech which compares 2 dissimilar things, asserting that one is another thing, not just that one is like another.
(Compare w/ analogy & similie) |
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Figure of speech that replaces the name of something w/ a word or phrase closely associated to it.
Similar to Synecdoche
Ex.) "the White House" "the President" "The Presidency" |
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A figure of speech that combines 2 contradictory words.
Ex.) Wisefool, bittersweet |
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A statment or situation that at first seems impossible or oxymoronic, but which solves itself and reveals meaning.
Ex.) "Fair is foul and foul is fair" (Shakespeare, Macbeth). |
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Attribution of human characteristics to an animal or inanimate object. |
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Humorous play on words that have several meanings or words that sound the same but have different meanings.
Ex.) "You will find me a graver man", Romeo and Juliet, Mercutio |
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In writing, a movement from one thought or idea to another; a change. |
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A comparison of unlike things using the word like, as, or so. |
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A concrete object, or action which has deeper significance because it is associated w/ something else, often an important idea or theme. |
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A figure of speech where one part represents the entire object, or vice versa.
Ex.) All hands on deck; lend me you ears. |
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The way in which words, phrases, and sentences are ordered and connected. |
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Refers to the author's attitude toward the subject, and often sets the mood of the piece. |
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