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Bill Viola, He Weeps For you, 1976, video/sound installation |
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Viola, Reverse Television-Portraits of Viewers, 1983 |
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Matthew Barney, Drawing Restraint 2, 1988-89 |
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Barney, Drawing Restraint 2, 1988-89 |
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Barney, Drawing Restraint 2, 1988-89 |
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Barney, Drawing Restraint 7, 1993 |
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Barney, Cremaster 1, 1995 |
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Barney, Cremaster 2, 1999 |
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Barney, Cremaster 3, 2002 |
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Barney, Cremaster 4, 1995 |
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Barney, Cremaster 5, 1997 |
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Barney, Drawing Restraint 9, 2005, |
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Barney, Drawing Restraint 9, 2005 |
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Barney, Drawing Restraint 9, 2005 |
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Barney, Drawing Restraint 9, 2005 |
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Barney, Drawing Restraint 9, 2005 |
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Barney, The Deportment of the Host, 2006, film set returns |
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Barney, Torii, 2006, film set returns |
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Douglas Gordon, 24 Hour Psycho, 1993 |
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Gordon, 24 Hour Psycho, 1993, video installation |
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Gordon, List of Names, 1990-ongoing, wall text, typeface variable |
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Gordon, 30 seconds text, 1996, vinyl text in Bembo and Helvetica typefaces, black wall, timing device and lightbulb |
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Gordon, Bootleg (Bigmouth), 1996, video installation with color video |
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Gordon, Bootleg (Stoned), 1996 |
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Gordon, Bootleg (Empire), 1998, video installation |
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Gordon and Philippe Parreno, Zidane a 21st Century Portrait, 2006, two channel video |
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Jeff Wall, Picture for Women, 1979 |
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Wall, The Storyteller, 1986 |
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Wall, A Suddent Gust of Wind (after Hokusai), 1993 |
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Thomas Struth, Clinton Road, London, 1977 |
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Struth, Crosby Street, New York (Soho), 1978 |
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Struth, Musee du Lourve IV, Paris, 1989 |
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Struth, Audience 2, Florence, 2004 |
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Thomas Ruff, Portrait (A.Kachoid), 1987/Portrait (R. Hubert), 1988 |
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Andreas Gursky, Tokyo Stock Exchange, 1990 |
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Gursky, Hong Kong and Shanghai Bank, 1994 |
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